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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 21 253 it is the complementary color RGB 234 234 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 21 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 21 253 shade: RGB 26 21 248, RGB 43 39 255, RGB 60 57 255, RGB 77 75 255 and RGB 94 93 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 21 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 21 253 shade: RGB 21 21 253, RGB 4 3 234, RGB 0 0 215, RGB 0 0 196 and RGB 0 0 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 21 253 shade: RGB 22 22 252, RGB 84 22 252, RGB 146 22 252, RGB 208 22 252 and RGB 252 22 234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 21 253 shade: RGB 22 22 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 21 253 shade matches the following richer shades: RGB 22 22 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 21 253 shade: RGB 22 22 252, RGB 41 41 233, RGB 60 60 214, RGB 79 79 195 and RGB 98 98 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 21 253 shade: RGB 22 145 252, RGB 22 84 252, RGB 22 22 252, RGB 84 22 252 and RGB 145 22 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 21 253 shade: RGB 1 1 190, RGB 2 2 231, RGB 22 22 252, RGB 63 63 253 and RGB 104 104 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 21 253 shade: RGB 21 21 253, RGB 252 22 206 and RGB 114 252 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 21 253 shade: RGB 21 21 253, RGB 252 22 22 and RGB 22 252 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 21 253 shade: RGB 21 21 253, RGB 252 22 206, RGB 252 252 22 and RGB 22 252 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 21 253 shade: RGB 21 21 253, RGB 252 22 137, RGB 252 252 22 and RGB 22 252 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 92 / 0 / 1

HEX #1515FD

RGB 21 21 253

HSL 240, 0.98%, 0.54%

LAB 33.54, 75.24, -104.67

 

Complementary color

CMYK 0 / 0 / 99 / 8

HEX #EAEA02

RGB 234 234 2

HSL 60, 0.98%, 0.46%

LAB 90.02, -20.18, 88.38

 

CMYK 90 / 92 / 0 / 3

HEX #1A15F8

RGB 26 21 248

HSL 241.32, 0.94%, 0.53%

LAB 32.99, 74.02, -102.76

 

CMYK 83 / 85 / 0 / 0

HEX #2B27FF

RGB 43 39 255

HSL 241.11, 1%, 0.58%

LAB 36.34, 70.67, -101.1

 

CMYK 76 / 78 / 0 / 0

HEX #3C39FF

RGB 60 57 255

HSL 240.91, 1%, 0.61%

LAB 39.76, 63.72, -95.39

 

CMYK 70 / 71 / 0 / 0

HEX #4D4BFF

RGB 77 75 255

HSL 240.67, 1%, 0.65%

LAB 43.99, 55.81, -88.37

 

CMYK 63 / 64 / 0 / 0

HEX #5E5DFF

RGB 94 93 255

HSL 240.37, 1%, 0.68%

LAB 48.8, 47.68, -80.44

 

CMYK 92 / 92 / 0 / 1

HEX #1515FD

RGB 21 21 253

HSL 240, 0.98%, 0.54%

LAB 33.54, 75.24, -104.67

 

CMYK 98 / 99 / 0 / 8

HEX #0403EA

RGB 4 3 234

HSL 240.26, 0.97%, 0.46%

LAB 29.49, 73.72, -100.69

 

CMYK 100 / 100 / 0 / 16

HEX #0000D7

RGB 0 0 215

HSL 240, 1%, 0.42%

LAB 26.47, 69.63, -94.83

 

CMYK 100 / 100 / 0 / 23

HEX #0000C4

RGB 0 0 196

HSL 240, 1%, 0.38%

LAB 23.62, 64.97, -88.48

 

CMYK 100 / 100 / 0 / 31

HEX #0000B1

RGB 0 0 177

HSL 240, 1%, 0.35%

LAB 20.73, 60.22, -82.02

 

CMYK 91 / 91 / 0 / 1

HEX #1616FC

RGB 22 22 252

HSL 240, 0.97%, 0.54%

LAB 33.5, 74.75, -104.16

 

CMYK 67 / 91 / 0 / 1

HEX #5416FC

RGB 84 22 252

HSL 256.17, 0.97%, 0.54%

LAB 36.91, 76.68, -98.4

 

CMYK 42 / 91 / 0 / 1

HEX #9216FC

RGB 146 22 252

HSL 272.35, 0.97%, 0.54%

LAB 43.82, 81.5, -86.74

 

CMYK 17 / 91 / 0 / 1

HEX #D016FC

RGB 208 22 252

HSL 288.52, 0.97%, 0.54%

LAB 52.96, 89.16, -71.43

 

CMYK 0 / 91 / 7 / 1

HEX #FC16EA

RGB 252 22 234

HSL 304.7, 0.97%, 0.54%

LAB 59.17, 93.37, -51.01

 

CMYK 91 / 91 / 0 / 1

HEX #1616FC

RGB 22 22 252

HSL 240, 0.97%, 0.54%

LAB 33.5, 74.75, -104.16

 

CMYK 91 / 91 / 0 / 1

HEX #1616FC

RGB 22 22 252

HSL 240, 0.97%, 0.54%

LAB 33.5, 74.75, -104.16

 

CMYK 91 / 91 / 0 / 1

HEX #1616FC

RGB 22 22 252

HSL 240, 0.97%, 0.54%

LAB 33.5, 74.75, -104.16

 

CMYK 82 / 82 / 0 / 9

HEX #2929E9

RGB 41 41 233

HSL 240, 0.81%, 0.54%

LAB 33.86, 63.54, -92.81

 

CMYK 72 / 72 / 0 / 16

HEX #3C3CD6

RGB 60 60 214

HSL 240, 0.65%, 0.54%

LAB 36.08, 49.39, -78.22

 

CMYK 59 / 59 / 0 / 24

HEX #4F4FC3

RGB 79 79 195

HSL 240, 0.49%, 0.54%

LAB 39.91, 34.36, -60.89

 

CMYK 44 / 44 / 0 / 31

HEX #6262B0

RGB 98 98 176

HSL 240, 0.33%, 0.54%

LAB 44.89, 20.56, -41.7

 

CMYK 91 / 42 / 0 / 1

HEX #1691FC

RGB 22 145 252

HSL 207.91, 0.97%, 0.54%

LAB 59.39, 7.85, -61.74

 

CMYK 91 / 67 / 0 / 1

HEX #1654FC

RGB 22 84 252

HSL 223.83, 0.97%, 0.54%

LAB 43.57, 45.87, -87.47

 

CMYK 91 / 91 / 0 / 1

HEX #1616FC

RGB 22 22 252

HSL 240, 0.97%, 0.54%

LAB 33.5, 74.75, -104.16

 

CMYK 67 / 91 / 0 / 1

HEX #5416FC

RGB 84 22 252

HSL 256.17, 0.97%, 0.54%

LAB 36.91, 76.68, -98.4

 

CMYK 42 / 91 / 0 / 1

HEX #9116FC

RGB 145 22 252

HSL 272.09, 0.97%, 0.54%

LAB 43.69, 81.4, -86.97

 

CMYK 99 / 99 / 0 / 25

HEX #0101BE

RGB 1 1 190

HSL 240, 0.99%, 0.37%

LAB 22.81, 63.25, -86.29

 

CMYK 99 / 99 / 0 / 9

HEX #0202E7

RGB 2 2 231

HSL 240, 0.98%, 0.46%

LAB 28.97, 73.15, -99.85

 

CMYK 91 / 91 / 0 / 1

HEX #1616FC

RGB 22 22 252

HSL 240, 0.97%, 0.54%

LAB 33.5, 74.75, -104.16

 

CMYK 75 / 75 / 0 / 1

HEX #3F3FFD

RGB 63 63 253

HSL 240, 0.98%, 0.62%

LAB 40.74, 60.35, -92.64

 

CMYK 59 / 59 / 0 / 1

HEX #6868FD

RGB 104 104 253

HSL 240, 0.97%, 0.7%

LAB 51.76, 42.14, -74.46

 

CMYK 92 / 92 / 0 / 1

HEX #1515FD

RGB 21 21 253

HSL 240, 0.98%, 0.54%

LAB 33.54, 75.24, -104.67

 

CMYK 0 / 91 / 18 / 1

HEX #FC16CE

RGB 252 22 206

HSL 312, 0.97%, 0.54%

LAB 57.78, 89.82, -37.35

 

CMYK 55 / 0 / 91 / 1

HEX #72FC16

RGB 114 252 22

HSL 96, 0.97%, 0.54%

LAB 88.57, -70.21, 82.6

 

CMYK 92 / 92 / 0 / 1

HEX #1515FD

RGB 21 21 253

HSL 240, 0.98%, 0.54%

LAB 33.54, 75.24, -104.67

 

CMYK 0 / 91 / 91 / 1

HEX #FC1616

RGB 252 22 22

HSL 0, 0.97%, 0.54%

LAB 53.31, 77.75, 60.91

 

CMYK 91 / 0 / 91 / 1

HEX #16FC16

RGB 22 252 22

HSL 120, 0.97%, 0.54%

LAB 86.92, -84.28, 80.56

 

CMYK 92 / 92 / 0 / 1

HEX #1515FD

RGB 21 21 253

HSL 240, 0.98%, 0.54%

LAB 33.54, 75.24, -104.67

 

CMYK 0 / 91 / 18 / 1

HEX #FC16CE

RGB 252 22 206

HSL 312, 0.97%, 0.54%

LAB 57.78, 89.82, -37.35

 

CMYK 0 / 0 / 91 / 1

HEX #FCFC16

RGB 252 252 22

HSL 60, 0.97%, 0.54%

LAB 96.15, -21.17, 91.83

 

CMYK 91 / 0 / 73 / 1

HEX #16FC44

RGB 22 252 68

HSL 132, 0.97%, 0.54%

LAB 87.1, -82.01, 69.82

 

CMYK 92 / 92 / 0 / 1

HEX #1515FD

RGB 21 21 253

HSL 240, 0.98%, 0.54%

LAB 33.54, 75.24, -104.67

 

CMYK 0 / 91 / 46 / 1

HEX #FC1689

RGB 252 22 137

HSL 330, 0.97%, 0.54%

LAB 55.15, 82.86, -1.01

 

CMYK 0 / 0 / 91 / 1

HEX #FCFC16

RGB 252 252 22

HSL 60, 0.97%, 0.54%

LAB 96.15, -21.17, 91.83

 

CMYK 91 / 0 / 46 / 1

HEX #16FC89

RGB 22 252 137

HSL 150, 0.97%, 0.54%

LAB 87.77, -73.68, 41.4

 

Description

Color code: RGB 21 21 253 | qconv.com Color code: RGB 21 21 253 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 21 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 21 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 92 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 92% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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