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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 20 137 it is the complementary color RGB 15 235 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 20 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 240 20 137: RGB 245 20 132, RGB 255 38 151, RGB 255 56 170, RGB 255 74 189 and RGB 255 92 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 20 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 240 20 137: RGB 240 20 137, RGB 223 2 118, RGB 206 0 99, RGB 189 0 80 and RGB 172 0 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 43 / 6

HEX #F01489

RGB 240 20 137

HSL 328.09, 0.88%, 0.51%

LAB 52.76, 80.47, -4.79

 

Complementary color

CMYK 94 / 0 / 50 / 8

HEX #0FEB76

RGB 15 235 118

HSL 148.09, 0.88%, 0.49%

LAB 82.29, -71.6, 43.6

 

CMYK 0 / 92 / 46 / 4

HEX #F51484

RGB 245 20 132

HSL 330.13, 0.92%, 0.52%

LAB 53.58, 81.15, -0.48

 

CMYK 0 / 85 / 41 / 0

HEX #FF2697

RGB 255 38 151

HSL 328.76, 1%, 0.57%

LAB 56.96, 82.36, -6.59

 

CMYK 0 / 78 / 33 / 0

HEX #FF38AA

RGB 255 56 170

HSL 325.63, 1%, 0.61%

LAB 58.97, 80.26, -14.71

 

CMYK 0 / 71 / 26 / 0

HEX #FF4ABD

RGB 255 74 189

HSL 321.88, 1%, 0.65%

LAB 61.51, 77.13, -21.8

 

CMYK 0 / 64 / 18 / 0

HEX #FF5CD0

RGB 255 92 208

HSL 317.3, 1%, 0.68%

LAB 64.54, 73.14, -27.94

 

CMYK 0 / 92 / 43 / 6

HEX #F01489

RGB 240 20 137

HSL 328.09, 0.88%, 0.51%

LAB 52.76, 80.47, -4.79

 

CMYK 0 / 99 / 47 / 13

HEX #DF0276

RGB 223 2 118

HSL 328.51, 0.98%, 0.44%

LAB 48.31, 76.77, -0.19

 

CMYK 0 / 100 / 52 / 19

HEX #CE0063

RGB 206 0 99

HSL 331.17, 1%, 0.4%

LAB 44.27, 71.76, 5.3

 

CMYK 0 / 100 / 58 / 26

HEX #BD0050

RGB 189 0 80

HSL 334.6, 1%, 0.37%

LAB 40.24, 66.58, 11.14

 

CMYK 0 / 100 / 65 / 33

HEX #AC003D

RGB 172 0 61

HSL 338.72, 1%, 0.34%

LAB 36.19, 61.4, 17.27

 

CMYK 0 / 92 / 43 / 6

HEX #F01489

RGB 240 20 137

HSL 328.09, 0.88%, 0.51%

LAB 52.76, 80.47, -4.79

 

CMYK 0 / 92 / 58 / 6

HEX #F01464

RGB 240 20 100

HSL 338.18, 0.88%, 0.51%

LAB 51.78, 77.77, 16.2

 

CMYK 0 / 92 / 73 / 6

HEX #F01440

RGB 240 20 64

HSL 348, 0.88%, 0.51%

LAB 51.15, 76.02, 37.05

 

CMYK 0 / 92 / 89 / 6

HEX #F0141B

RGB 240 20 27

HSL 358.09, 0.88%, 0.51%

LAB 50.81, 75.07, 56.11

 

CMYK 0 / 80 / 92 / 6

HEX #F03114

RGB 240 49 20

HSL 7.91, 0.88%, 0.51%

LAB 52.7, 69.49, 60.03

 

CMYK 0 / 92 / 43 / 6

HEX #F01489

RGB 240 20 137

HSL 328.09, 0.88%, 0.51%

LAB 52.76, 80.47, -4.79

 

CMYK 0 / 92 / 42 / 86

HEX #240315

RGB 36 3 21

HSL 327.27, 0.85%, 0.08%

LAB 4.47, 17.39, -3.14

 

CMYK 0 / 92 / 43 / 66

HEX #570732

RGB 87 7 50

HSL 327.75, 0.85%, 0.18%

LAB 17.5, 37.58, -4.22

 

CMYK 0 / 91 / 43 / 46

HEX #8A0C4F

RGB 138 12 79

HSL 328.1, 0.84%, 0.29%

LAB 29.99, 52.78, -4.36

 

CMYK 0 / 92 / 43 / 26

HEX #BD106C

RGB 189 16 108

HSL 328.09, 0.84%, 0.4%

LAB 41.65, 67.02, -4.58

 

CMYK 0 / 92 / 43 / 6

HEX #F01489

RGB 240 20 137

HSL 328.09, 0.88%, 0.51%

LAB 52.76, 80.47, -4.79

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 92 / 6 / 0 / 6

HEX #14E1F0

RGB 20 225 240

HSL 184.09, 0.88%, 0.51%

LAB 82, -38.73, -19.99

 

CMYK 0 / 92 / 43 / 6

HEX #F01489

RGB 240 20 137

HSL 328.09, 0.88%, 0.51%

LAB 52.76, 80.47, -4.79

 

CMYK 43 / 0 / 92 / 6

HEX #89F014

RGB 137 240 20

HSL 88.09, 0.88%, 0.51%

LAB 85.85, -59.38, 80.97

 

CMYK 92 / 43 / 0 / 6

HEX #1489F0

RGB 20 137 240

HSL 208.09, 0.88%, 0.51%

LAB 56.42, 8.05, -59.89

 

CMYK 0 / 92 / 43 / 6

HEX #F01489

RGB 240 20 137

HSL 328.09, 0.88%, 0.51%

LAB 52.76, 80.47, -4.79

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 92 / 0 / 49 / 6

HEX #14F07A

RGB 20 240 122

HSL 147.82, 0.88%, 0.51%

LAB 83.9, -72.35, 43.71

 

CMYK 92 / 61 / 0 / 6

HEX #145DF0

RGB 20 93 240

HSL 220.09, 0.88%, 0.51%

LAB 44.62, 35.78, -79.02

 

CMYK 0 / 92 / 43 / 6

HEX #F01489

RGB 240 20 137

HSL 328.09, 0.88%, 0.51%

LAB 52.76, 80.47, -4.79

 

CMYK 0 / 3 / 92 / 6

HEX #F0E814

RGB 240 232 20

HSL 57.82, 0.88%, 0.51%

LAB 89.99, -16.54, 86.95

 

CMYK 92 / 0 / 49 / 6

HEX #14F07A

RGB 20 240 122

HSL 147.82, 0.88%, 0.51%

LAB 83.9, -72.35, 43.71

 

CMYK 92 / 89 / 0 / 6

HEX #141BF0

RGB 20 27 240

HSL 238.09, 0.88%, 0.51%

LAB 32.31, 70.17, -99.38

 

Description

Color code: RGB 240 20 137 | qconv.com Color code: RGB 240 20 137 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 20 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 20 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 43 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 43% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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