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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 138 78 it is the complementary color RGB 15 117 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 138 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 240 138 78: RGB 245 138 73, RGB 255 156 92, RGB 255 174 111, RGB 255 192 130 and RGB 255 210 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 138 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 240 138 78: RGB 240 138 78, RGB 223 120 59, RGB 206 102 40, RGB 189 84 21 and RGB 172 66 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 68 / 6

HEX #F08A4E

RGB 240 138 78

HSL 22.22, 0.84%, 0.62%

LAB 67.47, 33.93, 48.14

 

Complementary color

CMYK 92 / 34 / 0 / 31

HEX #0F75B1

RGB 15 117 177

HSL 202.22, 0.84%, 0.38%

LAB 46.97, -4.3, -39.2

 

CMYK 0 / 44 / 70 / 4

HEX #F58A49

RGB 245 138 73

HSL 22.67, 0.9%, 0.62%

LAB 68.07, 35.64, 51.45

 

CMYK 0 / 39 / 64 / 0

HEX #FF9C5C

RGB 255 156 92

HSL 23.56, 1%, 0.68%

LAB 73.42, 31.37, 48.49

 

CMYK 0 / 32 / 56 / 0

HEX #FFAE6F

RGB 255 174 111

HSL 26.25, 1%, 0.72%

LAB 77.69, 23.29, 44.02

 

CMYK 0 / 25 / 49 / 0

HEX #FFC082

RGB 255 192 130

HSL 29.76, 1%, 0.75%

LAB 82.15, 15.47, 39.91

 

CMYK 0 / 18 / 42 / 0

HEX #FFD295

RGB 255 210 149

HSL 34.53, 1%, 0.79%

LAB 86.76, 7.97, 36.14

 

CMYK 0 / 43 / 68 / 6

HEX #F08A4E

RGB 240 138 78

HSL 22.22, 0.84%, 0.62%

LAB 67.47, 33.93, 48.14

 

CMYK 0 / 46 / 74 / 13

HEX #DF783B

RGB 223 120 59

HSL 22.32, 0.72%, 0.55%

LAB 61.17, 35.53, 49.91

 

CMYK 0 / 50 / 81 / 19

HEX #CE6628

RGB 206 102 40

HSL 22.41, 0.67%, 0.48%

LAB 54.84, 37.29, 51.53

 

CMYK 0 / 56 / 89 / 26

HEX #BD5415

RGB 189 84 21

HSL 22.5, 0.8%, 0.41%

LAB 48.53, 39.17, 52.56

 

CMYK 0 / 62 / 99 / 33

HEX #AC4202

RGB 172 66 2

HSL 22.59, 0.98%, 0.34%

LAB 42.26, 41.07, 52.48

 

CMYK 0 / 43 / 68 / 6

HEX #F08A4E

RGB 240 138 78

HSL 22.22, 0.84%, 0.62%

LAB 67.47, 33.93, 48.14

 

CMYK 0 / 32 / 68 / 6

HEX #EFA34C

RGB 239 163 76

HSL 32.02, 0.84%, 0.62%

LAB 72.94, 20.28, 55.11

 

CMYK 0 / 21 / 68 / 6

HEX #EFBE4C

RGB 239 190 76

HSL 41.96, 0.84%, 0.62%

LAB 79.44, 6.06, 62.02

 

CMYK 0 / 9 / 68 / 6

HEX #EFD94C

RGB 239 217 76

HSL 51.9, 0.84%, 0.62%

LAB 86.25, -7.79, 69.02

 

CMYK 2 / 0 / 68 / 6

HEX #EAEF4C

RGB 234 239 76

HSL 61.84, 0.84%, 0.62%

LAB 91.57, -20.68, 74.21

 

CMYK 0 / 43 / 68 / 6

HEX #F08A4E

RGB 240 138 78

HSL 22.22, 0.84%, 0.62%

LAB 67.47, 33.93, 48.14

 

CMYK 0 / 42 / 67 / 86

HEX #24150C

RGB 36 21 12

HSL 22.5, 0.5%, 0.09%

LAB 8.46, 6.34, 7.83

 

CMYK 0 / 43 / 68 / 66

HEX #57321C

RGB 87 50 28

HSL 22.37, 0.51%, 0.23%

LAB 24.92, 14.39, 20.89

 

CMYK 0 / 43 / 67 / 46

HEX #8A4F2D

RGB 138 79 45

HSL 21.94, 0.51%, 0.36%

LAB 39.89, 21.58, 30.34

 

CMYK 0 / 42 / 68 / 26

HEX #BD6D3D

RGB 189 109 61

HSL 22.5, 0.51%, 0.49%

LAB 54.13, 27.62, 39.88

 

CMYK 0 / 43 / 68 / 6

HEX #F08A4E

RGB 240 138 78

HSL 22.22, 0.84%, 0.62%

LAB 67.47, 33.93, 48.14

 

CMYK 38 / 0 / 68 / 6

HEX #93EF4C

RGB 147 239 76

HSL 93.87, 0.84%, 0.62%

LAB 86.23, -53.28, 67.07

 

CMYK 68 / 66 / 0 / 6

HEX #4C52EF

RGB 76 82 239

HSL 237.79, 0.84%, 0.62%

LAB 43.95, 46.62, -79.48

 

CMYK 0 / 43 / 68 / 6

HEX #F08A4E

RGB 240 138 78

HSL 22.22, 0.84%, 0.62%

LAB 67.47, 33.93, 48.14

 

CMYK 68 / 0 / 43 / 6

HEX #4CEF88

RGB 76 239 136

HSL 142.09, 0.84%, 0.62%

LAB 84.51, -63.94, 37.83

 

CMYK 43 / 68 / 0 / 6

HEX #884CEF

RGB 136 76 239

HSL 262.09, 0.84%, 0.62%

LAB 47.8, 58.96, -72.98

 

CMYK 0 / 43 / 68 / 6

HEX #F08A4E

RGB 240 138 78

HSL 22.22, 0.84%, 0.62%

LAB 67.47, 33.93, 48.14

 

CMYK 38 / 0 / 68 / 6

HEX #93EF4C

RGB 147 239 76

HSL 93.87, 0.84%, 0.62%

LAB 86.23, -53.28, 67.07

 

CMYK 68 / 25 / 0 / 6

HEX #4CB3EF

RGB 76 179 239

HSL 202.09, 0.84%, 0.62%

LAB 69.48, -11.14, -38.61

 

CMYK 30 / 68 / 0 / 6

HEX #A84CEF

RGB 168 76 239

HSL 273.87, 0.84%, 0.62%

LAB 51.53, 64.96, -66.76

 

CMYK 0 / 43 / 68 / 6

HEX #F08A4E

RGB 240 138 78

HSL 22.22, 0.84%, 0.62%

LAB 67.47, 33.93, 48.14

 

CMYK 59 / 0 / 68 / 6

HEX #62EF4C

RGB 98 239 76

HSL 111.9, 0.84%, 0.62%

LAB 84.41, -67.02, 64.6

 

CMYK 68 / 25 / 0 / 6

HEX #4CB3EF

RGB 76 179 239

HSL 202.09, 0.84%, 0.62%

LAB 69.48, -11.14, -38.61

 

CMYK 9 / 68 / 0 / 6

HEX #D94CEF

RGB 217 76 239

HSL 291.9, 0.84%, 0.62%

LAB 58.18, 75.02, -55.71

 

Description

Color code: RGB 240 138 78 | qconv.com Color code: RGB 240 138 78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 138 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 138 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 68 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 68% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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