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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 128 251 it is the complementary color RGB 15 127 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 128 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 240 128 251: RGB 245 128 246, RGB 255 146 255, RGB 255 164 255, RGB 255 182 255 and RGB 255 200 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 128 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 240 128 251: RGB 240 128 251, RGB 223 110 232, RGB 206 92 213, RGB 189 74 194 and RGB 172 56 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 49 / 0 / 2

HEX #F080FB

RGB 240 128 251

HSL 294.63, 0.94%, 0.74%

LAB 70.13, 60.21, -43.25

 

Complementary color

CMYK 88 / 0 / 97 / 50

HEX #0F7F04

RGB 15 127 4

HSL 114.63, 0.94%, 0.26%

LAB 46.03, -50, 48.95

 

CMYK 0 / 48 / 0 / 4

HEX #F580F6

RGB 245 128 246

HSL 299.49, 0.87%, 0.73%

LAB 70.53, 60.69, -39.84

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 4 / 49 / 0 / 2

HEX #F080FB

RGB 240 128 251

HSL 294.63, 0.94%, 0.74%

LAB 70.13, 60.21, -43.25

 

CMYK 4 / 53 / 0 / 9

HEX #DF6EE8

RGB 223 110 232

HSL 295.57, 0.73%, 0.67%

LAB 63.89, 60.81, -42.72

 

CMYK 3 / 57 / 0 / 16

HEX #CE5CD5

RGB 206 92 213

HSL 296.53, 0.59%, 0.6%

LAB 57.64, 61.28, -42.06

 

CMYK 3 / 62 / 0 / 24

HEX #BD4AC2

RGB 189 74 194

HSL 297.5, 0.5%, 0.53%

LAB 51.39, 61.54, -41.2

 

CMYK 2 / 68 / 0 / 31

HEX #AC38AF

RGB 172 56 175

HSL 298.49, 0.52%, 0.45%

LAB 45.21, 61.41, -40.07

 

CMYK 4 / 49 / 0 / 2

HEX #F080FB

RGB 240 128 251

HSL 294.63, 0.94%, 0.74%

LAB 70.13, 60.21, -43.25

 

CMYK 0 / 50 / 4 / 2

HEX #FB7EF2

RGB 251 126 242

HSL 304.32, 0.94%, 0.74%

LAB 70.76, 62.6, -37.23

 

CMYK 0 / 50 / 12 / 2

HEX #FB7EDD

RGB 251 126 221

HSL 314.4, 0.94%, 0.74%

LAB 69.93, 59.23, -26.95

 

CMYK 0 / 50 / 20 / 2

HEX #FB7EC9

RGB 251 126 201

HSL 324, 0.94%, 0.74%

LAB 69.22, 56.26, -16.92

 

CMYK 0 / 50 / 28 / 2

HEX #FB7EB4

RGB 251 126 180

HSL 334.08, 0.94%, 0.74%

LAB 68.55, 53.42, -6.15

 

CMYK 4 / 49 / 0 / 2

HEX #F080FB

RGB 240 128 251

HSL 294.63, 0.94%, 0.74%

LAB 70.13, 60.21, -43.25

 

CMYK 4 / 49 / 0 / 82

HEX #2D182F

RGB 45 24 47

HSL 294.78, 0.32%, 0.14%

LAB 12.07, 15.24, -11.07

 

CMYK 4 / 49 / 0 / 62

HEX #5E3262

RGB 94 50 98

HSL 295, 0.32%, 0.29%

LAB 28.23, 28.13, -20.18

 

CMYK 5 / 49 / 0 / 42

HEX #8E4C95

RGB 142 76 149

HSL 294.25, 0.32%, 0.44%

LAB 42.9, 39.32, -28.52

 

CMYK 5 / 49 / 0 / 22

HEX #BF66C8

RGB 191 102 200

HSL 294.49, 0.47%, 0.59%

LAB 56.83, 50.05, -36.08

 

CMYK 4 / 49 / 0 / 2

HEX #F080FB

RGB 240 128 251

HSL 294.63, 0.94%, 0.74%

LAB 70.13, 60.21, -43.25

 

CMYK 0 / 45 / 50 / 2

HEX #FB8A7E

RGB 251 138 126

HSL 5.76, 0.94%, 0.74%

LAB 69.61, 41.61, 25.58

 

CMYK 50 / 0 / 25 / 2

HEX #7EFBBC

RGB 126 251 188

HSL 149.76, 0.94%, 0.74%

LAB 90.35, -49, 19.67

 

CMYK 4 / 49 / 0 / 2

HEX #F080FB

RGB 240 128 251

HSL 294.63, 0.94%, 0.74%

LAB 70.13, 60.21, -43.25

 

CMYK 0 / 5 / 50 / 2

HEX #FBEE7E

RGB 251 238 126

HSL 53.76, 0.94%, 0.74%

LAB 93.09, -9.97, 55.27

 

CMYK 50 / 0 / 5 / 2

HEX #7EFBEE

RGB 126 251 238

HSL 173.76, 0.94%, 0.74%

LAB 91.51, -37.99, -4.52

 

CMYK 4 / 49 / 0 / 2

HEX #F080FB

RGB 240 128 251

HSL 294.63, 0.94%, 0.74%

LAB 70.13, 60.21, -43.25

 

CMYK 0 / 45 / 50 / 2

HEX #FB8A7E

RGB 251 138 126

HSL 5.76, 0.94%, 0.74%

LAB 69.61, 41.61, 25.58

 

CMYK 45 / 0 / 50 / 2

HEX #8AFB7E

RGB 138 251 126

HSL 114.24, 0.94%, 0.74%

LAB 89.81, -55.88, 49.72

 

CMYK 50 / 5 / 0 / 2

HEX #7EEEFB

RGB 126 238 251

HSL 186.24, 0.94%, 0.74%

LAB 88.23, -28.64, -16.17

 

CMYK 4 / 49 / 0 / 2

HEX #F080FB

RGB 240 128 251

HSL 294.63, 0.94%, 0.74%

LAB 70.13, 60.21, -43.25

 

CMYK 0 / 30 / 50 / 2

HEX #FBB07E

RGB 251 176 126

HSL 24, 0.94%, 0.74%

LAB 77.91, 21.9, 36.48

 

CMYK 45 / 0 / 50 / 2

HEX #8AFB7E

RGB 138 251 126

HSL 114.24, 0.94%, 0.74%

LAB 89.81, -55.88, 49.72

 

CMYK 50 / 20 / 0 / 2

HEX #7EC9FB

RGB 126 201 251

HSL 204, 0.94%, 0.74%

LAB 77.98, -9.96, -31.76

 

Description

Color code: RGB 240 128 251 | qconv.com Color code: RGB 240 128 251 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 128 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 128 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 49 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 49% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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