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Color name
RGB 240 103 174

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 103 174 it is the complementary color RGB 15 152 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 103 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 103 174 shade: RGB 245 103 169, RGB 255 121 188, RGB 255 139 207, RGB 255 157 226 and RGB 255 175 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 103 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 103 174 shade: RGB 240 103 174, RGB 223 85 155, RGB 206 67 136, RGB 189 49 117 and RGB 172 31 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 103 174 shade: RGB 240 102 173, RGB 240 102 136 and RGB 240 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 103 174 shade: RGB 240 102 173, RGB 240 102 211, RGB 232 102 240, RGB 195 102 240 and RGB 157 102 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 103 174 shade matches the following richer shades: RGB 240 102 173 and RGB 253 88 174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 103 174 shade: RGB 240 102 173, RGB 226 115 173, RGB 213 129 172, RGB 199 143 172 and RGB 185 156 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 103 174 shade: RGB 231 102 240, RGB 240 102 212, RGB 240 102 175, RGB 240 102 139 and RGB 240 102 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 103 174 shade: RGB 232 27 133, RGB 236 64 153, RGB 240 102 173, RGB 244 139 193 and RGB 247 177 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 103 174 shade: RGB 240 103 174, RGB 240 194 102 and RGB 102 231 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 103 174 shade: RGB 240 103 174, RGB 175 240 102 and RGB 102 175 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 103 174 shade: RGB 240 103 174, RGB 240 194 102, RGB 102 240 166 and RGB 102 148 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 103 174 shade: RGB 240 103 174, RGB 240 235 102, RGB 102 240 166 and RGB 102 106 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 28 / 6

HEX #F067AE

RGB 240 103 174

HSL 328.91, 0.82%, 0.67%

LAB 62.74, 59.93, -11.57

 

Complementary color

CMYK 90 / 0 / 47 / 40

HEX #0F9851

RGB 15 152 81

HSL 148.91, 0.82%, 0.33%

LAB 55.23, -50, 28.07

 

CMYK 0 / 58 / 31 / 4

HEX #F567A9

RGB 245 103 169

HSL 332.11, 0.88%, 0.68%

LAB 63.32, 60.82, -7.76

 

CMYK 0 / 53 / 26 / 0

HEX #FF79BC

RGB 255 121 188

HSL 330, 1%, 0.74%

LAB 68.44, 58.08, -10.76

 

CMYK 0 / 45 / 19 / 0

HEX #FF8BCF

RGB 255 139 207

HSL 324.83, 1%, 0.77%

LAB 72.38, 52.06, -15.43

 

CMYK 0 / 38 / 11 / 0

HEX #FF9DE2

RGB 255 157 226

HSL 317.76, 1%, 0.81%

LAB 76.6, 45.92, -19.48

 

CMYK 0 / 31 / 4 / 0

HEX #FFAFF5

RGB 255 175 245

HSL 307.5, 1%, 0.84%

LAB 81.02, 39.8, -23.04

 

CMYK 0 / 57 / 28 / 6

HEX #F067AE

RGB 240 103 174

HSL 328.91, 0.82%, 0.67%

LAB 62.74, 59.93, -11.57

 

CMYK 0 / 62 / 30 / 13

HEX #DF559B

RGB 223 85 155

HSL 329.57, 0.68%, 0.6%

LAB 56.64, 60.34, -10

 

CMYK 0 / 67 / 34 / 19

HEX #CE4388

RGB 206 67 136

HSL 330.22, 0.59%, 0.54%

LAB 50.59, 60.48, -8.09

 

CMYK 0 / 74 / 38 / 26

HEX #BD3175

RGB 189 49 117

HSL 330.86, 0.59%, 0.47%

LAB 44.66, 60.15, -5.7

 

CMYK 0 / 82 / 43 / 33

HEX #AC1F62

RGB 172 31 98

HSL 331.49, 0.69%, 0.4%

LAB 38.95, 59.07, -2.63

 

CMYK 0 / 58 / 28 / 6

HEX #F066AD

RGB 240 102 173

HSL 329.13, 0.82%, 0.67%

LAB 62.55, 60.25, -11.29

 

CMYK 0 / 58 / 43 / 6

HEX #F06688

RGB 240 102 136

HSL 345.22, 0.82%, 0.67%

LAB 61.49, 56.08, 8.46

 

CMYK 0 / 58 / 58 / 6

HEX #F06666

RGB 240 102 102

HSL 0, 0.82%, 0.67%

LAB 60.77, 53.18, 27.06

 

CMYK 0 / 58 / 28 / 6

HEX #F066AD

RGB 240 102 173

HSL 329.13, 0.82%, 0.67%

LAB 62.55, 60.25, -11.29

 

CMYK 0 / 58 / 12 / 6

HEX #F066D3

RGB 240 102 211

HSL 312.61, 0.82%, 0.67%

LAB 63.94, 65.52, -30.73

 

CMYK 3 / 58 / 0 / 6

HEX #E866F0

RGB 232 102 240

HSL 296.52, 0.82%, 0.67%

LAB 64.12, 68.15, -46.71

 

CMYK 19 / 58 / 0 / 6

HEX #C366F0

RGB 195 102 240

HSL 280.43, 0.82%, 0.67%

LAB 59.34, 59.05, -54.59

 

CMYK 35 / 58 / 0 / 6

HEX #9D66F0

RGB 157 102 240

HSL 263.91, 0.82%, 0.67%

LAB 55.03, 50.09, -61.73

 

CMYK 0 / 58 / 28 / 6

HEX #F066AD

RGB 240 102 173

HSL 329.13, 0.82%, 0.67%

LAB 62.55, 60.25, -11.29

 

CMYK 0 / 65 / 31 / 1

HEX #FD58AE

RGB 253 88 174

HSL 328.73, 0.98%, 0.67%

LAB 62.44, 69.89, -11.83

 

CMYK 0 / 58 / 28 / 6

HEX #F066AD

RGB 240 102 173

HSL 329.13, 0.82%, 0.67%

LAB 62.55, 60.25, -11.29

 

CMYK 0 / 49 / 23 / 11

HEX #E273AD

RGB 226 115 173

HSL 328.65, 0.66%, 0.67%

LAB 62.88, 49.79, -10.99

 

CMYK 0 / 39 / 19 / 16

HEX #D581AC

RGB 213 129 172

HSL 329.29, 0.5%, 0.67%

LAB 64.02, 38.14, -8.9

 

CMYK 0 / 28 / 14 / 22

HEX #C78FAC

RGB 199 143 172

HSL 328.93, 0.33%, 0.67%

LAB 65.57, 25.67, -6.77

 

CMYK 0 / 16 / 8 / 27

HEX #B99CAB

RGB 185 156 171

HSL 328.97, 0.17%, 0.67%

LAB 67.3, 13.27, -3.8

 

CMYK 4 / 58 / 0 / 6

HEX #E766F0

RGB 231 102 240

HSL 296.09, 0.82%, 0.67%

LAB 63.98, 67.9, -46.93

 

CMYK 0 / 58 / 12 / 6

HEX #F066D4

RGB 240 102 212

HSL 312.17, 0.82%, 0.67%

LAB 63.98, 65.67, -31.23

 

CMYK 0 / 58 / 27 / 6

HEX #F066AF

RGB 240 102 175

HSL 328.26, 0.82%, 0.67%

LAB 62.61, 60.5, -12.34

 

CMYK 0 / 58 / 42 / 6

HEX #F0668B

RGB 240 102 139

HSL 343.91, 0.82%, 0.67%

LAB 61.56, 56.38, 6.84

 

CMYK 0 / 58 / 58 / 6

HEX #F06666

RGB 240 102 102

HSL 0, 0.82%, 0.67%

LAB 60.77, 53.18, 27.06

 

CMYK 0 / 88 / 43 / 9

HEX #E81B85

RGB 232 27 133

HSL 328.98, 0.82%, 0.51%

LAB 51.42, 77.43, -4.54

 

CMYK 0 / 73 / 35 / 7

HEX #EC4099

RGB 236 64 153

HSL 328.95, 0.82%, 0.59%

LAB 55.89, 71.51, -9.73

 

CMYK 0 / 58 / 28 / 6

HEX #F066AD

RGB 240 102 173

HSL 329.13, 0.82%, 0.67%

LAB 62.55, 60.25, -11.29

 

CMYK 0 / 43 / 21 / 4

HEX #F48BC1

RGB 244 139 193

HSL 329.14, 0.83%, 0.75%

LAB 70.56, 46.48, -10.53

 

CMYK 0 / 28 / 14 / 3

HEX #F7B1D5

RGB 247 177 213

HSL 329.14, 0.81%, 0.83%

LAB 79.63, 30.78, -7.97

 

CMYK 0 / 57 / 28 / 6

HEX #F067AE

RGB 240 103 174

HSL 328.91, 0.82%, 0.67%

LAB 62.74, 59.93, -11.57

 

CMYK 0 / 19 / 58 / 6

HEX #F0C266

RGB 240 194 102

HSL 40, 0.82%, 0.67%

LAB 80.78, 6.04, 51.78

 

CMYK 58 / 4 / 0 / 6

HEX #66E7F0

RGB 102 231 240

HSL 183.91, 0.82%, 0.67%

LAB 85.13, -32.87, -15.12

 

CMYK 0 / 57 / 28 / 6

HEX #F067AE

RGB 240 103 174

HSL 328.91, 0.82%, 0.67%

LAB 62.74, 59.93, -11.57

 

CMYK 27 / 0 / 58 / 6

HEX #AFF066

RGB 175 240 102

HSL 88.26, 0.82%, 0.67%

LAB 88.16, -42.03, 59.03

 

CMYK 58 / 27 / 0 / 6

HEX #66AFF0

RGB 102 175 240

HSL 208.26, 0.82%, 0.67%

LAB 69.31, -4.16, -39.34

 

CMYK 0 / 57 / 28 / 6

HEX #F067AE

RGB 240 103 174

HSL 328.91, 0.82%, 0.67%

LAB 62.74, 59.93, -11.57

 

CMYK 0 / 19 / 58 / 6

HEX #F0C266

RGB 240 194 102

HSL 40, 0.82%, 0.67%

LAB 80.78, 6.04, 51.78

 

CMYK 58 / 0 / 31 / 6

HEX #66F0A6

RGB 102 240 166

HSL 147.83, 0.82%, 0.67%

LAB 85.96, -54.08, 24.75

 

CMYK 58 / 38 / 0 / 6

HEX #6694F0

RGB 102 148 240

HSL 220, 0.82%, 0.67%

LAB 61.91, 11.29, -50.98

 

CMYK 0 / 57 / 28 / 6

HEX #F067AE

RGB 240 103 174

HSL 328.91, 0.82%, 0.67%

LAB 62.74, 59.93, -11.57

 

CMYK 0 / 2 / 58 / 6

HEX #F0EB66

RGB 240 235 102

HSL 57.83, 0.82%, 0.67%

LAB 91.19, -14.74, 63.64

 

CMYK 58 / 0 / 31 / 6

HEX #66F0A6

RGB 102 240 166

HSL 147.83, 0.82%, 0.67%

LAB 85.96, -54.08, 24.75

 

CMYK 58 / 56 / 0 / 6

HEX #666AF0

RGB 102 106 240

HSL 238.26, 0.82%, 0.67%

LAB 51.18, 36.51, -68.18

 

Description

Color code: RGB 240 103 174 | qconv.com Color code: RGB 240 103 174 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 103 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 103 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 28 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 28% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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