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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 58 / 56 / 0 / 6 it is the complementary color CMYK 0 / 3 / 90 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 58 / 56 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 58 / 56 / 0 / 6: CMYK 55 / 55 / 0 / 8, CMYK 52 / 52 / 0 / 0, CMYK 45 / 45 / 0 / 0, CMYK 38 / 38 / 0 / 0 and CMYK 32 / 31 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 58 / 56 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 58 / 56 / 0 / 6: CMYK 58 / 56 / 0 / 6, CMYK 62 / 61 / 0 / 13, CMYK 67 / 66 / 0 / 21, CMYK 73 / 72 / 0 / 28 and CMYK 80 / 80 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 56 / 0 / 6

HEX #6569F0

RGB 101 105 240

HSL 238.27, 0.82%, 0.67%

LAB 50.88, 36.93, -68.68

 

Complementary color

CMYK 0 / 3 / 90 / 40

HEX #9A960F

RGB 154 150 15

HSL 58.27, 0.82%, 0.33%

LAB 60.53, -12.45, 61.73

 

CMYK 55 / 55 / 0 / 8

HEX #6A69EB

RGB 106 105 235

HSL 240.46, 0.76%, 0.67%

LAB 50.88, 36.26, -65.85

 

CMYK 52 / 52 / 0 / 0

HEX #7B7BFE

RGB 123 123 254

HSL 240, 0.98%, 0.74%

LAB 57.59, 34.72, -65.53

 

CMYK 45 / 45 / 0 / 0

HEX #8C8DFF

RGB 140 141 255

HSL 239.48, 1%, 0.77%

LAB 63.21, 28.16, -57

 

CMYK 38 / 38 / 0 / 0

HEX #9D9FFF

RGB 157 159 255

HSL 238.78, 1%, 0.81%

LAB 68.88, 21.94, -47.95

 

CMYK 32 / 31 / 0 / 0

HEX #AEB1FF

RGB 174 177 255

HSL 237.78, 1%, 0.84%

LAB 74.61, 16.34, -38.89

 

CMYK 58 / 56 / 0 / 6

HEX #6569F0

RGB 101 105 240

HSL 238.27, 0.82%, 0.67%

LAB 50.88, 36.93, -68.68

 

CMYK 62 / 61 / 0 / 13

HEX #5457DD

RGB 84 87 221

HSL 238.69, 0.67%, 0.6%

LAB 44.12, 38.83, -68.99

 

CMYK 67 / 66 / 0 / 21

HEX #4345CA

RGB 67 69 202

HSL 239.11, 0.56%, 0.53%

LAB 37.32, 40.98, -69.21

 

CMYK 73 / 72 / 0 / 28

HEX #3233B7

RGB 50 51 183

HSL 239.55, 0.57%, 0.46%

LAB 30.56, 43.33, -69.22

 

CMYK 80 / 80 / 0 / 36

HEX #2121A4

RGB 33 33 164

HSL 240, 0.66%, 0.39%

LAB 23.97, 45.66, -68.73

 

CMYK 58 / 56 / 0 / 6

HEX #6569F0

RGB 101 105 240

HSL 238.27, 0.82%, 0.67%

LAB 50.88, 36.93, -68.68

 

CMYK 50 / 58 / 0 / 6

HEX #7865EF

RGB 120 101 239

HSL 248.26, 0.81%, 0.67%

LAB 51.3, 42.51, -67.36

 

CMYK 40 / 58 / 0 / 6

HEX #8F65EF

RGB 143 101 239

HSL 258.26, 0.81%, 0.67%

LAB 53.36, 47.27, -63.93

 

CMYK 31 / 58 / 0 / 6

HEX #A665EF

RGB 166 101 239

HSL 268.26, 0.81%, 0.67%

LAB 55.73, 52.44, -59.99

 

CMYK 21 / 58 / 0 / 6

HEX #BD65EF

RGB 189 101 239

HSL 278.26, 0.81%, 0.67%

LAB 58.38, 57.88, -55.61

 

CMYK 58 / 56 / 0 / 6

HEX #6569F0

RGB 101 105 240

HSL 238.27, 0.82%, 0.67%

LAB 50.88, 36.93, -68.68

 

CMYK 58 / 56 / 0 / 86

HEX #0F1024

RGB 15 16 36

HSL 237.14, 0.41%, 0.1%

LAB 5.42, 5.36, -13.53

 

CMYK 57 / 56 / 0 / 66

HEX #252657

RGB 37 38 87

HSL 238.8, 0.4%, 0.24%

LAB 17.77, 15.48, -29.93

 

CMYK 58 / 57 / 0 / 46

HEX #3A3C8A

RGB 58 60 138

HSL 238.5, 0.41%, 0.38%

LAB 29.33, 23.27, -43.95

 

CMYK 58 / 56 / 0 / 26

HEX #5053BD

RGB 80 83 189

HSL 238.35, 0.45%, 0.53%

LAB 40.52, 30.07, -56.4

 

CMYK 58 / 56 / 0 / 6

HEX #6569F0

RGB 101 105 240

HSL 238.27, 0.82%, 0.67%

LAB 50.88, 36.93, -68.68

 

CMYK 0 / 58 / 10 / 6

HEX #EF65D8

RGB 239 101 216

HSL 310, 0.81%, 0.67%

LAB 63.85, 66.45, -33.69

 

CMYK 33 / 0 / 58 / 6

HEX #A1EF65

RGB 161 239 101

HSL 93.91, 0.81%, 0.67%

LAB 87.12, -46.55, 58.09

 

CMYK 58 / 56 / 0 / 6

HEX #6569F0

RGB 101 105 240

HSL 238.27, 0.82%, 0.67%

LAB 50.88, 36.93, -68.68

 

CMYK 0 / 58 / 56 / 6

HEX #EF656A

RGB 239 101 106

HSL 357.83, 0.81%, 0.67%

LAB 60.51, 53.59, 24.4

 

CMYK 56 / 0 / 58 / 6

HEX #6AEF65

RGB 106 239 101

HSL 117.83, 0.81%, 0.67%

LAB 84.86, -62.7, 54.9

 

CMYK 58 / 56 / 0 / 6

HEX #6569F0

RGB 101 105 240

HSL 238.27, 0.82%, 0.67%

LAB 50.88, 36.93, -68.68

 

CMYK 0 / 58 / 10 / 6

HEX #EF65D8

RGB 239 101 216

HSL 310, 0.81%, 0.67%

LAB 63.85, 66.45, -33.69

 

CMYK 0 / 2 / 58 / 6

HEX #EFEB65

RGB 239 235 101

HSL 58.26, 0.81%, 0.67%

LAB 91.1, -15.21, 63.95

 

CMYK 58 / 0 / 48 / 6

HEX #65EF7C

RGB 101 239 124

HSL 130, 0.81%, 0.67%

LAB 84.97, -60.94, 44.39

 

CMYK 58 / 56 / 0 / 6

HEX #6569F0

RGB 101 105 240

HSL 238.27, 0.82%, 0.67%

LAB 50.88, 36.93, -68.68

 

CMYK 0 / 58 / 27 / 6

HEX #EF65AF

RGB 239 101 175

HSL 327.83, 0.81%, 0.67%

LAB 62.3, 60.64, -12.83

 

CMYK 0 / 2 / 58 / 6

HEX #EFEB65

RGB 239 235 101

HSL 58.26, 0.81%, 0.67%

LAB 91.1, -15.21, 63.95

 

CMYK 58 / 0 / 31 / 6

HEX #65EFA6

RGB 101 239 166

HSL 148.26, 0.81%, 0.67%

LAB 85.63, -53.88, 24.31

 

Description

Color code: CMYK 58 / 56 / 0 / 6 | qconv.com Color code: CMYK 58 / 56 / 0 / 6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 105 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 105 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 56 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 56% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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