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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 49 91 it is the complementary color RGB 232 206 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 49 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 23 49 91: RGB 28 49 86, RGB 45 67 105, RGB 62 85 124, RGB 79 103 143 and RGB 96 121 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 49 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 23 49 91: RGB 23 49 91, RGB 6 31 72, RGB 0 13 53, RGB 0 0 34 and RGB 0 0 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 46 / 0 / 64

HEX #17315B

RGB 23 49 91

HSL 217.06, 0.6%, 0.22%

LAB 20.57, 6.13, -28.15

 

Complementary color

CMYK 0 / 11 / 29 / 9

HEX #E8CEA4

RGB 232 206 164

HSL 37.06, 0.6%, 0.78%

LAB 83.95, 2.91, 24.25

 

CMYK 67 / 43 / 0 / 66

HEX #1C3156

RGB 28 49 86

HSL 218.28, 0.51%, 0.22%

LAB 20.5, 5.07, -24.94

 

CMYK 57 / 36 / 0 / 59

HEX #2D4369

RGB 45 67 105

HSL 218, 0.4%, 0.29%

LAB 28.36, 3.81, -24.82

 

CMYK 50 / 31 / 0 / 51

HEX #3E557C

RGB 62 85 124

HSL 217.74, 0.33%, 0.36%

LAB 35.94, 2.95, -24.77

 

CMYK 45 / 28 / 0 / 44

HEX #4F678F

RGB 79 103 143

HSL 217.5, 0.29%, 0.44%

LAB 43.28, 2.31, -24.79

 

CMYK 41 / 25 / 0 / 36

HEX #6079A2

RGB 96 121 162

HSL 217.27, 0.26%, 0.51%

LAB 50.42, 1.82, -24.86

 

CMYK 75 / 46 / 0 / 64

HEX #17315B

RGB 23 49 91

HSL 217.06, 0.6%, 0.22%

LAB 20.57, 6.13, -28.15

 

CMYK 92 / 57 / 0 / 72

HEX #061F48

RGB 6 31 72

HSL 217.27, 0.85%, 0.15%

LAB 12.52, 8.7, -28.29

 

CMYK 100 / 75 / 0 / 79

HEX #000D35

RGB 0 13 53

HSL 225.28, 1%, 0.1%

LAB 4.92, 11, -27.1

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 100 / 100 / 0 / 94

HEX #00000F

RGB 0 0 15

HSL 240, 1%, 0.03%

LAB 0.31, 2.19, -5.96

 

CMYK 75 / 46 / 0 / 64

HEX #17315B

RGB 23 49 91

HSL 217.06, 0.6%, 0.22%

LAB 20.57, 6.13, -28.15

 

CMYK 75 / 58 / 0 / 65

HEX #162559

RGB 22 37 89

HSL 226.57, 0.6%, 0.22%

LAB 16.58, 13.92, -33.25

 

CMYK 75 / 72 / 0 / 65

HEX #161959

RGB 22 25 89

HSL 237.31, 0.6%, 0.22%

LAB 13.15, 22.68, -38.84

 

CMYK 66 / 75 / 0 / 65

HEX #1E1659

RGB 30 22 89

HSL 247.16, 0.6%, 0.22%

LAB 13.05, 25.92, -38.97

 

CMYK 54 / 75 / 0 / 65

HEX #291659

RGB 41 22 89

HSL 257.01, 0.6%, 0.22%

LAB 14.21, 27.88, -37.03

 

CMYK 75 / 46 / 0 / 64

HEX #17315B

RGB 23 49 91

HSL 217.06, 0.6%, 0.22%

LAB 20.57, 6.13, -28.15

 

CMYK 75 / 46 / 0 / 44

HEX #244C8E

RGB 36 76 142

HSL 217.36, 0.6%, 0.35%

LAB 32.91, 10.05, -40.71

 

CMYK 75 / 46 / 0 / 24

HEX #3168C1

RGB 49 104 193

HSL 217.08, 0.6%, 0.47%

LAB 44.81, 13.07, -51.89

 

CMYK 75 / 46 / 0 / 4

HEX #3E83F4

RGB 62 131 244

HSL 217.25, 0.89%, 0.6%

LAB 55.88, 16.56, -62.93

 

CMYK 75 / 45 / 0 / 84

HEX #0A1628

RGB 10 22 40

HSL 216, 0.6%, 0.1%

LAB 7.15, 1.75, -13.88

 

CMYK 75 / 46 / 0 / 64

HEX #17315B

RGB 23 49 91

HSL 217.06, 0.6%, 0.22%

LAB 20.57, 6.13, -28.15

 

CMYK 13 / 75 / 0 / 65

HEX #4D1659

RGB 77 22 89

HSL 289.25, 0.6%, 0.22%

LAB 19.53, 36.07, -28.17

 

CMYK 16 / 0 / 75 / 65

HEX #4B5916

RGB 75 89 22

HSL 72.54, 0.6%, 0.22%

LAB 35.4, -15.83, 35.07

 

CMYK 75 / 46 / 0 / 64

HEX #17315B

RGB 23 49 91

HSL 217.06, 0.6%, 0.22%

LAB 20.57, 6.13, -28.15

 

CMYK 0 / 75 / 46 / 65

HEX #591630

RGB 89 22 48

HSL 336.72, 0.6%, 0.22%

LAB 19.68, 32.79, 0.47

 

CMYK 46 / 0 / 75 / 65

HEX #305916

RGB 48 89 22

HSL 96.72, 0.6%, 0.22%

LAB 33.63, -27.37, 32.7

 

CMYK 75 / 46 / 0 / 64

HEX #17315B

RGB 23 49 91

HSL 217.06, 0.6%, 0.22%

LAB 20.57, 6.13, -28.15

 

CMYK 13 / 75 / 0 / 65

HEX #4D1659

RGB 77 22 89

HSL 289.25, 0.6%, 0.22%

LAB 19.53, 36.07, -28.17

 

CMYK 0 / 29 / 75 / 65

HEX #593F16

RGB 89 63 22

HSL 36.72, 0.6%, 0.22%

LAB 28.74, 6.71, 28.69

 

CMYK 62 / 0 / 75 / 65

HEX #225916

RGB 34 89 22

HSL 109.25, 0.6%, 0.22%

LAB 33.01, -32.04, 31.87

 

CMYK 75 / 46 / 0 / 64

HEX #17315B

RGB 23 49 91

HSL 217.06, 0.6%, 0.22%

LAB 20.57, 6.13, -28.15

 

CMYK 0 / 75 / 9 / 65

HEX #591651

RGB 89 22 81

HSL 307.16, 0.6%, 0.22%

LAB 21.18, 37.64, -20.05

 

CMYK 0 / 29 / 75 / 65

HEX #593F16

RGB 89 63 22

HSL 36.72, 0.6%, 0.22%

LAB 28.74, 6.71, 28.69

 

CMYK 75 / 0 / 66 / 65

HEX #16591E

RGB 22 89 30

HSL 127.16, 0.6%, 0.22%

LAB 32.72, -34.11, 27.61

 

Description

Color code: RGB 23 49 91 | qconv.com Color code: RGB 23 49 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 49 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 49 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 46 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 46% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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