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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 251 162 it is the complementary color RGB 232 4 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 251 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 251 162 shade: RGB 28 251 157, RGB 45 255 176, RGB 62 255 195, RGB 79 255 214 and RGB 96 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 251 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 251 162 shade: RGB 23 251 162, RGB 6 233 143, RGB 0 215 124, RGB 0 197 105 and RGB 0 179 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 251 162 shade: RGB 24 251 163, RGB 24 251 101, RGB 24 251 40, RGB 69 251 24 and RGB 131 251 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 251 162 shade: RGB 24 251 163, RGB 24 251 224, RGB 24 218 251, RGB 24 156 251 and RGB 24 95 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 251 162 shade matches the following richer shades: RGB 24 251 163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 251 162 shade: RGB 24 251 163, RGB 43 233 158, RGB 62 214 154, RGB 81 195 150 and RGB 100 176 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 251 162 shade: RGB 24 251 39, RGB 24 251 100, RGB 24 251 160, RGB 24 251 221 and RGB 24 221 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 251 162 shade: RGB 3 190 117, RGB 4 231 142, RGB 24 251 163, RGB 65 252 179 and RGB 105 253 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 251 162 shade: RGB 23 251 162, RGB 24 69 251 and RGB 251 69 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 251 162 shade: RGB 23 251 162, RGB 160 24 251 and RGB 251 160 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 251 162 shade: RGB 23 251 162, RGB 24 69 251, RGB 251 24 115 and RGB 251 206 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 251 162 shade: RGB 23 251 162, RGB 47 24 251, RGB 251 24 115 and RGB 229 251 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 35 / 2

HEX #17FBA2

RGB 23 251 162

HSL 156.58, 0.97%, 0.54%

LAB 87.87, -68.76, 29.16

 

Complementary color

CMYK 0 / 98 / 60 / 9

HEX #E8045D

RGB 232 4 93

HSL 336.58, 0.97%, 0.46%

LAB 49.54, 76.91, 17.17

 

CMYK 89 / 0 / 37 / 2

HEX #1CFB9D

RGB 28 251 157

HSL 154.71, 0.97%, 0.55%

LAB 87.81, -69.49, 31.61

 

CMYK 82 / 0 / 31 / 0

HEX #2DFFB0

RGB 45 255 176

HSL 157.43, 1%, 0.59%

LAB 89.49, -65.94, 24.32

 

CMYK 76 / 0 / 24 / 0

HEX #3EFFC3

RGB 62 255 195

HSL 161.35, 1%, 0.62%

LAB 90.08, -60.2, 15.47

 

CMYK 69 / 0 / 16 / 0

HEX #4FFFD6

RGB 79 255 214

HSL 166.02, 1%, 0.65%

LAB 90.8, -53.71, 6.73

 

CMYK 62 / 0 / 9 / 0

HEX #60FFE9

RGB 96 255 233

HSL 171.7, 1%, 0.69%

LAB 91.64, -46.55, -1.84

 

CMYK 91 / 0 / 35 / 2

HEX #17FBA2

RGB 23 251 162

HSL 156.58, 0.97%, 0.54%

LAB 87.87, -68.76, 29.16

 

CMYK 97 / 0 / 39 / 9

HEX #06E98F

RGB 6 233 143

HSL 156.21, 0.95%, 0.47%

LAB 82, -66.88, 30.9

 

CMYK 100 / 0 / 42 / 16

HEX #00D77C

RGB 0 215 124

HSL 154.6, 1%, 0.42%

LAB 76.1, -64.55, 32.75

 

CMYK 100 / 0 / 47 / 23

HEX #00C569

RGB 0 197 105

HSL 151.98, 1%, 0.39%

LAB 70.14, -61.93, 34.68

 

CMYK 100 / 0 / 52 / 30

HEX #00B356

RGB 0 179 86

HSL 148.83, 1%, 0.35%

LAB 64.09, -59.15, 36.62

 

CMYK 90 / 0 / 35 / 2

HEX #18FBA3

RGB 24 251 163

HSL 156.74, 0.97%, 0.54%

LAB 87.89, -68.52, 28.69

 

CMYK 90 / 0 / 60 / 2

HEX #18FB65

RGB 24 251 101

HSL 140.35, 0.97%, 0.54%

LAB 87.06, -78.41, 57.07

 

CMYK 90 / 0 / 84 / 2

HEX #18FB28

RGB 24 251 40

HSL 124.23, 0.97%, 0.54%

LAB 86.67, -83.3, 77.21

 

CMYK 73 / 0 / 90 / 2

HEX #45FB18

RGB 69 251 24

HSL 108.11, 0.97%, 0.54%

LAB 87.16, -79.17, 80.7

 

CMYK 48 / 0 / 90 / 2

HEX #83FB18

RGB 131 251 24

HSL 91.72, 0.97%, 0.54%

LAB 88.87, -65.16, 82.82

 

CMYK 90 / 0 / 35 / 2

HEX #18FBA3

RGB 24 251 163

HSL 156.74, 0.97%, 0.54%

LAB 87.89, -68.52, 28.69

 

CMYK 90 / 0 / 11 / 2

HEX #18FBE0

RGB 24 251 224

HSL 172.86, 0.97%, 0.54%

LAB 89.19, -54.33, -0.87

 

CMYK 90 / 13 / 0 / 2

HEX #18DAFB

RGB 24 218 251

HSL 188.72, 0.97%, 0.54%

LAB 80.35, -31.88, -28.33

 

CMYK 90 / 38 / 0 / 2

HEX #189CFB

RGB 24 156 251

HSL 205.11, 0.97%, 0.54%

LAB 62.45, 1.05, -56.3

 

CMYK 90 / 62 / 0 / 2

HEX #185FFB

RGB 24 95 251

HSL 221.23, 0.97%, 0.54%

LAB 46.1, 38.76, -82.74

 

CMYK 90 / 0 / 35 / 2

HEX #18FBA3

RGB 24 251 163

HSL 156.74, 0.97%, 0.54%

LAB 87.89, -68.52, 28.69

 

CMYK 90 / 0 / 35 / 2

HEX #18FBA3

RGB 24 251 163

HSL 156.74, 0.97%, 0.54%

LAB 87.89, -68.52, 28.69

 

CMYK 82 / 0 / 32 / 9

HEX #2BE99E

RGB 43 233 158

HSL 156.32, 0.81%, 0.54%

LAB 82.52, -61.86, 23.97

 

CMYK 71 / 0 / 28 / 16

HEX #3ED69A

RGB 62 214 154

HSL 156.32, 0.65%, 0.54%

LAB 76.95, -53.3, 18.44

 

CMYK 58 / 0 / 23 / 24

HEX #51C396

RGB 81 195 150

HSL 156.32, 0.49%, 0.54%

LAB 71.54, -43.02, 13.08

 

CMYK 43 / 0 / 17 / 31

HEX #64B092

RGB 100 176 146

HSL 156.32, 0.32%, 0.54%

LAB 66.39, -30.7, 8.07

 

CMYK 90 / 0 / 84 / 2

HEX #18FB27

RGB 24 251 39

HSL 123.96, 0.97%, 0.54%

LAB 86.67, -83.34, 77.42

 

CMYK 90 / 0 / 60 / 2

HEX #18FB64

RGB 24 251 100

HSL 140.09, 0.97%, 0.54%

LAB 87.05, -78.53, 57.48

 

CMYK 90 / 0 / 36 / 2

HEX #18FBA0

RGB 24 251 160

HSL 155.95, 0.97%, 0.54%

LAB 87.84, -69.11, 30.13

 

CMYK 90 / 0 / 12 / 2

HEX #18FBDD

RGB 24 251 221

HSL 172.07, 0.97%, 0.54%

LAB 89.12, -55.12, 0.58

 

CMYK 90 / 12 / 0 / 2

HEX #18DDFB

RGB 24 221 251

HSL 187.93, 0.97%, 0.54%

LAB 81.22, -33.31, -27

 

CMYK 98 / 0 / 38 / 25

HEX #03BE75

RGB 3 190 117

HSL 156.58, 0.97%, 0.38%

LAB 68.12, -57.16, 25.84

 

CMYK 98 / 0 / 39 / 9

HEX #04E78E

RGB 4 231 142

HSL 156.48, 0.97%, 0.46%

LAB 81.36, -66.45, 30.55

 

CMYK 90 / 0 / 35 / 2

HEX #18FBA3

RGB 24 251 163

HSL 156.74, 0.97%, 0.54%

LAB 87.89, -68.52, 28.69

 

CMYK 74 / 0 / 29 / 1

HEX #41FCB3

RGB 65 252 179

HSL 156.58, 0.97%, 0.62%

LAB 88.92, -62.19, 22.05

 

CMYK 58 / 0 / 23 / 1

HEX #69FDC3

RGB 105 253 195

HSL 156.49, 0.97%, 0.7%

LAB 90.41, -52.9, 16.06

 

CMYK 91 / 0 / 35 / 2

HEX #17FBA2

RGB 23 251 162

HSL 156.58, 0.97%, 0.54%

LAB 87.87, -68.76, 29.16

 

CMYK 90 / 73 / 0 / 2

HEX #1845FB

RGB 24 69 251

HSL 228.11, 0.97%, 0.54%

LAB 40.27, 54.44, -92.34

 

CMYK 0 / 73 / 90 / 2

HEX #FB4518

RGB 251 69 24

HSL 11.89, 0.97%, 0.54%

LAB 56.91, 66.8, 62.49

 

CMYK 91 / 0 / 35 / 2

HEX #17FBA2

RGB 23 251 162

HSL 156.58, 0.97%, 0.54%

LAB 87.87, -68.76, 29.16

 

CMYK 36 / 90 / 0 / 2

HEX #A018FB

RGB 160 24 251

HSL 275.95, 0.97%, 0.54%

LAB 45.76, 82.48, -82.92

 

CMYK 0 / 36 / 90 / 2

HEX #FBA018

RGB 251 160 24

HSL 35.95, 0.97%, 0.54%

LAB 73.36, 25.12, 74.26

 

CMYK 91 / 0 / 35 / 2

HEX #17FBA2

RGB 23 251 162

HSL 156.58, 0.97%, 0.54%

LAB 87.87, -68.76, 29.16

 

CMYK 90 / 73 / 0 / 2

HEX #1845FB

RGB 24 69 251

HSL 228.11, 0.97%, 0.54%

LAB 40.27, 54.44, -92.34

 

CMYK 0 / 90 / 54 / 2

HEX #FB1873

RGB 251 24 115

HSL 335.95, 0.97%, 0.54%

LAB 54.45, 80.79, 11.16

 

CMYK 0 / 18 / 90 / 2

HEX #FBCE18

RGB 251 206 24

HSL 48.11, 0.97%, 0.54%

LAB 84.34, 1.19, 82.5

 

CMYK 91 / 0 / 35 / 2

HEX #17FBA2

RGB 23 251 162

HSL 156.58, 0.97%, 0.54%

LAB 87.87, -68.76, 29.16

 

CMYK 81 / 90 / 0 / 2

HEX #2F18FB

RGB 47 24 251

HSL 246.08, 0.97%, 0.54%

LAB 34.44, 74.48, -102.01

 

CMYK 0 / 90 / 54 / 2

HEX #FB1873

RGB 251 24 115

HSL 335.95, 0.97%, 0.54%

LAB 54.45, 80.79, 11.16

 

CMYK 9 / 0 / 90 / 2

HEX #E5FB18

RGB 229 251 24

HSL 65.81, 0.97%, 0.54%

LAB 94.19, -30.03, 89.33

 

Description

Color code: RGB 23 251 162 | qconv.com Color code: RGB 23 251 162 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 251 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 251 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 35 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 35% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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