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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8045D it is the complementary color #17FBA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8045D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8045D shade: #ED0458, #FE166B, #FF287E, #FF3A91 and #FF4CA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8045D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8045D shade: #E8045D, #D7004A, #C60037, #B50024 and #A40011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8045D shade: #E7045C, #E7041F and #E70404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8045D shade: #E7045C, #E7049A, #E704D7, #BA04E7 and #7C04E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8045D shade matches the following richer shades: #E7045C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8045D shade: #E7045C, #D41661, #C12965, #AE3C69 and #9B4F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8045D shade: #E704D8, #E7049B, #E7045F, #E70422 and #E72204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8045D shade: #96023C, #BE034C, #E7045C, #FB1871 and #FC418A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8045D shade: #E8045D, #E7BA04 and #04BAE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8045D shade: #E8045D, #5FE704 and #045FE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8045D shade: #E8045D, #E7BA04, #04E78C and #0431E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8045D shade: #E8045D, #D0E704, #04E78C and #1A04E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 60 / 9

HEX #E8045D

RGB 232 4 93

HSL 336.58, 0.97%, 0.46%

LAB 49.54, 76.91, 17.17

 

Complementary color

CMYK 91 / 0 / 35 / 2

HEX #17FBA2

RGB 23 251 162

HSL 156.58, 0.97%, 0.54%

LAB 87.87, -68.76, 29.16

 

CMYK 0 / 98 / 63 / 7

HEX #ED0458

RGB 237 4 88

HSL 338.37, 0.97%, 0.47%

LAB 50.45, 77.78, 21.63

 

CMYK 0 / 91 / 58 / 0

HEX #FE166B

RGB 254 22 107

HSL 338.02, 0.99%, 0.54%

LAB 54.77, 81.21, 16.51

 

CMYK 0 / 84 / 51 / 0

HEX #FF287E

RGB 255 40 126

HSL 336, 1%, 0.58%

LAB 56.37, 79.95, 7.39

 

CMYK 0 / 77 / 43 / 0

HEX #FF3A91

RGB 255 58 145

HSL 333.5, 1%, 0.61%

LAB 58.35, 77.32, -1

 

CMYK 0 / 70 / 36 / 0

HEX #FF4CA4

RGB 255 76 164

HSL 330.5, 1%, 0.65%

LAB 60.88, 73.67, -8.36

 

CMYK 0 / 98 / 60 / 9

HEX #E8045D

RGB 232 4 93

HSL 336.58, 0.97%, 0.46%

LAB 49.54, 76.91, 17.17

 

CMYK 0 / 100 / 66 / 16

HEX #D7004A

RGB 215 0 74

HSL 339.35, 1%, 0.42%

LAB 45.55, 72.29, 22.99

 

CMYK 0 / 100 / 72 / 22

HEX #C60037

RGB 198 0 55

HSL 343.33, 1%, 0.39%

LAB 41.66, 67.4, 29.15

 

CMYK 0 / 100 / 80 / 29

HEX #B50024

RGB 181 0 36

HSL 348.07, 1%, 0.35%

LAB 37.75, 62.56, 35.32

 

CMYK 0 / 100 / 90 / 36

HEX #A40011

RGB 164 0 17

HSL 353.78, 1%, 0.32%

LAB 33.84, 57.81, 40.83

 

CMYK 0 / 98 / 60 / 9

HEX #E7045C

RGB 231 4 92

HSL 336.74, 0.97%, 0.46%

LAB 49.31, 76.63, 17.44

 

CMYK 0 / 98 / 87 / 9

HEX #E7041F

RGB 231 4 31

HSL 352.86, 0.97%, 0.46%

LAB 48.48, 74.36, 51.73

 

CMYK 0 / 98 / 98 / 9

HEX #E70404

RGB 231 4 4

HSL 0, 0.97%, 0.46%

LAB 48.37, 74.05, 61.26

 

CMYK 0 / 98 / 60 / 9

HEX #E7045C

RGB 231 4 92

HSL 336.74, 0.97%, 0.46%

LAB 49.31, 76.63, 17.44

 

CMYK 0 / 98 / 33 / 9

HEX #E7049A

RGB 231 4 154

HSL 320.35, 0.97%, 0.46%

LAB 51.16, 81.52, -17.55

 

CMYK 0 / 98 / 7 / 9

HEX #E704D7

RGB 231 4 215

HSL 304.23, 0.97%, 0.46%

LAB 54.01, 88.7, -48.68

 

CMYK 19 / 98 / 0 / 9

HEX #BA04E7

RGB 186 4 231

HSL 288.11, 0.97%, 0.46%

LAB 47.36, 84.31, -68.88

 

CMYK 46 / 98 / 0 / 9

HEX #7C04E7

RGB 124 4 231

HSL 271.72, 0.97%, 0.46%

LAB 38.1, 77.41, -84.42

 

CMYK 0 / 98 / 60 / 9

HEX #E7045C

RGB 231 4 92

HSL 336.74, 0.97%, 0.46%

LAB 49.31, 76.63, 17.44

 

CMYK 0 / 98 / 60 / 9

HEX #E7045C

RGB 231 4 92

HSL 336.74, 0.97%, 0.46%

LAB 49.31, 76.63, 17.44

 

CMYK 0 / 90 / 54 / 17

HEX #D41661

RGB 212 22 97

HSL 336.32, 0.81%, 0.46%

LAB 46.22, 70.7, 9.49

 

CMYK 0 / 79 / 48 / 24

HEX #C12965

RGB 193 41 101

HSL 336.32, 0.65%, 0.46%

LAB 44.04, 62.16, 3.38

 

CMYK 0 / 66 / 40 / 32

HEX #AE3C69

RGB 174 60 105

HSL 336.32, 0.49%, 0.46%

LAB 43.14, 50.32, -0.83

 

CMYK 0 / 49 / 30 / 39

HEX #9B4F6D

RGB 155 79 109

HSL 336.32, 0.32%, 0.46%

LAB 43.75, 35.2, -2.75

 

CMYK 0 / 98 / 6 / 9

HEX #E704D8

RGB 231 4 216

HSL 303.96, 0.97%, 0.46%

LAB 54.06, 88.84, -49.17

 

CMYK 0 / 98 / 33 / 9

HEX #E7049B

RGB 231 4 155

HSL 320.09, 0.97%, 0.46%

LAB 51.2, 81.62, -18.09

 

CMYK 0 / 98 / 59 / 9

HEX #E7045F

RGB 231 4 95

HSL 335.95, 0.97%, 0.46%

LAB 49.38, 76.8, 15.69

 

CMYK 0 / 98 / 85 / 9

HEX #E70422

RGB 231 4 34

HSL 352.07, 0.97%, 0.46%

LAB 48.5, 74.42, 50.29

 

CMYK 0 / 85 / 98 / 9

HEX #E72204

RGB 231 34 4

HSL 7.93, 0.97%, 0.46%

LAB 49.67, 70.31, 61.82

 

CMYK 0 / 99 / 60 / 41

HEX #96023C

RGB 150 2 60

HSL 336.49, 0.97%, 0.3%

LAB 31.47, 55.71, 10.75

 

CMYK 0 / 98 / 60 / 25

HEX #BE034C

RGB 190 3 76

HSL 336.58, 0.97%, 0.38%

LAB 40.47, 66.25, 14.03

 

CMYK 0 / 98 / 60 / 9

HEX #E7045C

RGB 231 4 92

HSL 336.74, 0.97%, 0.46%

LAB 49.31, 76.63, 17.44

 

CMYK 0 / 90 / 55 / 2

HEX #FB1871

RGB 251 24 113

HSL 336.48, 0.97%, 0.54%

LAB 54.4, 80.65, 12.3

 

CMYK 0 / 74 / 45 / 1

HEX #FC418A

RGB 252 65 138

HSL 336.58, 0.97%, 0.62%

LAB 58.33, 73.93, 3.03

 

CMYK 0 / 98 / 60 / 9

HEX #E8045D

RGB 232 4 93

HSL 336.58, 0.97%, 0.46%

LAB 49.54, 76.91, 17.17

 

CMYK 0 / 19 / 98 / 9

HEX #E7BA04

RGB 231 186 4

HSL 48.11, 0.97%, 0.46%

LAB 77.35, 2.69, 78.93

 

CMYK 98 / 19 / 0 / 9

HEX #04BAE7

RGB 4 186 231

HSL 191.89, 0.97%, 0.46%

LAB 70.12, -23.23, -33.35

 

CMYK 0 / 98 / 60 / 9

HEX #E8045D

RGB 232 4 93

HSL 336.58, 0.97%, 0.46%

LAB 49.54, 76.91, 17.17

 

CMYK 59 / 0 / 98 / 9

HEX #5FE704

RGB 95 231 4

HSL 95.95, 0.97%, 0.46%

LAB 81.62, -68.22, 78.49

 

CMYK 98 / 59 / 0 / 9

HEX #045FE7

RGB 4 95 231

HSL 215.95, 0.97%, 0.46%

LAB 44.2, 30.61, -74.63

 

CMYK 0 / 98 / 60 / 9

HEX #E8045D

RGB 232 4 93

HSL 336.58, 0.97%, 0.46%

LAB 49.54, 76.91, 17.17

 

CMYK 0 / 19 / 98 / 9

HEX #E7BA04

RGB 231 186 4

HSL 48.11, 0.97%, 0.46%

LAB 77.35, 2.69, 78.93

 

CMYK 98 / 0 / 39 / 9

HEX #04E78C

RGB 4 231 140

HSL 155.95, 0.97%, 0.46%

LAB 81.33, -66.84, 31.52

 

CMYK 98 / 79 / 0 / 9

HEX #0431E7

RGB 4 49 231

HSL 228.11, 0.97%, 0.46%

LAB 33.97, 58.22, -91.51

 

CMYK 0 / 98 / 60 / 9

HEX #E8045D

RGB 232 4 93

HSL 336.58, 0.97%, 0.46%

LAB 49.54, 76.91, 17.17

 

CMYK 10 / 0 / 98 / 9

HEX #D0E704

RGB 208 231 4

HSL 66.08, 0.97%, 0.46%

LAB 87.28, -29.48, 85.32

 

CMYK 98 / 0 / 39 / 9

HEX #04E78C

RGB 4 231 140

HSL 155.95, 0.97%, 0.46%

LAB 81.33, -66.84, 31.52

 

CMYK 89 / 98 / 0 / 9

HEX #1A04E7

RGB 26 4 231

HSL 245.81, 0.97%, 0.46%

LAB 29.6, 72.99, -98.78

 

Description

Color code: HEX #E8045D | qconv.com Color code: HEX #E8045D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 4 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 4 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 60 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 60% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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