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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 186 243 it is the complementary color RGB 232 69 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 186 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 186 243 shade: RGB 28 186 238, RGB 45 204 255, RGB 62 222 255, RGB 79 240 255 and RGB 96 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 186 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 186 243 shade: RGB 23 186 243, RGB 6 168 224, RGB 0 150 205, RGB 0 132 186 and RGB 0 114 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 186 243 shade: RGB 22 186 243, RGB 22 126 243, RGB 22 67 243, RGB 37 22 243 and RGB 97 22 243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 186 243 shade: RGB 22 186 243, RGB 22 126 243, RGB 22 67 243 and RGB 22 22 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 186 243 shade matches the following richer shades: RGB 22 186 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 186 243 shade: RGB 22 186 243, RGB 42 176 223, RGB 62 167 203, RGB 82 157 183 and RGB 102 148 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 186 243 shade: RGB 22 243 180, RGB 22 243 239, RGB 22 188 243, RGB 22 129 243 and RGB 22 70 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 186 243 shade: RGB 9 131 174, RGB 11 161 213, RGB 22 186 243, RGB 62 197 245 and RGB 101 209 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 186 243 shade: RGB 23 186 243, RGB 122 22 243 and RGB 243 210 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 186 243 shade: RGB 23 186 243, RGB 243 22 188 and RGB 188 243 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 186 243 shade: RGB 23 186 243, RGB 122 22 243, RGB 243 78 22 and RGB 144 243 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 186 243 shade: RGB 23 186 243, RGB 188 22 243, RGB 243 78 22 and RGB 78 243 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 23 / 0 / 5

HEX #17BAF3

RGB 23 186 243

HSL 195.55, 0.9%, 0.52%

LAB 70.71, -18.51, -38.93

 

Complementary color

CMYK 0 / 70 / 95 / 9

HEX #E8450C

RGB 232 69 12

HSL 15.55, 0.9%, 0.48%

LAB 53.43, 60.74, 61.99

 

CMYK 88 / 22 / 0 / 7

HEX #1CBAEE

RGB 28 186 238

HSL 194.86, 0.86%, 0.52%

LAB 70.55, -19.98, -36.46

 

CMYK 82 / 20 / 0 / 0

HEX #2DCCFF

RGB 45 204 255

HSL 194.57, 1%, 0.59%

LAB 76.66, -22.44, -36.13

 

CMYK 76 / 13 / 0 / 0

HEX #3EDEFF

RGB 62 222 255

HSL 190.26, 1%, 0.62%

LAB 82.1, -29.84, -27.73

 

CMYK 69 / 6 / 0 / 0

HEX #4FF0FF

RGB 79 240 255

HSL 185.11, 1%, 0.65%

LAB 87.58, -36.4, -19.37

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 91 / 23 / 0 / 5

HEX #17BAF3

RGB 23 186 243

HSL 195.55, 0.9%, 0.52%

LAB 70.71, -18.51, -38.93

 

CMYK 97 / 25 / 0 / 12

HEX #06A8E0

RGB 6 168 224

HSL 195.41, 0.95%, 0.45%

LAB 64.5, -16.17, -38.24

 

CMYK 100 / 27 / 0 / 20

HEX #0096CD

RGB 0 150 205

HSL 196.1, 1%, 0.4%

LAB 58.25, -13.38, -37.46

 

CMYK 100 / 29 / 0 / 27

HEX #0084BA

RGB 0 132 186

HSL 197.42, 1%, 0.36%

LAB 51.89, -10.29, -36.65

 

CMYK 100 / 32 / 0 / 35

HEX #0072A7

RGB 0 114 167

HSL 199.04, 1%, 0.33%

LAB 45.39, -7.06, -35.86

 

CMYK 91 / 23 / 0 / 5

HEX #16BAF3

RGB 22 186 243

HSL 195.48, 0.9%, 0.52%

LAB 70.7, -18.56, -38.94

 

CMYK 91 / 48 / 0 / 5

HEX #167EF3

RGB 22 126 243

HSL 211.76, 0.9%, 0.52%

LAB 53.56, 16.06, -66.15

 

CMYK 91 / 72 / 0 / 5

HEX #1643F3

RGB 22 67 243

HSL 227.78, 0.9%, 0.52%

LAB 38.99, 52.8, -89.97

 

CMYK 85 / 91 / 0 / 5

HEX #2516F3

RGB 37 22 243

HSL 244.07, 0.9%, 0.52%

LAB 32.78, 72.69, -100.28

 

CMYK 60 / 91 / 0 / 5

HEX #6116F3

RGB 97 22 243

HSL 260.36, 0.9%, 0.52%

LAB 37.09, 75.32, -92.99

 

CMYK 91 / 23 / 0 / 5

HEX #16BAF3

RGB 22 186 243

HSL 195.48, 0.9%, 0.52%

LAB 70.7, -18.56, -38.94

 

CMYK 91 / 48 / 0 / 5

HEX #167EF3

RGB 22 126 243

HSL 211.76, 0.9%, 0.52%

LAB 53.56, 16.06, -66.15

 

CMYK 91 / 72 / 0 / 5

HEX #1643F3

RGB 22 67 243

HSL 227.78, 0.9%, 0.52%

LAB 38.99, 52.8, -89.97

 

CMYK 91 / 91 / 0 / 5

HEX #1616F3

RGB 22 22 243

HSL 240, 0.9%, 0.52%

LAB 32.29, 72.42, -101.11

 

CMYK 91 / 23 / 0 / 5

HEX #16BAF3

RGB 22 186 243

HSL 195.48, 0.9%, 0.52%

LAB 70.7, -18.56, -38.94

 

CMYK 91 / 23 / 0 / 5

HEX #16BAF3

RGB 22 186 243

HSL 195.48, 0.9%, 0.52%

LAB 70.7, -18.56, -38.94

 

CMYK 81 / 21 / 0 / 13

HEX #2AB0DF

RGB 42 176 223

HSL 195.58, 0.74%, 0.52%

LAB 67.18, -18.86, -33.5

 

CMYK 69 / 18 / 0 / 20

HEX #3EA7CB

RGB 62 167 203

HSL 195.32, 0.58%, 0.52%

LAB 64.14, -18.44, -27.12

 

CMYK 55 / 14 / 0 / 28

HEX #529DB7

RGB 82 157 183

HSL 195.45, 0.41%, 0.52%

LAB 61.07, -15.8, -20.59

 

CMYK 38 / 10 / 0 / 36

HEX #6694A4

RGB 102 148 164

HSL 195.48, 0.25%, 0.52%

LAB 58.68, -11.37, -13.36

 

CMYK 91 / 0 / 26 / 5

HEX #16F3B4

RGB 22 243 180

HSL 162.9, 0.9%, 0.52%

LAB 85.79, -62.13, 17.11

 

CMYK 91 / 0 / 2 / 5

HEX #16F3EF

RGB 22 243 239

HSL 178.91, 0.9%, 0.52%

LAB 87.24, -46.95, -11.58

 

CMYK 91 / 23 / 0 / 5

HEX #16BCF3

RGB 22 188 243

HSL 194.93, 0.9%, 0.52%

LAB 71.29, -19.6, -38.03

 

CMYK 91 / 47 / 0 / 5

HEX #1681F3

RGB 22 129 243

HSL 210.95, 0.9%, 0.52%

LAB 54.39, 14.2, -64.81

 

CMYK 91 / 71 / 0 / 5

HEX #1646F3

RGB 22 70 243

HSL 226.97, 0.9%, 0.52%

LAB 39.62, 51.07, -88.94

 

CMYK 95 / 25 / 0 / 32

HEX #0983AE

RGB 9 131 174

HSL 195.64, 0.9%, 0.36%

LAB 51.09, -13.86, -31

 

CMYK 95 / 24 / 0 / 16

HEX #0BA1D5

RGB 11 161 213

HSL 195.45, 0.9%, 0.44%

LAB 61.97, -16.17, -36.11

 

CMYK 91 / 23 / 0 / 5

HEX #16BAF3

RGB 22 186 243

HSL 195.48, 0.9%, 0.52%

LAB 70.7, -18.56, -38.94

 

CMYK 75 / 20 / 0 / 4

HEX #3EC5F5

RGB 62 197 245

HSL 195.74, 0.9%, 0.6%

LAB 74.54, -20.52, -34.02

 

CMYK 59 / 15 / 0 / 3

HEX #65D1F7

RGB 101 209 247

HSL 195.62, 0.9%, 0.68%

LAB 79.09, -20.3, -28

 

CMYK 91 / 23 / 0 / 5

HEX #17BAF3

RGB 23 186 243

HSL 195.55, 0.9%, 0.52%

LAB 70.71, -18.51, -38.93

 

CMYK 50 / 91 / 0 / 5

HEX #7A16F3

RGB 122 22 243

HSL 267.15, 0.9%, 0.52%

LAB 39.89, 77.28, -88.28

 

CMYK 0 / 14 / 91 / 5

HEX #F3D216

RGB 243 210 22

HSL 51.04, 0.9%, 0.52%

LAB 84.59, -4.29, 82.67

 

CMYK 91 / 23 / 0 / 5

HEX #17BAF3

RGB 23 186 243

HSL 195.55, 0.9%, 0.52%

LAB 70.71, -18.51, -38.93

 

CMYK 0 / 91 / 23 / 5

HEX #F316BC

RGB 243 22 188

HSL 314.93, 0.9%, 0.52%

LAB 55.34, 86, -30.92

 

CMYK 23 / 0 / 91 / 5

HEX #BCF316

RGB 188 243 22

HSL 74.93, 0.9%, 0.52%

LAB 89.32, -42.6, 84.6

 

CMYK 91 / 23 / 0 / 5

HEX #17BAF3

RGB 23 186 243

HSL 195.55, 0.9%, 0.52%

LAB 70.71, -18.51, -38.93

 

CMYK 50 / 91 / 0 / 5

HEX #7A16F3

RGB 122 22 243

HSL 267.15, 0.9%, 0.52%

LAB 39.89, 77.28, -88.28

 

CMYK 0 / 68 / 91 / 5

HEX #F34E16

RGB 243 78 22

HSL 15.2, 0.9%, 0.52%

LAB 56.65, 61.04, 62.27

 

CMYK 41 / 0 / 91 / 5

HEX #90F316

RGB 144 243 22

HSL 86.88, 0.9%, 0.52%

LAB 87.04, -58.24, 81.81

 

CMYK 91 / 23 / 0 / 5

HEX #17BAF3

RGB 23 186 243

HSL 195.55, 0.9%, 0.52%

LAB 70.71, -18.51, -38.93

 

CMYK 23 / 91 / 0 / 5

HEX #BC16F3

RGB 188 22 243

HSL 285.07, 0.9%, 0.52%

LAB 49.17, 84.83, -72.69

 

CMYK 0 / 68 / 91 / 5

HEX #F34E16

RGB 243 78 22

HSL 15.2, 0.9%, 0.52%

LAB 56.65, 61.04, 62.27

 

CMYK 68 / 0 / 91 / 5

HEX #4EF316

RGB 78 243 22

HSL 104.8, 0.9%, 0.52%

LAB 84.88, -75.31, 79.14

 

Description

Color code: RGB 23 186 243 | qconv.com Color code: RGB 23 186 243 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 186 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 186 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 23 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 23% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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