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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 150 205 it is the complementary color RGB 255 105 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 150 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 0 150 205: RGB 5 150 200, RGB 22 168 219, RGB 39 186 238, RGB 56 204 255 and RGB 73 222 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 150 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 0 150 205: RGB 0 150 205, RGB 0 132 186, RGB 0 114 167, RGB 0 96 148 and RGB 0 78 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 27 / 0 / 20

HEX #0096CD

RGB 0 150 205

HSL 196.1, 1%, 0.4%

LAB 58.25, -13.38, -37.46

 

Complementary color

CMYK 0 / 59 / 80 / 0

HEX #FF6932

RGB 255 105 50

HSL 16.1, 1%, 0.6%

LAB 63.01, 54.47, 57.47

 

CMYK 98 / 25 / 0 / 22

HEX #0596C8

RGB 5 150 200

HSL 195.38, 0.95%, 0.4%

LAB 58.05, -15.04, -34.95

 

CMYK 90 / 23 / 0 / 14

HEX #16A8DB

RGB 22 168 219

HSL 195.53, 0.82%, 0.47%

LAB 64.4, -17.36, -35.64

 

CMYK 84 / 22 / 0 / 7

HEX #27BAEE

RGB 39 186 238

HSL 195.68, 0.85%, 0.54%

LAB 70.68, -19.28, -36.25

 

CMYK 78 / 20 / 0 / 0

HEX #38CCFF

RGB 56 204 255

HSL 195.38, 1%, 0.61%

LAB 76.83, -21.49, -35.85

 

CMYK 71 / 13 / 0 / 0

HEX #49DEFF

RGB 73 222 255

HSL 190.88, 1%, 0.64%

LAB 82.31, -28.61, -27.39

 

CMYK 100 / 27 / 0 / 20

HEX #0096CD

RGB 0 150 205

HSL 196.1, 1%, 0.4%

LAB 58.25, -13.38, -37.46

 

CMYK 100 / 29 / 0 / 27

HEX #0084BA

RGB 0 132 186

HSL 197.42, 1%, 0.36%

LAB 51.89, -10.29, -36.65

 

CMYK 100 / 32 / 0 / 35

HEX #0072A7

RGB 0 114 167

HSL 199.04, 1%, 0.33%

LAB 45.39, -7.06, -35.86

 

CMYK 100 / 35 / 0 / 42

HEX #006094

RGB 0 96 148

HSL 201.08, 1%, 0.29%

LAB 38.73, -3.64, -35.11

 

CMYK 100 / 40 / 0 / 49

HEX #004E81

RGB 0 78 129

HSL 203.72, 1%, 0.25%

LAB 31.88, 0.02, -34.4

 

CMYK 100 / 27 / 0 / 20

HEX #0096CD

RGB 0 150 205

HSL 196.1, 1%, 0.4%

LAB 58.25, -13.38, -37.46

 

CMYK 100 / 44 / 0 / 20

HEX #0073CC

RGB 0 115 204

HSL 206.18, 1%, 0.4%

LAB 47.78, 6.97, -53.49

 

CMYK 100 / 60 / 0 / 20

HEX #0051CC

RGB 0 81 204

HSL 216.18, 1%, 0.4%

LAB 38.28, 29.1, -68.89

 

CMYK 100 / 77 / 0 / 20

HEX #002FCC

RGB 0 47 204

HSL 226.18, 1%, 0.4%

LAB 30.38, 50.32, -81.91

 

CMYK 100 / 94 / 0 / 20

HEX #000DCC

RGB 0 13 204

HSL 236.18, 1%, 0.4%

LAB 25.71, 64.21, -89.7

 

CMYK 100 / 27 / 0 / 20

HEX #0096CD

RGB 0 150 205

HSL 196.1, 1%, 0.4%

LAB 58.25, -13.38, -37.46

 

CMYK 100 / 0 / 0 / 100

HEX #000101

RGB 0 1 1

HSL 180, 1%, 0%

LAB 0.22, -0.26, -0.09

 

CMYK 100 / 27 / 0 / 80

HEX #002634

RGB 0 38 52

HSL 196.15, 1%, 0.1%

LAB 13.44, -6.91, -12.81

 

CMYK 100 / 27 / 0 / 60

HEX #004B67

RGB 0 75 103

HSL 196.31, 1%, 0.2%

LAB 29.44, -8.97, -21.95

 

CMYK 100 / 27 / 0 / 40

HEX #00719A

RGB 0 113 154

HSL 195.97, 1%, 0.3%

LAB 44.44, -11.51, -29.71

 

CMYK 100 / 27 / 0 / 20

HEX #0096CD

RGB 0 150 205

HSL 196.1, 1%, 0.4%

LAB 58.25, -13.38, -37.46

 

CMYK 53 / 100 / 0 / 20

HEX #5F00CC

RGB 95 0 204

HSL 267.94, 1%, 0.4%

LAB 31.33, 69.86, -80.16

 

CMYK 0 / 14 / 100 / 20

HEX #CCB000

RGB 204 176 0

HSL 51.76, 1%, 0.4%

LAB 72.15, -3.95, 74.47

 

CMYK 100 / 27 / 0 / 20

HEX #0096CD

RGB 0 150 205

HSL 196.1, 1%, 0.4%

LAB 58.25, -13.38, -37.46

 

CMYK 0 / 100 / 27 / 20

HEX #CC0095

RGB 204 0 149

HSL 316.18, 1%, 0.4%

LAB 45.64, 75.96, -23.47

 

CMYK 27 / 0 / 100 / 20

HEX #95CC00

RGB 149 204 0

HSL 76.18, 1%, 0.4%

LAB 75.81, -40.83, 75.31

 

CMYK 100 / 27 / 0 / 20

HEX #0096CD

RGB 0 150 205

HSL 196.1, 1%, 0.4%

LAB 58.25, -13.38, -37.46

 

CMYK 53 / 100 / 0 / 20

HEX #5F00CC

RGB 95 0 204

HSL 267.94, 1%, 0.4%

LAB 31.33, 69.86, -80.16

 

CMYK 0 / 74 / 100 / 20

HEX #CC3600

RGB 204 54 0

HSL 15.88, 1%, 0.4%

LAB 46.28, 57.05, 58.34

 

CMYK 47 / 0 / 100 / 20

HEX #6CCC00

RGB 108 204 0

HSL 88.24, 1%, 0.4%

LAB 73.79, -55.21, 72.87

 

CMYK 100 / 27 / 0 / 20

HEX #0096CD

RGB 0 150 205

HSL 196.1, 1%, 0.4%

LAB 58.25, -13.38, -37.46

 

CMYK 24 / 100 / 0 / 20

HEX #9C00CC

RGB 156 0 204

HSL 285.88, 1%, 0.4%

LAB 40.29, 76.05, -65.1

 

CMYK 0 / 74 / 100 / 20

HEX #CC3600

RGB 204 54 0

HSL 15.88, 1%, 0.4%

LAB 46.28, 57.05, 58.34

 

CMYK 77 / 0 / 100 / 20

HEX #2FCC00

RGB 47 204 0

HSL 106.18, 1%, 0.4%

LAB 72.09, -69.18, 70.8

 

Description

Color code: RGB 0 150 205 | qconv.com Color code: RGB 0 150 205 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 150 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 150 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 27 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 27% 0% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - 会社概要 | カタリナ マーケティング ...
Link: http://www.catmktg.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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