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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 158 48 it is the complementary color RGB 232 97 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 158 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 23 158 48: RGB 28 158 43, RGB 45 176 62, RGB 62 194 81, RGB 79 212 100 and RGB 96 230 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 158 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 23 158 48: RGB 23 158 48, RGB 6 140 29, RGB 0 122 10, RGB 0 104 0 and RGB 0 86 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 70 / 38

HEX #179E30

RGB 23 158 48

HSL 131.11, 0.75%, 0.35%

LAB 56.93, -55.98, 46

 

Complementary color

CMYK 0 / 58 / 11 / 9

HEX #E861CF

RGB 232 97 207

HSL 311.11, 0.75%, 0.65%

LAB 61.84, 64.92, -31.83

 

CMYK 82 / 0 / 73 / 38

HEX #1C9E2B

RGB 28 158 43

HSL 126.92, 0.7%, 0.36%

LAB 56.95, -55.91, 48.04

 

CMYK 74 / 0 / 65 / 31

HEX #2DB03E

RGB 45 176 62

HSL 127.79, 0.59%, 0.43%

LAB 63.31, -57.52, 47.09

 

CMYK 68 / 0 / 58 / 24

HEX #3EC251

RGB 62 194 81

HSL 128.64, 0.52%, 0.5%

LAB 69.61, -58.52, 45.84

 

CMYK 63 / 0 / 53 / 17

HEX #4FD464

RGB 79 212 100

HSL 129.47, 0.61%, 0.57%

LAB 75.87, -59.1, 44.49

 

CMYK 58 / 0 / 48 / 10

HEX #60E677

RGB 96 230 119

HSL 130.3, 0.73%, 0.64%

LAB 82.06, -59.41, 43.12

 

CMYK 85 / 0 / 70 / 38

HEX #179E30

RGB 23 158 48

HSL 131.11, 0.75%, 0.35%

LAB 56.93, -55.98, 46

 

CMYK 96 / 0 / 79 / 45

HEX #068C1D

RGB 6 140 29

HSL 130.3, 0.92%, 0.29%

LAB 50.55, -53.4, 46.65

 

CMYK 100 / 0 / 92 / 52

HEX #007A0A

RGB 0 122 10

HSL 124.92, 1%, 0.24%

LAB 44.15, -49.53, 46.05

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 85 / 0 / 70 / 38

HEX #179E30

RGB 23 158 48

HSL 131.11, 0.75%, 0.35%

LAB 56.93, -55.98, 46

 

CMYK 86 / 0 / 56 / 39

HEX #169C45

RGB 22 156 69

HSL 141.04, 0.75%, 0.35%

LAB 56.46, -52.8, 35.81

 

CMYK 86 / 0 / 42 / 39

HEX #169C5B

RGB 22 156 91

HSL 150.9, 0.75%, 0.35%

LAB 56.78, -48.99, 24.73

 

CMYK 86 / 0 / 28 / 39

HEX #169C71

RGB 22 156 113

HSL 160.75, 0.75%, 0.35%

LAB 57.21, -44.17, 13.16

 

CMYK 86 / 0 / 13 / 39

HEX #169C88

RGB 22 156 136

HSL 171.04, 0.75%, 0.35%

LAB 57.78, -38.16, 0.96

 

CMYK 85 / 0 / 70 / 38

HEX #179E30

RGB 23 158 48

HSL 131.11, 0.75%, 0.35%

LAB 56.93, -55.98, 46

 

CMYK 86 / 0 / 70 / 18

HEX #1ED13F

RGB 30 209 63

HSL 131.06, 0.75%, 0.47%

LAB 73.7, -69.58, 57.84

 

CMYK 80 / 0 / 60 / 98

HEX #010502

RGB 1 5 2

HSL 135, 0.67%, 0.01%

LAB 1.08, -1.46, 0.77

 

CMYK 86 / 0 / 70 / 78

HEX #083811

RGB 8 56 17

HSL 131.25, 0.75%, 0.13%

LAB 19.72, -25.42, 19.58

 

CMYK 85 / 0 / 69 / 58

HEX #106B21

RGB 16 107 33

HSL 131.21, 0.74%, 0.24%

LAB 39.13, -41.4, 33.28

 

CMYK 85 / 0 / 70 / 38

HEX #179E30

RGB 23 158 48

HSL 131.11, 0.75%, 0.35%

LAB 56.93, -55.98, 46

 

CMYK 86 / 33 / 0 / 39

HEX #16689C

RGB 22 104 156

HSL 203.28, 0.75%, 0.35%

LAB 41.96, -4.08, -34.78

 

CMYK 0 / 86 / 67 / 39

HEX #9C1633

RGB 156 22 51

HSL 347.01, 0.75%, 0.35%

LAB 33.73, 53.38, 19.91

 

CMYK 85 / 0 / 70 / 38

HEX #179E30

RGB 23 158 48

HSL 131.11, 0.75%, 0.35%

LAB 56.93, -55.98, 46

 

CMYK 71 / 86 / 0 / 39

HEX #2E169C

RGB 46 22 156

HSL 250.75, 0.75%, 0.35%

LAB 22.14, 49.23, -66.86

 

CMYK 0 / 71 / 86 / 39

HEX #9C2E16

RGB 156 46 22

HSL 10.75, 0.75%, 0.35%

LAB 36.14, 44.46, 39.61

 

CMYK 85 / 0 / 70 / 38

HEX #179E30

RGB 23 158 48

HSL 131.11, 0.75%, 0.35%

LAB 56.93, -55.98, 46

 

CMYK 86 / 33 / 0 / 39

HEX #16689C

RGB 22 104 156

HSL 203.28, 0.75%, 0.35%

LAB 41.96, -4.08, -34.78

 

CMYK 0 / 86 / 16 / 39

HEX #9C1683

RGB 156 22 131

HSL 311.19, 0.75%, 0.35%

LAB 36.52, 61.26, -27.36

 

CMYK 0 / 53 / 86 / 39

HEX #9C4916

RGB 156 73 22

HSL 22.84, 0.75%, 0.35%

LAB 41.04, 31.57, 43.89

 

CMYK 85 / 0 / 70 / 38

HEX #179E30

RGB 23 158 48

HSL 131.11, 0.75%, 0.35%

LAB 56.93, -55.98, 46

 

CMYK 86 / 59 / 0 / 39

HEX #16409C

RGB 22 64 156

HSL 221.19, 0.75%, 0.35%

LAB 30, 22.32, -53.97

 

CMYK 0 / 86 / 16 / 39

HEX #9C1683

RGB 156 22 131

HSL 311.19, 0.75%, 0.35%

LAB 36.52, 61.26, -27.36

 

CMYK 0 / 28 / 86 / 39

HEX #9C7116

RGB 156 113 22

HSL 40.75, 0.75%, 0.35%

LAB 50.61, 9.08, 52.04

 

Description

Color code: RGB 23 158 48 | qconv.com Color code: RGB 23 158 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 158 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 158 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 70 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 70% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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