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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 91 131 it is the complementary color RGB 16 164 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 91 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 239 91 131: RGB 244 91 126, RGB 255 109 145, RGB 255 127 164, RGB 255 145 183 and RGB 255 163 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 91 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 239 91 131: RGB 239 91 131, RGB 222 73 112, RGB 205 55 93, RGB 188 37 74 and RGB 171 19 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 45 / 6

HEX #EF5B83

RGB 239 91 131

HSL 343.78, 0.82%, 0.65%

LAB 59.41, 60.09, 8.39

 

Complementary color

CMYK 90 / 0 / 24 / 36

HEX #10A47C

RGB 16 164 124

HSL 163.78, 0.82%, 0.35%

LAB 59.99, -45.14, 10.9

 

CMYK 0 / 63 / 48 / 4

HEX #F45B7E

RGB 244 91 126

HSL 346.27, 0.87%, 0.66%

LAB 60.09, 61.2, 12.38

 

CMYK 0 / 57 / 43 / 0

HEX #FF6D91

RGB 255 109 145

HSL 345.21, 1%, 0.71%

LAB 65.15, 58.66, 8.82

 

CMYK 0 / 50 / 36 / 0

HEX #FF7FA4

RGB 255 127 164

HSL 342.66, 1%, 0.75%

LAB 68.84, 52.31, 3.34

 

CMYK 0 / 43 / 28 / 0

HEX #FF91B7

RGB 255 145 183

HSL 339.27, 1%, 0.78%

LAB 72.85, 45.75, -1.44

 

CMYK 0 / 36 / 21 / 0

HEX #FFA3CA

RGB 255 163 202

HSL 334.57, 1%, 0.82%

LAB 77.11, 39.17, -5.62

 

CMYK 0 / 62 / 45 / 6

HEX #EF5B83

RGB 239 91 131

HSL 343.78, 0.82%, 0.65%

LAB 59.41, 60.09, 8.39

 

CMYK 0 / 67 / 50 / 13

HEX #DE4970

RGB 222 73 112

HSL 344.3, 0.69%, 0.58%

LAB 53.45, 60.48, 10.79

 

CMYK 0 / 73 / 55 / 20

HEX #CD375D

RGB 205 55 93

HSL 344.8, 0.6%, 0.51%

LAB 47.63, 60.48, 13.71

 

CMYK 0 / 80 / 61 / 26

HEX #BC254A

RGB 188 37 74

HSL 345.3, 0.67%, 0.44%

LAB 42.01, 59.87, 17.32

 

CMYK 0 / 89 / 68 / 33

HEX #AB1337

RGB 171 19 55

HSL 345.79, 0.8%, 0.37%

LAB 36.74, 58.28, 21.81

 

CMYK 0 / 62 / 45 / 6

HEX #EF5B83

RGB 239 91 131

HSL 343.78, 0.82%, 0.65%

LAB 59.41, 60.09, 8.39

 

CMYK 0 / 61 / 54 / 7

HEX #EE5C6D

RGB 238 92 109

HSL 353.01, 0.81%, 0.65%

LAB 58.91, 57.47, 20.5

 

CMYK 0 / 58 / 61 / 7

HEX #EE635C

RGB 238 99 92

HSL 2.88, 0.81%, 0.65%

LAB 59.77, 53.17, 31.39

 

CMYK 0 / 48 / 61 / 7

HEX #EE7C5C

RGB 238 124 92

HSL 13.15, 0.81%, 0.65%

LAB 64.46, 41.17, 37.23

 

CMYK 0 / 38 / 61 / 7

HEX #EE945C

RGB 238 148 92

HSL 23.01, 0.81%, 0.65%

LAB 69.56, 28.77, 43.42

 

CMYK 0 / 62 / 45 / 6

HEX #EF5B83

RGB 239 91 131

HSL 343.78, 0.82%, 0.65%

LAB 59.41, 60.09, 8.39

 

CMYK 0 / 63 / 46 / 86

HEX #230D13

RGB 35 13 19

HSL 343.64, 0.46%, 0.09%

LAB 6.25, 11.96, 0.78

 

CMYK 0 / 62 / 45 / 66

HEX #56212F

RGB 86 33 47

HSL 344.15, 0.45%, 0.23%

LAB 21.1, 26.11, 3.14

 

CMYK 0 / 62 / 45 / 46

HEX #89344B

RGB 137 52 75

HSL 343.76, 0.45%, 0.37%

LAB 34.56, 38.44, 4.91

 

CMYK 0 / 62 / 45 / 26

HEX #BC4867

RGB 188 72 103

HSL 343.97, 0.46%, 0.51%

LAB 47.37, 49.34, 6.81

 

CMYK 0 / 62 / 45 / 6

HEX #EF5B83

RGB 239 91 131

HSL 343.78, 0.82%, 0.65%

LAB 59.41, 60.09, 8.39

 

CMYK 0 / 5 / 61 / 7

HEX #EEE25C

RGB 238 226 92

HSL 55.07, 0.81%, 0.65%

LAB 88.61, -11.78, 65.02

 

CMYK 61 / 19 / 0 / 7

HEX #5CC0EE

RGB 92 192 238

HSL 198.9, 0.81%, 0.65%

LAB 73.64, -15.81, -31.57

 

CMYK 0 / 62 / 45 / 6

HEX #EF5B83

RGB 239 91 131

HSL 343.78, 0.82%, 0.65%

LAB 59.41, 60.09, 8.39

 

CMYK 44 / 0 / 61 / 7

HEX #86EE5C

RGB 134 238 92

HSL 102.74, 0.81%, 0.65%

LAB 85.5, -55.64, 59.77

 

CMYK 61 / 44 / 0 / 7

HEX #5C86EE

RGB 92 134 238

HSL 222.74, 0.81%, 0.65%

LAB 57.56, 17.1, -56.83

 

CMYK 0 / 62 / 45 / 6

HEX #EF5B83

RGB 239 91 131

HSL 343.78, 0.82%, 0.65%

LAB 59.41, 60.09, 8.39

 

CMYK 0 / 5 / 61 / 7

HEX #EEE25C

RGB 238 226 92

HSL 55.07, 0.81%, 0.65%

LAB 88.61, -11.78, 65.02

 

CMYK 61 / 0 / 17 / 7

HEX #5CEEC5

RGB 92 238 197

HSL 163.15, 0.81%, 0.65%

LAB 85.73, -48.62, 8.33

 

CMYK 61 / 56 / 0 / 7

HEX #5C68EE

RGB 92 104 238

HSL 235.07, 0.81%, 0.65%

LAB 49.92, 35.36, -69.14

 

CMYK 0 / 62 / 45 / 6

HEX #EF5B83

RGB 239 91 131

HSL 343.78, 0.82%, 0.65%

LAB 59.41, 60.09, 8.39

 

CMYK 13 / 0 / 61 / 7

HEX #CFEE5C

RGB 207 238 92

HSL 72.74, 0.81%, 0.65%

LAB 89.48, -29.98, 65.28

 

CMYK 61 / 0 / 17 / 7

HEX #5CEEC5

RGB 92 238 197

HSL 163.15, 0.81%, 0.65%

LAB 85.73, -48.62, 8.33

 

CMYK 48 / 61 / 0 / 7

HEX #7C5CEE

RGB 124 92 238

HSL 253.15, 0.81%, 0.65%

LAB 49.63, 48.09, -69.49

 

Description

Color code: RGB 239 91 131 | qconv.com Color code: RGB 239 91 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 91 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 91 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 45 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 45% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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