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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 51 95 it is the complementary color RGB 16 204 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 51 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 239 51 95: RGB 244 51 90, RGB 255 69 109, RGB 255 87 128, RGB 255 105 147 and RGB 255 123 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 51 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 239 51 95: RGB 239 51 95, RGB 222 33 76, RGB 205 15 57, RGB 188 0 38 and RGB 171 0 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 60 / 6

HEX #EF335F

RGB 239 51 95

HSL 345.96, 0.85%, 0.57%

LAB 53.54, 71.31, 21.57

 

Complementary color

CMYK 92 / 0 / 22 / 20

HEX #10CCA0

RGB 16 204 160

HSL 165.96, 0.85%, 0.43%

LAB 73.44, -52.21, 10.23

 

CMYK 0 / 79 / 63 / 4

HEX #F4335A

RGB 244 51 90

HSL 347.88, 0.9%, 0.58%

LAB 54.38, 72.36, 25.84

 

CMYK 0 / 73 / 57 / 0

HEX #FF456D

RGB 255 69 109

HSL 347.1, 1%, 0.64%

LAB 58.62, 71.28, 20.59

 

CMYK 0 / 66 / 50 / 0

HEX #FF5780

RGB 255 87 128

HSL 345.36, 1%, 0.67%

LAB 61.34, 66.32, 13.23

 

CMYK 0 / 59 / 42 / 0

HEX #FF6993

RGB 255 105 147

HSL 343.2, 1%, 0.71%

LAB 64.54, 60.62, 6.8

 

CMYK 0 / 52 / 35 / 0

HEX #FF7BA6

RGB 255 123 166

HSL 340.45, 1%, 0.74%

LAB 68.15, 54.45, 1.21

 

CMYK 0 / 79 / 60 / 6

HEX #EF335F

RGB 239 51 95

HSL 345.96, 0.85%, 0.57%

LAB 53.54, 71.31, 21.57

 

CMYK 0 / 85 / 66 / 13

HEX #DE214C

RGB 222 33 76

HSL 346.35, 0.74%, 0.5%

LAB 48.43, 70, 25.75

 

CMYK 0 / 93 / 72 / 20

HEX #CD0F39

RGB 205 15 57

HSL 346.74, 0.86%, 0.43%

LAB 43.68, 67.7, 30.68

 

CMYK 0 / 100 / 80 / 26

HEX #BC0026

RGB 188 0 38

HSL 347.87, 1%, 0.37%

LAB 39.29, 64.36, 36.21

 

CMYK 0 / 100 / 89 / 33

HEX #AB0013

RGB 171 0 19

HSL 353.33, 1%, 0.34%

LAB 35.41, 59.63, 41.73

 

CMYK 0 / 79 / 60 / 6

HEX #EF335F

RGB 239 51 95

HSL 345.96, 0.85%, 0.57%

LAB 53.54, 71.31, 21.57

 

CMYK 0 / 78 / 72 / 7

HEX #EE3443

RGB 238 52 67

HSL 355.16, 0.85%, 0.57%

LAB 52.99, 69.35, 37.35

 

CMYK 0 / 72 / 78 / 7

HEX #EE4334

RGB 238 67 52

HSL 4.84, 0.85%, 0.57%

LAB 54.49, 64.14, 47.23

 

CMYK 0 / 59 / 78 / 7

HEX #EE6234

RGB 238 98 52

HSL 14.84, 0.85%, 0.57%

LAB 59.12, 51.66, 51.88

 

CMYK 0 / 46 / 78 / 7

HEX #EE8134

RGB 238 129 52

HSL 24.84, 0.85%, 0.57%

LAB 65.06, 36.59, 57.67

 

CMYK 0 / 79 / 60 / 6

HEX #EF335F

RGB 239 51 95

HSL 345.96, 0.85%, 0.57%

LAB 53.54, 71.31, 21.57

 

CMYK 0 / 80 / 60 / 86

HEX #23070E

RGB 35 7 14

HSL 345, 0.67%, 0.08%

LAB 4.89, 13.69, 1.63

 

CMYK 0 / 79 / 60 / 66

HEX #561222

RGB 86 18 34

HSL 345.88, 0.65%, 0.2%

LAB 18.04, 32.03, 8

 

CMYK 0 / 79 / 61 / 46

HEX #891D36

RGB 137 29 54

HSL 346.11, 0.65%, 0.33%

LAB 30.55, 46.08, 13.03

 

CMYK 0 / 79 / 60 / 26

HEX #BC284B

RGB 188 40 75

HSL 345.81, 0.65%, 0.45%

LAB 42.33, 59.09, 17.12

 

CMYK 0 / 79 / 60 / 6

HEX #EF335F

RGB 239 51 95

HSL 345.96, 0.85%, 0.57%

LAB 53.54, 71.31, 21.57

 

CMYK 0 / 4 / 78 / 7

HEX #EEE534

RGB 238 229 52

HSL 57.1, 0.85%, 0.57%

LAB 89.14, -15.18, 79.73

 

CMYK 78 / 27 / 0 / 7

HEX #34ADEE

RGB 52 173 238

HSL 200.97, 0.85%, 0.57%

LAB 67.12, -11.19, -41.79

 

CMYK 0 / 79 / 60 / 6

HEX #EF335F

RGB 239 51 95

HSL 345.96, 0.85%, 0.57%

LAB 53.54, 71.31, 21.57

 

CMYK 59 / 0 / 78 / 7

HEX #62EE34

RGB 98 238 52

HSL 105.16, 0.85%, 0.57%

LAB 83.96, -68.34, 72.15

 

CMYK 78 / 59 / 0 / 7

HEX #3462EE

RGB 52 98 238

HSL 225.16, 0.85%, 0.57%

LAB 46.5, 33.92, -74.79

 

CMYK 0 / 79 / 60 / 6

HEX #EF335F

RGB 239 51 95

HSL 345.96, 0.85%, 0.57%

LAB 53.54, 71.31, 21.57

 

CMYK 0 / 4 / 78 / 7

HEX #EEE534

RGB 238 229 52

HSL 57.1, 0.85%, 0.57%

LAB 89.14, -15.18, 79.73

 

CMYK 78 / 0 / 20 / 7

HEX #34EEBF

RGB 52 238 191

HSL 164.84, 0.85%, 0.57%

LAB 84.81, -55.54, 10.05

 

CMYK 78 / 74 / 0 / 7

HEX #343DEE

RGB 52 61 238

HSL 237.1, 0.85%, 0.57%

LAB 38.27, 55.93, -88.31

 

CMYK 0 / 79 / 60 / 6

HEX #EF335F

RGB 239 51 95

HSL 345.96, 0.85%, 0.57%

LAB 53.54, 71.31, 21.57

 

CMYK 20 / 0 / 78 / 7

HEX #BFEE34

RGB 191 238 52

HSL 75.16, 0.85%, 0.57%

LAB 88.2, -38.41, 77.61

 

CMYK 78 / 0 / 20 / 7

HEX #34EEBF

RGB 52 238 191

HSL 164.84, 0.85%, 0.57%

LAB 84.81, -55.54, 10.05

 

CMYK 59 / 78 / 0 / 7

HEX #6234EE

RGB 98 52 238

HSL 254.84, 0.85%, 0.57%

LAB 39.96, 64.38, -85.42

 

Description

Color code: RGB 239 51 95 | qconv.com Color code: RGB 239 51 95 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 51 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 51 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 60 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 60% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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