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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 36 123 it is the complementary color RGB 16 219 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 36 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 239 36 123: RGB 244 36 118, RGB 255 54 137, RGB 255 72 156, RGB 255 90 175 and RGB 255 108 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 36 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 239 36 123: RGB 239 36 123, RGB 222 18 104, RGB 205 0 85, RGB 188 0 66 and RGB 171 0 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 49 / 6

HEX #EF247B

RGB 239 36 123

HSL 334.29, 0.86%, 0.54%

LAB 53, 76.68, 3.95

 

Complementary color

CMYK 93 / 0 / 40 / 14

HEX #10DB84

RGB 16 219 132

HSL 154.29, 0.86%, 0.46%

LAB 77.54, -63.87, 30.58

 

CMYK 0 / 85 / 52 / 4

HEX #F42476

RGB 244 36 118

HSL 336.35, 0.9%, 0.55%

LAB 53.82, 77.5, 8.27

 

CMYK 0 / 79 / 46 / 0

HEX #FF3689

RGB 255 54 137

HSL 335.22, 1%, 0.61%

LAB 57.76, 77.69, 2.85

 

CMYK 0 / 72 / 39 / 0

HEX #FF489C

RGB 255 72 156

HSL 332.46, 1%, 0.64%

LAB 60.15, 74.18, -4.79

 

CMYK 0 / 65 / 31 / 0

HEX #FF5AAF

RGB 255 90 175

HSL 329.09, 1%, 0.68%

LAB 63.07, 69.79, -11.42

 

CMYK 0 / 58 / 24 / 0

HEX #FF6CC2

RGB 255 108 194

HSL 324.9, 1%, 0.71%

LAB 66.43, 64.72, -17.16

 

CMYK 0 / 85 / 49 / 6

HEX #EF247B

RGB 239 36 123

HSL 334.29, 0.86%, 0.54%

LAB 53, 76.68, 3.95

 

CMYK 0 / 92 / 53 / 13

HEX #DE1268

RGB 222 18 104

HSL 334.71, 0.85%, 0.47%

LAB 48.21, 74.08, 8.25

 

CMYK 0 / 100 / 59 / 20

HEX #CD0055

RGB 205 0 85

HSL 335.12, 1%, 0.4%

LAB 43.7, 70.59, 13.27

 

CMYK 0 / 100 / 65 / 26

HEX #BC0042

RGB 188 0 66

HSL 338.94, 1%, 0.37%

LAB 39.72, 65.51, 19.34

 

CMYK 0 / 100 / 73 / 33

HEX #AB002F

RGB 171 0 47

HSL 343.51, 1%, 0.34%

LAB 35.72, 60.47, 25.65

 

CMYK 0 / 85 / 49 / 6

HEX #EF247B

RGB 239 36 123

HSL 334.29, 0.86%, 0.54%

LAB 53, 76.68, 3.95

 

CMYK 0 / 85 / 62 / 7

HEX #EE245A

RGB 238 36 90

HSL 343.96, 0.86%, 0.54%

LAB 52.04, 74.23, 22.55

 

CMYK 0 / 85 / 76 / 7

HEX #EE2438

RGB 238 36 56

HSL 354.06, 0.86%, 0.54%

LAB 51.52, 72.72, 41.96

 

CMYK 0 / 79 / 85 / 7

HEX #EE3224

RGB 238 50 36

HSL 4.16, 0.86%, 0.54%

LAB 52.49, 68.93, 53.27

 

CMYK 0 / 65 / 85 / 7

HEX #EE5324

RGB 238 83 36

HSL 13.96, 0.86%, 0.54%

LAB 56.58, 57.67, 56.72

 

CMYK 0 / 85 / 49 / 6

HEX #EF247B

RGB 239 36 123

HSL 334.29, 0.86%, 0.54%

LAB 53, 76.68, 3.95

 

CMYK 0 / 86 / 49 / 86

HEX #230512

RGB 35 5 18

HSL 334, 0.75%, 0.08%

LAB 4.6, 15.25, -1.01

 

CMYK 0 / 85 / 49 / 66

HEX #560D2C

RGB 86 13 44

HSL 334.52, 0.74%, 0.19%

LAB 17.68, 34.84, 0.32

 

CMYK 0 / 85 / 48 / 46

HEX #891547

RGB 137 21 71

HSL 334.14, 0.73%, 0.31%

LAB 30.18, 49.83, 1.21

 

CMYK 0 / 85 / 48 / 26

HEX #BC1C61

RGB 188 28 97

HSL 334.13, 0.74%, 0.42%

LAB 41.82, 63.75, 2.56

 

CMYK 0 / 85 / 49 / 6

HEX #EF247B

RGB 239 36 123

HSL 334.29, 0.86%, 0.54%

LAB 53, 76.68, 3.95

 

CMYK 0 / 20 / 85 / 7

HEX #EEBF24

RGB 238 191 36

HSL 46.04, 0.86%, 0.54%

LAB 79.37, 3.59, 75.6

 

CMYK 85 / 14 / 0 / 7

HEX #24CCEE

RGB 36 204 238

HSL 190.1, 0.86%, 0.54%

LAB 75.91, -28.6, -28.19

 

CMYK 0 / 85 / 49 / 6

HEX #EF247B

RGB 239 36 123

HSL 334.29, 0.86%, 0.54%

LAB 53, 76.68, 3.95

 

CMYK 48 / 0 / 85 / 7

HEX #7CEE24

RGB 124 238 36

HSL 93.86, 0.86%, 0.54%

LAB 84.77, -62.17, 77.18

 

CMYK 85 / 48 / 0 / 7

HEX #247CEE

RGB 36 124 238

HSL 213.86, 0.86%, 0.54%

LAB 52.91, 16.21, -64.4

 

CMYK 0 / 85 / 49 / 6

HEX #EF247B

RGB 239 36 123

HSL 334.29, 0.86%, 0.54%

LAB 53, 76.68, 3.95

 

CMYK 0 / 20 / 85 / 7

HEX #EEBF24

RGB 238 191 36

HSL 46.04, 0.86%, 0.54%

LAB 79.37, 3.59, 75.6

 

CMYK 85 / 0 / 37 / 7

HEX #24EE97

RGB 36 238 151

HSL 154.16, 0.86%, 0.54%

LAB 83.84, -65.63, 29.33

 

CMYK 85 / 65 / 0 / 7

HEX #2453EE

RGB 36 83 238

HSL 226.04, 0.86%, 0.54%

LAB 42.36, 42.09, -81.59

 

CMYK 0 / 85 / 49 / 6

HEX #EF247B

RGB 239 36 123

HSL 334.29, 0.86%, 0.54%

LAB 53, 76.68, 3.95

 

CMYK 5 / 0 / 85 / 7

HEX #E1EE24

RGB 225 238 36

HSL 63.86, 0.86%, 0.54%

LAB 90.45, -25.34, 84.25

 

CMYK 85 / 0 / 37 / 7

HEX #24EE97

RGB 36 238 151

HSL 154.16, 0.86%, 0.54%

LAB 83.84, -65.63, 29.33

 

CMYK 79 / 85 / 0 / 7

HEX #3224EE

RGB 50 36 238

HSL 244.16, 0.86%, 0.54%

LAB 34.22, 67.34, -95.04

 

Description

Color code: RGB 239 36 123 | qconv.com Color code: RGB 239 36 123 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 36 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 36 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 49 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 49% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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