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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 232 202 it is the complementary color RGB 16 23 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 232 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 239 232 202: RGB 244 232 197, RGB 255 250 216, RGB 255 255 235, RGB 255 255 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 232 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 239 232 202: RGB 239 232 202, RGB 222 214 183, RGB 205 196 164, RGB 188 178 145 and RGB 171 160 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 15 / 6

HEX #EFE8CA

RGB 239 232 202

HSL 48.65, 0.54%, 0.86%

LAB 91.83, -2.52, 15.45

 

Complementary color

CMYK 70 / 57 / 0 / 79

HEX #101735

RGB 16 23 53

HSL 228.65, 0.54%, 0.14%

LAB 8.82, 8.21, -20.77

 

CMYK 0 / 5 / 19 / 4

HEX #F4E8C5

RGB 244 232 197

HSL 44.68, 0.68%, 0.86%

LAB 92.12, -1.47, 18.5

 

CMYK 0 / 2 / 15 / 0

HEX #FFFAD8

RGB 255 250 216

HSL 52.31, 1%, 0.92%

LAB 97.87, -3.82, 16.92

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 3 / 15 / 6

HEX #EFE8CA

RGB 239 232 202

HSL 48.65, 0.54%, 0.86%

LAB 91.83, -2.52, 15.45

 

CMYK 0 / 4 / 18 / 13

HEX #DED6B7

RGB 222 214 183

HSL 47.69, 0.37%, 0.79%

LAB 85.52, -2.31, 16.31

 

CMYK 0 / 4 / 20 / 20

HEX #CDC4A4

RGB 205 196 164

HSL 46.83, 0.29%, 0.72%

LAB 79.12, -2.07, 17.22

 

CMYK 0 / 5 / 23 / 26

HEX #BCB291

RGB 188 178 145

HSL 46.05, 0.24%, 0.65%

LAB 72.61, -1.81, 18.18

 

CMYK 0 / 6 / 26 / 33

HEX #ABA07E

RGB 171 160 126

HSL 45.33, 0.21%, 0.58%

LAB 65.99, -1.5, 19.2

 

CMYK 0 / 3 / 15 / 6

HEX #EFE8CA

RGB 239 232 202

HSL 48.65, 0.54%, 0.86%

LAB 91.83, -2.52, 15.45

 

CMYK 0 / 0 / 16 / 7

HEX #EEEDC8

RGB 238 237 200

HSL 58.42, 0.53%, 0.86%

LAB 92.98, -5.71, 18.08

 

CMYK 2 / 0 / 16 / 7

HEX #E9EEC8

RGB 233 238 200

HSL 67.89, 0.53%, 0.86%

LAB 92.86, -7.99, 17.86

 

CMYK 5 / 0 / 16 / 7

HEX #E3EEC8

RGB 227 238 200

HSL 77.37, 0.53%, 0.86%

LAB 92.42, -10.11, 17.18

 

CMYK 8 / 0 / 16 / 7

HEX #DCEEC8

RGB 220 238 200

HSL 88.42, 0.53%, 0.86%

LAB 91.92, -12.55, 16.41

 

CMYK 0 / 3 / 15 / 6

HEX #EFE8CA

RGB 239 232 202

HSL 48.65, 0.54%, 0.86%

LAB 91.83, -2.52, 15.45

 

CMYK 0 / 3 / 14 / 86

HEX #23221E

RGB 35 34 30

HSL 48, 0.08%, 0.13%

LAB 13.2, -0.46, 2.86

 

CMYK 0 / 3 / 15 / 66

HEX #565349

RGB 86 83 73

HSL 46.15, 0.08%, 0.31%

LAB 35.29, -0.76, 6.29

 

CMYK 0 / 3 / 15 / 46

HEX #898574

RGB 137 133 116

HSL 48.57, 0.08%, 0.5%

LAB 55.44, -1.59, 9.71

 

CMYK 0 / 3 / 15 / 26

HEX #BCB69F

RGB 188 182 159

HSL 47.59, 0.18%, 0.68%

LAB 73.97, -1.8, 12.47

 

CMYK 0 / 3 / 15 / 6

HEX #EFE8CA

RGB 239 232 202

HSL 48.65, 0.54%, 0.86%

LAB 91.83, -2.52, 15.45

 

CMYK 16 / 0 / 16 / 7

HEX #C8EEC8

RGB 200 238 200

HSL 120, 0.53%, 0.86%

LAB 90.6, -19.36, 14.35

 

CMYK 10 / 16 / 0 / 7

HEX #D7C8EE

RGB 215 200 238

HSL 263.68, 0.53%, 0.86%

LAB 82.88, 12.31, -16.85

 

CMYK 0 / 3 / 15 / 6

HEX #EFE8CA

RGB 239 232 202

HSL 48.65, 0.54%, 0.86%

LAB 91.83, -2.52, 15.45

 

CMYK 16 / 0 / 3 / 7

HEX #C8EEE6

RGB 200 238 230

HSL 167.37, 0.53%, 0.86%

LAB 91.3, -13.82, -0.25

 

CMYK 3 / 16 / 0 / 7

HEX #E6C8EE

RGB 230 200 238

HSL 287.37, 0.53%, 0.86%

LAB 84.12, 17.19, -14.85

 

CMYK 0 / 3 / 15 / 6

HEX #EFE8CA

RGB 239 232 202

HSL 48.65, 0.54%, 0.86%

LAB 91.83, -2.52, 15.45

 

CMYK 16 / 0 / 16 / 7

HEX #C8EEC8

RGB 200 238 200

HSL 120, 0.53%, 0.86%

LAB 90.6, -19.36, 14.35

 

CMYK 16 / 13 / 0 / 7

HEX #C8CFEE

RGB 200 207 238

HSL 228.95, 0.53%, 0.86%

LAB 83.48, 3.81, -16.05

 

CMYK 0 / 16 / 0 / 7

HEX #EEC8EE

RGB 238 200 238

HSL 300, 0.53%, 0.86%

LAB 84.82, 19.83, -13.73

 

CMYK 0 / 3 / 15 / 6

HEX #EFE8CA

RGB 239 232 202

HSL 48.65, 0.54%, 0.86%

LAB 91.83, -2.52, 15.45

 

CMYK 16 / 0 / 11 / 7

HEX #C8EED3

RGB 200 238 211

HSL 137.37, 0.53%, 0.86%

LAB 90.84, -17.41, 8.98

 

CMYK 16 / 13 / 0 / 7

HEX #C8CFEE

RGB 200 207 238

HSL 228.95, 0.53%, 0.86%

LAB 83.48, 3.81, -16.05

 

CMYK 0 / 16 / 5 / 7

HEX #EEC8E3

RGB 238 200 227

HSL 317.37, 0.53%, 0.86%

LAB 84.5, 17.87, -8.35

 

Description

Color code: RGB 239 232 202 | qconv.com Color code: RGB 239 232 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 232 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 232 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 15 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 15% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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