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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 232 184 it is the complementary color RGB 16 23 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 232 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 239 232 184: RGB 244 232 179, RGB 255 250 198, RGB 255 255 217, RGB 255 255 236 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 232 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 239 232 184: RGB 239 232 184, RGB 222 214 165, RGB 205 196 146, RGB 188 178 127 and RGB 171 160 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 23 / 6

HEX #EFE8B8

RGB 239 232 184

HSL 52.36, 0.63%, 0.83%

LAB 91.47, -5.12, 24.25

 

Complementary color

CMYK 77 / 68 / 0 / 72

HEX #101747

RGB 16 23 71

HSL 232.36, 0.63%, 0.17%

LAB 10.39, 15.89, -31.03

 

CMYK 0 / 5 / 27 / 4

HEX #F4E8B3

RGB 244 232 179

HSL 48.92, 0.75%, 0.83%

LAB 91.77, -3.95, 27.3

 

CMYK 0 / 2 / 22 / 0

HEX #FFFAC6

RGB 255 250 198

HSL 54.74, 1%, 0.89%

LAB 97.51, -6.4, 25.6

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 0 / 3 / 23 / 6

HEX #EFE8B8

RGB 239 232 184

HSL 52.36, 0.63%, 0.83%

LAB 91.47, -5.12, 24.25

 

CMYK 0 / 4 / 26 / 13

HEX #DED6A5

RGB 222 214 165

HSL 51.58, 0.46%, 0.76%

LAB 85.17, -4.88, 25.25

 

CMYK 0 / 4 / 29 / 20

HEX #CDC492

RGB 205 196 146

HSL 50.85, 0.37%, 0.69%

LAB 78.77, -4.59, 26.29

 

CMYK 0 / 5 / 32 / 26

HEX #BCB27F

RGB 188 178 127

HSL 50.16, 0.31%, 0.62%

LAB 72.27, -4.26, 27.4

 

CMYK 0 / 6 / 37 / 33

HEX #ABA06C

RGB 171 160 108

HSL 49.52, 0.27%, 0.55%

LAB 65.66, -3.87, 28.58

 

CMYK 0 / 3 / 23 / 6

HEX #EFE8B8

RGB 239 232 184

HSL 52.36, 0.63%, 0.83%

LAB 91.47, -5.12, 24.25

 

CMYK 0 / 0 / 23 / 7

HEX #EDEEB8

RGB 237 238 184

HSL 61.11, 0.61%, 0.83%

LAB 92.85, -8.87, 26.11

 

CMYK 4 / 0 / 23 / 7

HEX #E4EEB8

RGB 228 238 184

HSL 71.11, 0.61%, 0.83%

LAB 92.18, -12.14, 25.09

 

CMYK 8 / 0 / 23 / 7

HEX #DAEEB8

RGB 218 238 184

HSL 82.22, 0.61%, 0.83%

LAB 91.47, -15.72, 24

 

CMYK 12 / 0 / 23 / 7

HEX #D1EEB8

RGB 209 238 184

HSL 92.22, 0.61%, 0.83%

LAB 90.86, -18.89, 23.06

 

CMYK 0 / 3 / 23 / 6

HEX #EFE8B8

RGB 239 232 184

HSL 52.36, 0.63%, 0.83%

LAB 91.47, -5.12, 24.25

 

CMYK 0 / 3 / 23 / 86

HEX #23221B

RGB 35 34 27

HSL 52.5, 0.13%, 0.12%

LAB 13.11, -1.1, 4.9

HKS® 88

CMYK 0 / 3 / 23 / 66

HEX #565342

RGB 86 83 66

HSL 51, 0.13%, 0.3%

LAB 35.12, -2, 10.42

 

CMYK 0 / 3 / 23 / 46

HEX #898569

RGB 137 133 105

HSL 52.5, 0.13%, 0.47%

LAB 55.19, -3.36, 15.67

 

CMYK 0 / 3 / 23 / 26

HEX #BCB691

RGB 188 182 145

HSL 51.63, 0.24%, 0.65%

LAB 73.67, -3.93, 19.64

 

CMYK 0 / 3 / 23 / 6

HEX #EFE8B8

RGB 239 232 184

HSL 52.36, 0.63%, 0.83%

LAB 91.47, -5.12, 24.25

 

CMYK 23 / 0 / 21 / 7

HEX #B8EEBB

RGB 184 238 187

HSL 123.33, 0.61%, 0.83%

LAB 89.36, -26.86, 19.2

 

CMYK 12 / 23 / 0 / 7

HEX #D1B8EE

RGB 209 184 238

HSL 267.78, 0.61%, 0.83%

LAB 78.47, 19.02, -23.57

 

CMYK 0 / 3 / 23 / 6

HEX #EFE8B8

RGB 239 232 184

HSL 52.36, 0.63%, 0.83%

LAB 91.47, -5.12, 24.25

 

CMYK 23 / 0 / 3 / 7

HEX #B8EEE7

RGB 184 238 231

HSL 172.22, 0.61%, 0.83%

LAB 90.37, -18.51, -2.24

 

CMYK 3 / 23 / 0 / 7

HEX #E7B8EE

RGB 231 184 238

HSL 292.22, 0.61%, 0.83%

LAB 80.43, 26.07, -20.41

 

CMYK 0 / 3 / 23 / 6

HEX #EFE8B8

RGB 239 232 184

HSL 52.36, 0.63%, 0.83%

LAB 91.47, -5.12, 24.25

 

CMYK 23 / 0 / 21 / 7

HEX #B8EEBB

RGB 184 238 187

HSL 123.33, 0.61%, 0.83%

LAB 89.36, -26.86, 19.2

 

CMYK 23 / 20 / 0 / 7

HEX #B8BFEE

RGB 184 191 238

HSL 232.22, 0.61%, 0.83%

LAB 78.24, 7.46, -24.09

 

CMYK 0 / 23 / 1 / 7

HEX #EEB8EB

RGB 238 184 235

HSL 303.33, 0.61%, 0.83%

LAB 80.99, 27.79, -17.88

 

CMYK 0 / 3 / 23 / 6

HEX #EFE8B8

RGB 239 232 184

HSL 52.36, 0.63%, 0.83%

LAB 91.47, -5.12, 24.25

 

CMYK 23 / 0 / 14 / 7

HEX #B8EECC

RGB 184 238 204

HSL 142.22, 0.61%, 0.83%

LAB 89.72, -23.83, 10.89

 

CMYK 23 / 20 / 0 / 7

HEX #B8BFEE

RGB 184 191 238

HSL 232.22, 0.61%, 0.83%

LAB 78.24, 7.46, -24.09

 

CMYK 0 / 23 / 8 / 7

HEX #EEB8DA

RGB 238 184 218

HSL 322.22, 0.61%, 0.83%

LAB 80.47, 24.82, -9.51

 

Description

Color code: RGB 239 232 184 | qconv.com Color code: RGB 239 232 184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 232 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 232 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 23 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 23% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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