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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 225 221 it is the complementary color RGB 16 30 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 225 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 239 225 221: RGB 244 225 216, RGB 255 243 235, RGB 255 255 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 225 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 239 225 221: RGB 239 225 221, RGB 222 207 202, RGB 205 189 183, RGB 188 171 164 and RGB 171 153 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 8 / 6

HEX #EFE1DD

RGB 239 225 221

HSL 13.33, 0.36%, 0.9%

LAB 90.52, 4.09, 3.65

 

Complementary color

CMYK 53 / 12 / 0 / 87

HEX #101E22

RGB 16 30 34

HSL 193.33, 0.36%, 0.1%

LAB 10.22, -4.66, -4.64

 

CMYK 0 / 8 / 11 / 4

HEX #F4E1D8

RGB 244 225 216

HSL 19.29, 0.56%, 0.9%

LAB 90.8, 5.02, 6.73

 

CMYK 0 / 5 / 8 / 0

HEX #FFF3EB

RGB 255 243 235

HSL 24, 1%, 0.96%

LAB 96.56, 2.69, 5.28

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 6 / 8 / 6

HEX #EFE1DD

RGB 239 225 221

HSL 13.33, 0.36%, 0.9%

LAB 90.52, 4.09, 3.65

SW® 6301

CMYK 0 / 7 / 9 / 13

HEX #DECFCA

RGB 222 207 202

HSL 15, 0.23%, 0.83%

LAB 84.18, 4.35, 4.34

 

CMYK 0 / 8 / 11 / 20

HEX #CDBDB7

RGB 205 189 183

HSL 16.36, 0.18%, 0.76%

LAB 77.75, 4.63, 5.06

 

CMYK 0 / 9 / 13 / 26

HEX #BCABA4

RGB 188 171 164

HSL 17.5, 0.15%, 0.69%

LAB 71.21, 4.93, 5.81

 

CMYK 0 / 11 / 15 / 33

HEX #AB9991

RGB 171 153 145

HSL 18.46, 0.13%, 0.62%

LAB 64.55, 5.27, 6.61

 

CMYK 0 / 6 / 8 / 6

HEX #EFE1DD

RGB 239 225 221

HSL 13.33, 0.36%, 0.9%

LAB 90.52, 4.09, 3.65

SW® 6301

CMYK 0 / 5 / 8 / 7

HEX #EEE3DC

RGB 238 227 220

HSL 23.33, 0.35%, 0.9%

LAB 90.91, 2.55, 4.74

 

CMYK 0 / 3 / 8 / 7

HEX #EEE6DC

RGB 238 230 220

HSL 33.33, 0.35%, 0.9%

LAB 91.66, 1.01, 5.82

 

CMYK 0 / 2 / 8 / 7

HEX #EEE9DC

RGB 238 233 220

HSL 43.33, 0.35%, 0.9%

LAB 92.41, -0.53, 6.9

 

CMYK 0 / 1 / 8 / 7

HEX #EEECDC

RGB 238 236 220

HSL 53.33, 0.35%, 0.9%

LAB 93.16, -2.06, 7.98

 

CMYK 0 / 6 / 8 / 6

HEX #EFE1DD

RGB 239 225 221

HSL 13.33, 0.36%, 0.9%

LAB 90.52, 4.09, 3.65

SW® 6301

CMYK 0 / 6 / 9 / 86

HEX #232120

RGB 35 33 32

HSL 20, 0.04%, 0.13%

LAB 12.92, 0.7, 1.01

 

CMYK 0 / 6 / 7 / 66

HEX #565150

RGB 86 81 80

HSL 10, 0.04%, 0.33%

LAB 34.89, 1.84, 1.31

 

CMYK 0 / 6 / 7 / 46

HEX #89817F

RGB 137 129 127

HSL 12, 0.04%, 0.52%

LAB 54.61, 2.64, 2.16

 

CMYK 0 / 6 / 7 / 26

HEX #BCB1AE

RGB 188 177 174

HSL 12.86, 0.09%, 0.71%

LAB 73.02, 3.39, 2.93

 

CMYK 0 / 6 / 8 / 6

HEX #EFE1DD

RGB 239 225 221

HSL 13.33, 0.36%, 0.9%

LAB 90.52, 4.09, 3.65

SW® 6301

CMYK 3 / 0 / 8 / 7

HEX #E7EEDC

RGB 231 238 220

HSL 83.33, 0.35%, 0.9%

LAB 93.15, -5.47, 7.9

 

CMYK 8 / 6 / 0 / 7

HEX #DCDFEE

RGB 220 223 238

HSL 230, 0.35%, 0.9%

LAB 89, 1.8, -7.66

 

CMYK 0 / 6 / 8 / 6

HEX #EFE1DD

RGB 239 225 221

HSL 13.33, 0.36%, 0.9%

LAB 90.52, 4.09, 3.65

SW® 6301

CMYK 8 / 0 / 6 / 7

HEX #DCEEE0

RGB 220 238 224

HSL 133.33, 0.35%, 0.9%

LAB 92.46, -8.48, 4.73

 

CMYK 6 / 8 / 0 / 7

HEX #E0DCEE

RGB 224 220 238

HSL 253.33, 0.35%, 0.9%

LAB 88.55, 4.67, -8.3

 

CMYK 0 / 6 / 8 / 6

HEX #EFE1DD

RGB 239 225 221

HSL 13.33, 0.36%, 0.9%

LAB 90.52, 4.09, 3.65

SW® 6301

CMYK 3 / 0 / 8 / 7

HEX #E7EEDC

RGB 231 238 220

HSL 83.33, 0.35%, 0.9%

LAB 93.15, -5.47, 7.9

 

CMYK 8 / 2 / 0 / 7

HEX #DCEAEE

RGB 220 234 238

HSL 193.33, 0.35%, 0.9%

LAB 91.79, -3.87, -3.54

 

CMYK 5 / 8 / 0 / 7

HEX #E3DCEE

RGB 227 220 238

HSL 263.33, 0.35%, 0.9%

LAB 88.78, 5.65, -7.93

 

CMYK 0 / 6 / 8 / 6

HEX #EFE1DD

RGB 239 225 221

HSL 13.33, 0.36%, 0.9%

LAB 90.52, 4.09, 3.65

SW® 6301

CMYK 5 / 0 / 8 / 7

HEX #E1EEDC

RGB 225 238 220

HSL 103.33, 0.35%, 0.9%

LAB 92.72, -7.51, 7.22

 

CMYK 8 / 2 / 0 / 7

HEX #DCEAEE

RGB 220 234 238

HSL 193.33, 0.35%, 0.9%

LAB 91.79, -3.87, -3.54

 

CMYK 2 / 8 / 0 / 7

HEX #E9DCEE

RGB 233 220 238

HSL 283.33, 0.35%, 0.9%

LAB 89.24, 7.64, -7.19

 

Description

Color code: RGB 239 225 221 | qconv.com Color code: RGB 239 225 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 225 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 225 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 8 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 8% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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