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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 194 155 it is the complementary color RGB 16 61 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 194 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 239 194 155: RGB 244 194 150, RGB 255 212 169, RGB 255 230 188, RGB 255 248 207 and RGB 255 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 194 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 239 194 155: RGB 239 194 155, RGB 222 176 136, RGB 205 158 117, RGB 188 140 98 and RGB 171 122 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 35 / 6

HEX #EFC29B

RGB 239 194 155

HSL 27.86, 0.72%, 0.77%

LAB 81.46, 10.76, 25.69

 

Complementary color

CMYK 84 / 39 / 0 / 61

HEX #103D64

RGB 16 61 100

HSL 207.86, 0.72%, 0.23%

LAB 24.85, 0.44, -27.23

 

CMYK 0 / 20 / 39 / 4

HEX #F4C296

RGB 244 194 150

HSL 28.09, 0.81%, 0.77%

LAB 81.85, 12.12, 28.93

 

CMYK 0 / 17 / 34 / 0

HEX #FFD4A9

RGB 255 212 169

HSL 30, 1%, 0.83%

LAB 87.59, 9.18, 26.93

 

CMYK 0 / 10 / 26 / 0

HEX #FFE6BC

RGB 255 230 188

HSL 37.61, 1%, 0.87%

LAB 92.35, 2.33, 23.6

 

CMYK 0 / 3 / 19 / 0

HEX #FFF8CF

RGB 255 248 207

HSL 51.25, 1%, 0.91%

LAB 97.19, -4.14, 20.56

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 19 / 35 / 6

HEX #EFC29B

RGB 239 194 155

HSL 27.86, 0.72%, 0.77%

LAB 81.46, 10.76, 25.69

 

CMYK 0 / 21 / 39 / 13

HEX #DEB088

RGB 222 176 136

HSL 27.91, 0.57%, 0.7%

LAB 75.05, 11.42, 26.86

 

CMYK 0 / 23 / 43 / 20

HEX #CD9E75

RGB 205 158 117

HSL 27.95, 0.47%, 0.63%

LAB 68.55, 12.18, 28.12

 

CMYK 0 / 26 / 48 / 26

HEX #BC8C62

RGB 188 140 98

HSL 28, 0.4%, 0.56%

LAB 61.94, 13.06, 29.49

 

CMYK 0 / 29 / 54 / 33

HEX #AB7A4F

RGB 171 122 79

HSL 28.04, 0.37%, 0.49%

LAB 55.22, 14.09, 30.97

 

CMYK 0 / 19 / 35 / 6

HEX #EFC29B

RGB 239 194 155

HSL 27.86, 0.72%, 0.77%

LAB 81.46, 10.76, 25.69

 

CMYK 0 / 13 / 35 / 7

HEX #EECE9A

RGB 238 206 154

HSL 37.14, 0.71%, 0.77%

LAB 84.3, 3.98, 30.03

 

CMYK 0 / 8 / 35 / 7

HEX #EEDC9A

RGB 238 220 154

HSL 47.14, 0.71%, 0.77%

LAB 87.82, -3.22, 34.7

 

CMYK 0 / 2 / 35 / 7

HEX #EEEA9A

RGB 238 234 154

HSL 57.14, 0.71%, 0.77%

LAB 91.4, -10.27, 39.38

 

CMYK 4 / 0 / 35 / 7

HEX #E4EE9A

RGB 228 238 154

HSL 67.14, 0.71%, 0.77%

LAB 91.67, -16.04, 39.59

 

CMYK 0 / 19 / 35 / 6

HEX #EFC29B

RGB 239 194 155

HSL 27.86, 0.72%, 0.77%

LAB 81.46, 10.76, 25.69

 

CMYK 0 / 20 / 34 / 86

HEX #231C17

RGB 35 28 23

HSL 25, 0.21%, 0.11%

LAB 10.92, 2.4, 4.74

 

CMYK 0 / 19 / 35 / 66

HEX #564638

RGB 86 70 56

HSL 28, 0.21%, 0.28%

LAB 30.98, 4.46, 11

 

CMYK 0 / 19 / 35 / 46

HEX #896F59

RGB 137 111 89

HSL 27.5, 0.21%, 0.44%

LAB 48.77, 6.9, 16.12

 

CMYK 0 / 19 / 35 / 26

HEX #BC997A

RGB 188 153 122

HSL 28.18, 0.33%, 0.61%

LAB 65.65, 8.61, 21.21

 

CMYK 0 / 19 / 35 / 6

HEX #EFC29B

RGB 239 194 155

HSL 27.86, 0.72%, 0.77%

LAB 81.46, 10.76, 25.69

 

CMYK 23 / 0 / 35 / 7

HEX #B7EE9A

RGB 183 238 154

HSL 99.29, 0.71%, 0.77%

LAB 88.71, -32.33, 35.15

 

CMYK 34 / 35 / 0 / 7

HEX #9E9AEE

RGB 158 154 238

HSL 242.86, 0.71%, 0.77%

LAB 66.94, 20.56, -41.71

 

CMYK 0 / 19 / 35 / 6

HEX #EFC29B

RGB 239 194 155

HSL 27.86, 0.72%, 0.77%

LAB 81.46, 10.76, 25.69

 

CMYK 35 / 0 / 19 / 7

HEX #9AEEC0

RGB 154 238 192

HSL 147.14, 0.71%, 0.77%

LAB 87.88, -35.16, 14.31

 

CMYK 19 / 35 / 0 / 7

HEX #C09AEE

RGB 192 154 238

HSL 267.14, 0.71%, 0.77%

LAB 69.82, 30.27, -37.01

 

CMYK 0 / 19 / 35 / 6

HEX #EFC29B

RGB 239 194 155

HSL 27.86, 0.72%, 0.77%

LAB 81.46, 10.76, 25.69

 

CMYK 23 / 0 / 35 / 7

HEX #B7EE9A

RGB 183 238 154

HSL 99.29, 0.71%, 0.77%

LAB 88.71, -32.33, 35.15

 

CMYK 35 / 16 / 0 / 7

HEX #9AC8EE

RGB 154 200 238

HSL 207.14, 0.71%, 0.77%

LAB 78.67, -6, -23.62

 

CMYK 12 / 35 / 0 / 7

HEX #D19AEE

RGB 209 154 238

HSL 279.29, 0.71%, 0.77%

LAB 71.45, 35.35, -34.36

 

CMYK 0 / 19 / 35 / 6

HEX #EFC29B

RGB 239 194 155

HSL 27.86, 0.72%, 0.77%

LAB 81.46, 10.76, 25.69

 

CMYK 34 / 0 / 35 / 7

HEX #9EEE9A

RGB 158 238 154

HSL 117.14, 0.71%, 0.77%

LAB 87.36, -40.55, 33.13

 

CMYK 35 / 16 / 0 / 7

HEX #9AC8EE

RGB 154 200 238

HSL 207.14, 0.71%, 0.77%

LAB 78.67, -6, -23.62

 

CMYK 2 / 35 / 0 / 7

HEX #EA9AEE

RGB 234 154 238

HSL 297.14, 0.71%, 0.77%

LAB 74.05, 42.97, -30.13

 

Description

Color code: RGB 239 194 155 | qconv.com Color code: RGB 239 194 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 194 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 194 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 35 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 35% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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