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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 115 95 it is the complementary color RGB 16 140 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 115 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 239 115 95: RGB 244 115 90, RGB 255 133 109, RGB 255 151 128, RGB 255 169 147 and RGB 255 187 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 115 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 239 115 95: RGB 239 115 95, RGB 222 97 76, RGB 205 79 57, RGB 188 61 38 and RGB 171 43 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 60 / 6

HEX #EF735F

RGB 239 115 95

HSL 8.33, 0.82%, 0.65%

LAB 62.88, 46.2, 33.66

 

Complementary color

CMYK 90 / 13 / 0 / 37

HEX #108CA0

RGB 16 140 160

HSL 188.33, 0.82%, 0.35%

LAB 53.39, -23.38, -19.36

 

CMYK 0 / 53 / 63 / 4

HEX #F4735A

RGB 244 115 90

HSL 9.74, 0.88%, 0.65%

LAB 63.53, 47.69, 37.38

 

CMYK 0 / 48 / 57 / 0

HEX #FF856D

RGB 255 133 109

HSL 9.86, 1%, 0.71%

LAB 68.85, 44.21, 34.02

 

CMYK 0 / 41 / 50 / 0

HEX #FF9780

RGB 255 151 128

HSL 10.87, 1%, 0.75%

LAB 72.86, 36.65, 28.91

 

CMYK 0 / 34 / 42 / 0

HEX #FFA993

RGB 255 169 147

HSL 12.22, 1%, 0.79%

LAB 77.13, 29.16, 24.36

 

CMYK 0 / 27 / 35 / 0

HEX #FFBBA6

RGB 255 187 166

HSL 14.16, 1%, 0.83%

LAB 81.6, 21.86, 20.29

 

CMYK 0 / 52 / 60 / 6

HEX #EF735F

RGB 239 115 95

HSL 8.33, 0.82%, 0.65%

LAB 62.88, 46.2, 33.66

 

CMYK 0 / 56 / 66 / 13

HEX #DE614C

RGB 222 97 76

HSL 8.63, 0.69%, 0.58%

LAB 56.68, 47.47, 35.98

 

CMYK 0 / 61 / 72 / 20

HEX #CD4F39

RGB 205 79 57

HSL 8.92, 0.6%, 0.51%

LAB 50.53, 48.72, 38.6

 

CMYK 0 / 68 / 80 / 26

HEX #BC3D26

RGB 188 61 38

HSL 9.2, 0.66%, 0.44%

LAB 44.47, 49.82, 41.48

 

CMYK 0 / 75 / 89 / 33

HEX #AB2B13

RGB 171 43 19

HSL 9.47, 0.8%, 0.37%

LAB 38.61, 50.56, 44.23

 

CMYK 0 / 52 / 60 / 6

HEX #EF735F

RGB 239 115 95

HSL 8.33, 0.82%, 0.65%

LAB 62.88, 46.2, 33.66

 

CMYK 0 / 43 / 61 / 7

HEX #EE885C

RGB 238 136 92

HSL 18.08, 0.81%, 0.65%

LAB 66.94, 35.03, 40.27

 

CMYK 0 / 33 / 61 / 7

HEX #EEA05C

RGB 238 160 92

HSL 27.95, 0.81%, 0.65%

LAB 72.29, 22.43, 46.66

 

CMYK 0 / 22 / 61 / 7

HEX #EEB95C

RGB 238 185 92

HSL 38.22, 0.81%, 0.65%

LAB 78.26, 9.22, 53.55

 

CMYK 0 / 12 / 61 / 7

HEX #EED15C

RGB 238 209 92

HSL 48.08, 0.81%, 0.65%

LAB 84.25, -3.22, 60.26

 

CMYK 0 / 52 / 60 / 6

HEX #EF735F

RGB 239 115 95

HSL 8.33, 0.82%, 0.65%

LAB 62.88, 46.2, 33.66

 

CMYK 0 / 51 / 60 / 86

HEX #23110E

RGB 35 17 14

HSL 8.57, 0.43%, 0.1%

LAB 7.14, 8.84, 4.91

 

CMYK 0 / 52 / 60 / 66

HEX #562922

RGB 86 41 34

HSL 8.08, 0.43%, 0.24%

LAB 22.58, 20.03, 14.07

 

CMYK 0 / 52 / 61 / 46

HEX #894236

RGB 137 66 54

HSL 8.67, 0.43%, 0.37%

LAB 36.89, 29.16, 21.35

 

CMYK 0 / 52 / 60 / 26

HEX #BC5A4B

RGB 188 90 75

HSL 7.96, 0.46%, 0.52%

LAB 50.11, 38.21, 27.26

 

CMYK 0 / 52 / 60 / 6

HEX #EF735F

RGB 239 115 95

HSL 8.33, 0.82%, 0.65%

LAB 62.88, 46.2, 33.66

 

CMYK 20 / 0 / 61 / 7

HEX #BEEE5C

RGB 190 238 92

HSL 79.73, 0.81%, 0.65%

LAB 88.39, -36.48, 63.77

 

CMYK 61 / 45 / 0 / 7

HEX #5C83EE

RGB 92 131 238

HSL 223.97, 0.81%, 0.65%

LAB 56.76, 18.91, -58.11

 

CMYK 0 / 52 / 60 / 6

HEX #EF735F

RGB 239 115 95

HSL 8.33, 0.82%, 0.65%

LAB 62.88, 46.2, 33.66

 

CMYK 61 / 0 / 53 / 7

HEX #5CEE70

RGB 92 238 112

HSL 128.22, 0.81%, 0.65%

LAB 84.27, -64.16, 49.13

 

CMYK 53 / 61 / 0 / 7

HEX #705CEE

RGB 112 92 238

HSL 248.22, 0.81%, 0.65%

LAB 48.6, 45.88, -71.21

 

CMYK 0 / 52 / 60 / 6

HEX #EF735F

RGB 239 115 95

HSL 8.33, 0.82%, 0.65%

LAB 62.88, 46.2, 33.66

 

CMYK 20 / 0 / 61 / 7

HEX #BEEE5C

RGB 190 238 92

HSL 79.73, 0.81%, 0.65%

LAB 88.39, -36.48, 63.77

 

CMYK 61 / 8 / 0 / 7

HEX #5CDBEE

RGB 92 219 238

HSL 187.81, 0.81%, 0.65%

LAB 81.35, -29.41, -19.79

 

CMYK 41 / 61 / 0 / 7

HEX #8D5CEE

RGB 141 92 238

HSL 260.14, 0.81%, 0.65%

LAB 51.26, 51.46, -66.78

 

CMYK 0 / 52 / 60 / 6

HEX #EF735F

RGB 239 115 95

HSL 8.33, 0.82%, 0.65%

LAB 62.88, 46.2, 33.66

 

CMYK 39 / 0 / 61 / 7

HEX #92EE5C

RGB 146 238 92

HSL 97.81, 0.81%, 0.65%

LAB 86.02, -51.91, 60.5

 

CMYK 61 / 8 / 0 / 7

HEX #5CDBEE

RGB 92 219 238

HSL 187.81, 0.81%, 0.65%

LAB 81.35, -29.41, -19.79

 

CMYK 22 / 61 / 0 / 7

HEX #B95CEE

RGB 185 92 238

HSL 278.22, 0.81%, 0.65%

LAB 56.23, 61.06, -58.52

 

Description

Color code: RGB 239 115 95 | qconv.com Color code: RGB 239 115 95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 115 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 115 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 60 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 60% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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