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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 219 122 it is the complementary color RGB 17 36 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 219 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 238 219 122: RGB 243 219 117, RGB 255 237 136, RGB 255 255 155, RGB 255 255 174 and RGB 255 255 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 219 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 238 219 122: RGB 238 219 122, RGB 221 201 103, RGB 204 183 84, RGB 187 165 65 and RGB 170 147 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 49 / 7

HEX #EEDB7A

RGB 238 219 122

HSL 50.17, 0.77%, 0.71%

LAB 87.12, -5.99, 49.71

 

Complementary color

CMYK 87 / 73 / 0 / 48

HEX #112485

RGB 17 36 133

HSL 230.17, 0.77%, 0.29%

LAB 20.34, 31.9, -55.61

 

CMYK 0 / 10 / 52 / 5

HEX #F3DB75

RGB 243 219 117

HSL 48.57, 0.84%, 0.71%

LAB 87.49, -4.41, 52.65

 

CMYK 0 / 7 / 47 / 0

HEX #FFED88

RGB 255 237 136

HSL 50.92, 1%, 0.77%

LAB 93.28, -7.01, 50.85

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 8 / 49 / 7

HEX #EEDB7A

RGB 238 219 122

HSL 50.17, 0.77%, 0.71%

LAB 87.12, -5.99, 49.71

 

CMYK 0 / 9 / 53 / 13

HEX #DDC967

RGB 221 201 103

HSL 49.83, 0.63%, 0.64%

LAB 80.81, -5.34, 50.9

 

CMYK 0 / 10 / 59 / 20

HEX #CCB754

RGB 204 183 84

HSL 49.5, 0.54%, 0.56%

LAB 74.41, -4.57, 52.04

 

CMYK 0 / 12 / 65 / 27

HEX #BBA541

RGB 187 165 65

HSL 49.18, 0.48%, 0.49%

LAB 67.91, -3.65, 53.06

 

CMYK 0 / 14 / 73 / 33

HEX #AA932E

RGB 170 147 46

HSL 48.87, 0.57%, 0.42%

LAB 61.32, -2.54, 53.76

 

CMYK 0 / 8 / 49 / 7

HEX #EEDB7A

RGB 238 219 122

HSL 50.17, 0.77%, 0.71%

LAB 87.12, -5.99, 49.71

 

CMYK 0 / 0 / 48 / 7

HEX #EDED7C

RGB 237 237 124

HSL 60, 0.76%, 0.71%

LAB 91.7, -15.17, 54.27

 

CMYK 8 / 0 / 48 / 7

HEX #DBED7C

RGB 219 237 124

HSL 69.56, 0.76%, 0.71%

LAB 90.36, -22.19, 52.35

 

CMYK 16 / 0 / 48 / 7

HEX #C8ED7C

RGB 200 237 124

HSL 79.65, 0.76%, 0.71%

LAB 89.07, -29.4, 50.48

 

CMYK 24 / 0 / 48 / 7

HEX #B5ED7C

RGB 181 237 124

HSL 89.73, 0.76%, 0.71%

LAB 87.9, -36.34, 48.78

 

CMYK 0 / 8 / 49 / 7

HEX #EEDB7A

RGB 238 219 122

HSL 50.17, 0.77%, 0.71%

LAB 87.12, -5.99, 49.71

 

CMYK 0 / 9 / 50 / 87

HEX #221F11

RGB 34 31 17

HSL 49.41, 0.33%, 0.1%

LAB 11.69, -1.32, 9.76

 

CMYK 0 / 8 / 48 / 67

HEX #554E2C

RGB 85 78 44

HSL 49.76, 0.32%, 0.25%

LAB 33.05, -2.6, 21.12

 

CMYK 0 / 8 / 49 / 47

HEX #887D46

RGB 136 125 70

HSL 50, 0.32%, 0.4%

LAB 52.22, -3.82, 31.35

 

CMYK 0 / 8 / 49 / 27

HEX #BBAC60

RGB 187 172 96

HSL 50.11, 0.4%, 0.55%

LAB 70.12, -4.93, 40.79

 

CMYK 0 / 8 / 49 / 7

HEX #EEDB7A

RGB 238 219 122

HSL 50.17, 0.77%, 0.71%

LAB 87.12, -5.99, 49.71

 

CMYK 48 / 0 / 46 / 7

HEX #7CED7F

RGB 124 237 127

HSL 121.59, 0.76%, 0.71%

LAB 85.19, -54.05, 43.39

 

CMYK 27 / 48 / 0 / 7

HEX #AD7CED

RGB 173 124 237

HSL 266.02, 0.76%, 0.71%

LAB 61.15, 41.32, -50.21

 

CMYK 0 / 8 / 49 / 7

HEX #EEDB7A

RGB 238 219 122

HSL 50.17, 0.77%, 0.71%

LAB 87.12, -5.99, 49.71

 

CMYK 48 / 0 / 8 / 7

HEX #7CEDDB

RGB 124 237 219

HSL 170.44, 0.76%, 0.71%

LAB 86.98, -36.57, -1.26

 

CMYK 8 / 48 / 0 / 7

HEX #DB7CED

RGB 219 124 237

HSL 290.44, 0.76%, 0.71%

LAB 66.21, 53.84, -41.89

 

CMYK 0 / 8 / 49 / 7

HEX #EEDB7A

RGB 238 219 122

HSL 50.17, 0.77%, 0.71%

LAB 87.12, -5.99, 49.71

 

CMYK 48 / 0 / 46 / 7

HEX #7CED7F

RGB 124 237 127

HSL 121.59, 0.76%, 0.71%

LAB 85.19, -54.05, 43.39

 

CMYK 48 / 40 / 0 / 7

HEX #7C8FED

RGB 124 143 237

HSL 229.91, 0.76%, 0.71%

LAB 61.69, 18.03, -49.59

 

CMYK 0 / 48 / 1 / 7

HEX #ED7CEA

RGB 237 124 234

HSL 301.59, 0.76%, 0.71%

LAB 68.29, 58.31, -36.82

 

CMYK 0 / 8 / 49 / 7

HEX #EEDB7A

RGB 238 219 122

HSL 50.17, 0.77%, 0.71%

LAB 87.12, -5.99, 49.71

 

CMYK 48 / 0 / 32 / 7

HEX #7CEDA2

RGB 124 237 162

HSL 140.18, 0.76%, 0.71%

LAB 85.74, -48.48, 26.63

 

CMYK 48 / 40 / 0 / 7

HEX #7C8FED

RGB 124 143 237

HSL 229.91, 0.76%, 0.71%

LAB 61.69, 18.03, -49.59

 

CMYK 0 / 48 / 16 / 7

HEX #ED7CC8

RGB 237 124 200

HSL 319.65, 0.76%, 0.71%

LAB 66.97, 52.77, -19.94

 

Description

Color code: RGB 238 219 122 | qconv.com Color code: RGB 238 219 122 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 219 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 219 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 49 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 49% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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