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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 16 190 it is the complementary color RGB 17 239 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 16 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 238 16 190: RGB 243 16 185, RGB 255 34 204, RGB 255 52 223, RGB 255 70 242 and RGB 255 88 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 16 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 238 16 190: RGB 238 16 190, RGB 221 0 171, RGB 204 0 152, RGB 187 0 133 and RGB 170 0 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 20 / 7

HEX #EE10BE

RGB 238 16 190

HSL 312.97, 0.87%, 0.5%

LAB 54.31, 85.89, -33.75

 

Complementary color

CMYK 93 / 0 / 73 / 6

HEX #11EF41

RGB 17 239 65

HSL 132.97, 0.87%, 0.5%

LAB 83.04, -78.86, 66.72

 

CMYK 0 / 93 / 24 / 5

HEX #F310B9

RGB 243 16 185

HSL 315.33, 0.9%, 0.51%

LAB 55, 86.26, -29.7

 

CMYK 0 / 87 / 20 / 0

HEX #FF22CC

RGB 255 34 204

HSL 313.85, 1%, 0.57%

LAB 58.75, 88.57, -34.64

 

CMYK 0 / 80 / 13 / 0

HEX #FF34DF

RGB 255 52 223

HSL 309.46, 1%, 0.6%

LAB 60.82, 87.51, -42.18

 

CMYK 0 / 73 / 5 / 0

HEX #FF46F2

RGB 255 70 242

HSL 304.22, 1%, 0.64%

LAB 63.39, 85.44, -48.76

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 93 / 20 / 7

HEX #EE10BE

RGB 238 16 190

HSL 312.97, 0.87%, 0.5%

LAB 54.31, 85.89, -33.75

 

CMYK 0 / 100 / 23 / 13

HEX #DD00AB

RGB 221 0 171

HSL 313.57, 1%, 0.43%

LAB 49.87, 81.7, -29.79

 

CMYK 0 / 100 / 25 / 20

HEX #CC0098

RGB 204 0 152

HSL 315.29, 1%, 0.4%

LAB 45.78, 76.29, -25.07

 

CMYK 0 / 100 / 29 / 27

HEX #BB0085

RGB 187 0 133

HSL 317.33, 1%, 0.37%

LAB 41.62, 70.81, -20.2

 

CMYK 0 / 100 / 33 / 33

HEX #AA0072

RGB 170 0 114

HSL 319.76, 1%, 0.33%

LAB 37.41, 65.26, -15.12

 

CMYK 0 / 93 / 20 / 7

HEX #EE10BE

RGB 238 16 190

HSL 312.97, 0.87%, 0.5%

LAB 54.31, 85.89, -33.75

 

CMYK 0 / 93 / 34 / 7

HEX #EE109D

RGB 238 16 157

HSL 321.89, 0.87%, 0.5%

LAB 52.93, 82.3, -16.52

 

CMYK 0 / 93 / 50 / 7

HEX #EE1078

RGB 238 16 120

HSL 331.89, 0.87%, 0.5%

LAB 51.73, 79.09, 3.92

 

CMYK 0 / 93 / 65 / 7

HEX #EE1053

RGB 238 16 83

HSL 341.89, 0.87%, 0.5%

LAB 50.89, 76.79, 25.29

 

CMYK 0 / 93 / 81 / 7

HEX #EE102E

RGB 238 16 46

HSL 351.89, 0.87%, 0.5%

LAB 50.39, 75.4, 46.31

 

CMYK 0 / 93 / 20 / 7

HEX #EE10BE

RGB 238 16 190

HSL 312.97, 0.87%, 0.5%

LAB 54.31, 85.89, -33.75

 

CMYK 0 / 94 / 21 / 87

HEX #22021B

RGB 34 2 27

HSL 313.13, 0.89%, 0.07%

LAB 4.18, 17.98, -8.18

 

CMYK 0 / 93 / 20 / 67

HEX #550644

RGB 85 6 68

HSL 312.91, 0.87%, 0.18%

LAB 17.82, 39.73, -16.46

 

CMYK 0 / 93 / 20 / 47

HEX #88096D

RGB 136 9 109

HSL 312.76, 0.88%, 0.28%

LAB 30.72, 56.31, -22.84

 

CMYK 0 / 93 / 20 / 27

HEX #BB0D95

RGB 187 13 149

HSL 313.1, 0.87%, 0.39%

LAB 42.8, 71.4, -28.15

 

CMYK 0 / 93 / 20 / 7

HEX #EE10BE

RGB 238 16 190

HSL 312.97, 0.87%, 0.5%

LAB 54.31, 85.89, -33.75

 

CMYK 0 / 56 / 93 / 7

HEX #EE6910

RGB 238 105 16

HSL 24.05, 0.87%, 0.5%

LAB 60.17, 47.62, 65.83

 

CMYK 93 / 0 / 18 / 7

HEX #10EEC2

RGB 16 238 194

HSL 168.11, 0.87%, 0.5%

LAB 84.56, -57.13, 8.08

 

CMYK 0 / 93 / 20 / 7

HEX #EE10BE

RGB 238 16 190

HSL 312.97, 0.87%, 0.5%

LAB 54.31, 85.89, -33.75

 

CMYK 18 / 0 / 93 / 7

HEX #C2EE10

RGB 194 238 16

HSL 71.89, 0.87%, 0.5%

LAB 88.28, -38.17, 84.65

 

CMYK 93 / 18 / 0 / 7

HEX #10C2EE

RGB 16 194 238

HSL 191.89, 0.87%, 0.5%

LAB 72.8, -24.61, -32.98

 

CMYK 0 / 93 / 20 / 7

HEX #EE10BE

RGB 238 16 190

HSL 312.97, 0.87%, 0.5%

LAB 54.31, 85.89, -33.75

 

CMYK 0 / 56 / 93 / 7

HEX #EE6910

RGB 238 105 16

HSL 24.05, 0.87%, 0.5%

LAB 60.17, 47.62, 65.83

 

CMYK 93 / 0 / 75 / 7

HEX #10EE3C

RGB 16 238 60

HSL 131.89, 0.87%, 0.5%

LAB 82.69, -79, 68.03

 

CMYK 93 / 37 / 0 / 7

HEX #1095EE

RGB 16 149 238

HSL 204.05, 0.87%, 0.5%

LAB 59.69, -0.04, -53.56

 

CMYK 0 / 93 / 20 / 7

HEX #EE10BE

RGB 238 16 190

HSL 312.97, 0.87%, 0.5%

LAB 54.31, 85.89, -33.75

 

CMYK 0 / 28 / 93 / 7

HEX #EEAB10

RGB 238 171 16

HSL 41.89, 0.87%, 0.5%

LAB 74.41, 13.72, 75.77

 

CMYK 93 / 0 / 75 / 7

HEX #10EE3C

RGB 16 238 60

HSL 131.89, 0.87%, 0.5%

LAB 82.69, -79, 68.03

 

CMYK 93 / 65 / 0 / 7

HEX #1053EE

RGB 16 83 238

HSL 221.89, 0.87%, 0.5%

LAB 41.95, 41.21, -82.27

 

Description

Color code: RGB 238 16 190 | qconv.com Color code: RGB 238 16 190 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 16 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 16 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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