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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 121 173 it is the complementary color RGB 17 134 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 121 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 238 121 173: RGB 243 121 168, RGB 255 139 187, RGB 255 157 206, RGB 255 175 225 and RGB 255 193 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 121 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 238 121 173: RGB 238 121 173, RGB 221 103 154, RGB 204 85 135, RGB 187 67 116 and RGB 170 49 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 27 / 7

HEX #EE79AD

RGB 238 121 173

HSL 333.33, 0.77%, 0.7%

LAB 65.65, 50.73, -6.7

 

Complementary color

CMYK 87 / 0 / 39 / 47

HEX #118652

RGB 17 134 82

HSL 153.33, 0.77%, 0.3%

LAB 49.23, -42.93, 19.67

 

CMYK 0 / 50 / 31 / 5

HEX #F379A8

RGB 243 121 168

HSL 336.89, 0.84%, 0.71%

LAB 66.18, 51.73, -3

 

CMYK 0 / 45 / 27 / 0

HEX #FF8BBB

RGB 255 139 187

HSL 335.17, 1%, 0.77%

LAB 71.77, 49.28, -5.25

 

CMYK 0 / 38 / 19 / 0

HEX #FF9DCE

RGB 255 157 206

HSL 330, 1%, 0.81%

LAB 75.96, 42.84, -9.51

 

CMYK 0 / 31 / 12 / 0

HEX #FFAFE1

RGB 255 175 225

HSL 322.5, 1%, 0.84%

LAB 80.38, 36.45, -13.25

 

CMYK 0 / 24 / 4 / 0

HEX #FFC1F4

RGB 255 193 244

HSL 310.65, 1%, 0.88%

LAB 84.96, 30.2, -16.55

 

CMYK 0 / 49 / 27 / 7

HEX #EE79AD

RGB 238 121 173

HSL 333.33, 0.77%, 0.7%

LAB 65.65, 50.73, -6.7

 

CMYK 0 / 53 / 30 / 13

HEX #DD679A

RGB 221 103 154

HSL 334.07, 0.63%, 0.64%

LAB 59.35, 51.48, -5.41

 

CMYK 0 / 58 / 34 / 20

HEX #CC5587

RGB 204 85 135

HSL 334.79, 0.54%, 0.57%

LAB 53.04, 52.13, -3.88

 

CMYK 0 / 64 / 38 / 27

HEX #BB4374

RGB 187 67 116

HSL 335.5, 0.47%, 0.5%

LAB 46.76, 52.59, -2.01

 

CMYK 0 / 71 / 43 / 33

HEX #AA3161

RGB 170 49 97

HSL 336.2, 0.55%, 0.43%

LAB 40.58, 52.68, 0.34

 

CMYK 0 / 49 / 27 / 7

HEX #EE79AD

RGB 238 121 173

HSL 333.33, 0.77%, 0.7%

LAB 65.65, 50.73, -6.7

 

CMYK 0 / 50 / 36 / 7

HEX #ED7798

RGB 237 119 152

HSL 343.22, 0.77%, 0.7%

LAB 64.54, 48.78, 3.6

 

CMYK 0 / 50 / 44 / 7

HEX #ED7785

RGB 237 119 133

HSL 352.88, 0.77%, 0.7%

LAB 64.07, 46.72, 13.77

 

CMYK 0 / 47 / 50 / 7

HEX #ED7D77

RGB 237 125 119

HSL 3.05, 0.77%, 0.7%

LAB 64.97, 42.4, 22.93

 

CMYK 0 / 39 / 50 / 7

HEX #ED9177

RGB 237 145 119

HSL 13.22, 0.77%, 0.7%

LAB 69.17, 32.09, 28.53

 

CMYK 0 / 49 / 27 / 7

HEX #EE79AD

RGB 238 121 173

HSL 333.33, 0.77%, 0.7%

LAB 65.65, 50.73, -6.7

 

CMYK 0 / 50 / 26 / 87

HEX #221119

RGB 34 17 25

HSL 331.76, 0.33%, 0.1%

LAB 7.33, 10.3, -1.96

 

CMYK 0 / 49 / 27 / 67

HEX #552B3E

RGB 85 43 62

HSL 332.86, 0.33%, 0.25%

LAB 23.69, 22.06, -3.38

 

CMYK 0 / 49 / 27 / 47

HEX #884563

RGB 136 69 99

HSL 333.13, 0.33%, 0.4%

LAB 38.54, 32.3, -4.57

 

CMYK 0 / 49 / 27 / 27

HEX #BB5F88

RGB 187 95 136

HSL 333.26, 0.4%, 0.55%

LAB 52.43, 41.77, -5.66

 

CMYK 0 / 49 / 27 / 7

HEX #EE79AD

RGB 238 121 173

HSL 333.33, 0.77%, 0.7%

LAB 65.65, 50.73, -6.7

 

CMYK 0 / 13 / 50 / 7

HEX #EDCF77

RGB 237 207 119

HSL 44.75, 0.77%, 0.7%

LAB 83.95, -0.54, 47.28

 

CMYK 50 / 8 / 0 / 7

HEX #77DBED

RGB 119 219 237

HSL 189.15, 0.77%, 0.7%

LAB 82.22, -24.55, -17.87

 

CMYK 0 / 49 / 27 / 7

HEX #EE79AD

RGB 238 121 173

HSL 333.33, 0.77%, 0.7%

LAB 65.65, 50.73, -6.7

 

CMYK 27 / 0 / 50 / 7

HEX #ACED77

RGB 172 237 119

HSL 93.05, 0.77%, 0.7%

LAB 87.32, -40.06, 50.32

 

CMYK 50 / 27 / 0 / 7

HEX #77ACED

RGB 119 172 237

HSL 213.05, 0.77%, 0.7%

LAB 69.14, 0.21, -37.91

 

CMYK 0 / 49 / 27 / 7

HEX #EE79AD

RGB 238 121 173

HSL 333.33, 0.77%, 0.7%

LAB 65.65, 50.73, -6.7

 

CMYK 0 / 13 / 50 / 7

HEX #EDCF77

RGB 237 207 119

HSL 44.75, 0.77%, 0.7%

LAB 83.95, -0.54, 47.28

 

CMYK 50 / 0 / 22 / 7

HEX #77EDB8

RGB 119 237 184

HSL 153.05, 0.77%, 0.7%

LAB 85.98, -45.47, 15.58

 

CMYK 50 / 37 / 0 / 7

HEX #7795ED

RGB 119 149 237

HSL 224.75, 0.77%, 0.7%

LAB 62.95, 13.37, -47.62

 

CMYK 0 / 49 / 27 / 7

HEX #EE79AD

RGB 238 121 173

HSL 333.33, 0.77%, 0.7%

LAB 65.65, 50.73, -6.7

 

CMYK 3 / 0 / 50 / 7

HEX #E7ED77

RGB 231 237 119

HSL 63.05, 0.77%, 0.7%

LAB 91.18, -17.97, 55.87

 

CMYK 50 / 0 / 22 / 7

HEX #77EDB8

RGB 119 237 184

HSL 153.05, 0.77%, 0.7%

LAB 85.98, -45.47, 15.58

 

CMYK 47 / 50 / 0 / 7

HEX #7D77ED

RGB 125 119 237

HSL 243.05, 0.77%, 0.7%

LAB 55.75, 32.43, -59.05

 

Description

Color code: RGB 238 121 173 | qconv.com Color code: RGB 238 121 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 121 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 121 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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