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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 104 1 it is the complementary color RGB 17 151 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 104 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 238 104 1: RGB 243 104 0, RGB 255 122 15, RGB 255 140 34, RGB 255 158 53 and RGB 255 176 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 104 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 238 104 1: RGB 238 104 1, RGB 221 86 0, RGB 204 68 0, RGB 187 50 0 and RGB 170 32 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 100 / 7

HEX #EE6801

RGB 238 104 1

HSL 26.08, 0.99%, 0.47%

LAB 59.96, 47.95, 68.43

 

Complementary color

CMYK 93 / 41 / 0 / 0

HEX #1197FE

RGB 17 151 254

HSL 206.08, 0.99%, 0.53%

LAB 61.14, 4.83, -60.04

 

CMYK 0 / 57 / 100 / 5

HEX #F36800

RGB 243 104 0

HSL 25.68, 1%, 0.48%

LAB 60.74, 49.79, 69.46

 

CMYK 0 / 52 / 94 / 0

HEX #FF7A0F

RGB 255 122 15

HSL 26.75, 1%, 0.53%

LAB 65.91, 45.88, 71.05

 

CMYK 0 / 45 / 87 / 0

HEX #FF8C22

RGB 255 140 34

HSL 28.78, 1%, 0.57%

LAB 69.56, 37.25, 69.05

 

CMYK 0 / 38 / 79 / 0

HEX #FF9E35

RGB 255 158 53

HSL 31.19, 1%, 0.6%

LAB 73.53, 28.51, 66

 

CMYK 0 / 31 / 72 / 0

HEX #FFB048

RGB 255 176 72

HSL 34.1, 1%, 0.64%

LAB 77.74, 19.87, 62.48

 

CMYK 0 / 56 / 100 / 7

HEX #EE6801

RGB 238 104 1

HSL 26.08, 0.99%, 0.47%

LAB 59.96, 47.95, 68.43

 

CMYK 0 / 61 / 100 / 13

HEX #DD5600

RGB 221 86 0

HSL 23.35, 1%, 0.43%

LAB 54.06, 49.97, 63.91

 

CMYK 0 / 67 / 100 / 20

HEX #CC4400

RGB 204 68 0

HSL 20, 1%, 0.4%

LAB 48.22, 51.73, 59.27

 

CMYK 0 / 73 / 100 / 27

HEX #BB3200

RGB 187 50 0

HSL 16.04, 1%, 0.37%

LAB 42.53, 53, 54.75

 

CMYK 0 / 81 / 100 / 33

HEX #AA2000

RGB 170 32 0

HSL 11.29, 1%, 0.33%

LAB 37.08, 53.46, 50.36

 

CMYK 0 / 56 / 100 / 7

HEX #EE6801

RGB 238 104 1

HSL 26.08, 0.99%, 0.47%

LAB 59.96, 47.95, 68.43

 

CMYK 0 / 40 / 100 / 7

HEX #EE8F01

RGB 238 143 1

HSL 35.95, 0.99%, 0.47%

LAB 67.89, 28.35, 73.24

 

CMYK 0 / 23 / 100 / 7

HEX #EEB701

RGB 238 183 1

HSL 46.08, 0.99%, 0.47%

LAB 77.31, 7.27, 79.54

 

CMYK 0 / 7 / 100 / 7

HEX #EEDE01

RGB 238 222 1

HSL 55.95, 0.99%, 0.47%

LAB 87.2, -12.65, 86.55

 

CMYK 10 / 0 / 100 / 7

HEX #D6EE01

RGB 214 238 1

HSL 66.08, 0.99%, 0.47%

LAB 89.6, -30.33, 87.48

 

CMYK 0 / 56 / 100 / 7

HEX #EE6801

RGB 238 104 1

HSL 26.08, 0.99%, 0.47%

LAB 59.96, 47.95, 68.43

 

CMYK 0 / 56 / 100 / 87

HEX #220F00

RGB 34 15 0

HSL 26.47, 1%, 0.07%

LAB 6.16, 7.48, 9.36

 

CMYK 0 / 56 / 100 / 67

HEX #552500

RGB 85 37 0

HSL 26.12, 1%, 0.17%

LAB 21.04, 20, 30.61

 

CMYK 0 / 57 / 99 / 47

HEX #883B01

RGB 136 59 1

HSL 25.78, 0.99%, 0.27%

LAB 34.73, 30.22, 45.23

 

CMYK 0 / 56 / 99 / 27

HEX #BB5201

RGB 187 82 1

HSL 26.13, 0.99%, 0.37%

LAB 47.75, 39.09, 57.21

 

CMYK 0 / 56 / 100 / 7

HEX #EE6801

RGB 238 104 1

HSL 26.08, 0.99%, 0.47%

LAB 59.96, 47.95, 68.43

 

CMYK 63 / 0 / 100 / 7

HEX #58EE01

RGB 88 238 1

HSL 97.97, 0.99%, 0.47%

LAB 83.56, -72.12, 80.21

 

CMYK 96 / 100 / 0 / 7

HEX #0901EE

RGB 9 1 238

HSL 242.03, 0.99%, 0.47%

LAB 30.04, 75.05, -102.04

 

CMYK 0 / 56 / 100 / 7

HEX #EE6801

RGB 238 104 1

HSL 26.08, 0.99%, 0.47%

LAB 59.96, 47.95, 68.43

 

CMYK 100 / 0 / 56 / 7

HEX #01EE68

RGB 1 238 104

HSL 146.08, 0.99%, 0.47%

LAB 83, -74.98, 50.97

 

CMYK 56 / 100 / 0 / 7

HEX #6801EE

RGB 104 1 238

HSL 266.08, 0.99%, 0.47%

LAB 36.25, 77.79, -91.54

 

CMYK 0 / 56 / 100 / 7

HEX #EE6801

RGB 238 104 1

HSL 26.08, 0.99%, 0.47%

LAB 59.96, 47.95, 68.43

 

CMYK 63 / 0 / 100 / 7

HEX #58EE01

RGB 88 238 1

HSL 97.97, 0.99%, 0.47%

LAB 83.56, -72.12, 80.21

 

CMYK 100 / 43 / 0 / 7

HEX #0187EE

RGB 1 135 238

HSL 206.08, 0.99%, 0.47%

LAB 55.59, 7.92, -60.11

 

CMYK 37 / 100 / 0 / 7

HEX #9701EE

RGB 151 1 238

HSL 277.97, 0.99%, 0.47%

LAB 42.42, 81.69, -81.14

 

CMYK 0 / 56 / 100 / 7

HEX #EE6801

RGB 238 104 1

HSL 26.08, 0.99%, 0.47%

LAB 59.96, 47.95, 68.43

 

CMYK 93 / 0 / 100 / 7

HEX #11EE01

RGB 17 238 1

HSL 115.95, 0.99%, 0.47%

LAB 82.52, -81.2, 78.94

 

CMYK 100 / 43 / 0 / 7

HEX #0187EE

RGB 1 135 238

HSL 206.08, 0.99%, 0.47%

LAB 55.59, 7.92, -60.11

 

CMYK 7 / 100 / 0 / 7

HEX #DE01EE

RGB 222 1 238

HSL 295.95, 0.99%, 0.47%

LAB 53.73, 90.76, -62.23

 

Description

Color code: RGB 238 104 1 | qconv.com Color code: RGB 238 104 1 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 104 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 104 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 100 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 100% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - Tistory!
Link: http://www.moonwitch.tistory.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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