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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 239 228 it is the complementary color RGB 18 16 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 239 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 237 239 228: RGB 242 239 223, RGB 255 255 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 239 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 237 239 228: RGB 237 239 228, RGB 220 221 209, RGB 203 203 190, RGB 186 185 171 and RGB 169 167 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 5 / 6

HEX #EDEFE4

RGB 237 239 228

HSL 70.91, 0.26%, 0.92%

LAB 94.03, -2.58, 5.07

 

Complementary color

CMYK 33 / 41 / 0 / 89

HEX #12101B

RGB 18 16 27

HSL 250.91, 0.26%, 0.08%

LAB 5.22, 3.4, -6.84

 

CMYK 0 / 1 / 8 / 5

HEX #F2EFDF

RGB 242 239 223

HSL 50.53, 0.42%, 0.91%

LAB 94.29, -1.71, 8.08

NCS® S0804-G90Y

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 1 / 0 / 5 / 6

HEX #EDEFE4

RGB 237 239 228

HSL 70.91, 0.26%, 0.92%

LAB 94.03, -2.58, 5.07

 

CMYK 0 / 0 / 5 / 13

HEX #DCDDD1

RGB 220 221 209

HSL 65, 0.15%, 0.84%

LAB 87.74, -2.44, 5.76

 

CMYK 0 / 0 / 6 / 20

HEX #CBCBBE

RGB 203 203 190

HSL 60, 0.11%, 0.77%

LAB 81.36, -2.3, 6.47

 

CMYK 0 / 1 / 8 / 27

HEX #BAB9AB

RGB 186 185 171

HSL 56, 0.1%, 0.7%

LAB 74.87, -2.15, 7.22

 

CMYK 0 / 1 / 10 / 34

HEX #A9A798

RGB 169 167 152

HSL 52.94, 0.09%, 0.63%

LAB 68.27, -1.98, 8.01

 

CMYK 1 / 0 / 5 / 6

HEX #EDEFE4

RGB 237 239 228

HSL 70.91, 0.26%, 0.92%

LAB 94.03, -2.58, 5.07

 

CMYK 1 / 0 / 4 / 6

HEX #ECEFE5

RGB 236 239 229

HSL 78, 0.24%, 0.92%

LAB 93.98, -2.75, 4.47

 

CMYK 2 / 0 / 4 / 6

HEX #EAEFE5

RGB 234 239 229

HSL 90, 0.24%, 0.92%

LAB 93.83, -3.42, 4.24

 

CMYK 3 / 0 / 4 / 6

HEX #E8EFE5

RGB 232 239 229

HSL 102, 0.24%, 0.92%

LAB 93.69, -4.1, 4.01

 

CMYK 3 / 0 / 4 / 6

HEX #E7EFE5

RGB 231 239 229

HSL 108, 0.24%, 0.92%

LAB 93.61, -4.43, 3.9

 

CMYK 1 / 0 / 5 / 6

HEX #EDEFE4

RGB 237 239 228

HSL 70.91, 0.26%, 0.92%

LAB 94.03, -2.58, 5.07

 

CMYK 0 / 0 / 6 / 86

HEX #232321

RGB 35 35 33

HSL 60, 0.03%, 0.13%

LAB 13.65, -0.48, 1.34

 

CMYK 1 / 0 / 5 / 66

HEX #555652

RGB 85 86 82

HSL 75, 0.02%, 0.33%

LAB 36.36, -1.24, 2.18

 

CMYK 1 / 0 / 4 / 46

HEX #888983

RGB 136 137 131

HSL 70, 0.02%, 0.53%

LAB 56.84, -1.53, 3.08

 

CMYK 1 / 0 / 5 / 26

HEX #BABCB3

RGB 186 188 179

HSL 73.33, 0.06%, 0.72%

LAB 75.86, -2.34, 4.3

 

CMYK 1 / 0 / 5 / 6

HEX #EDEFE4

RGB 237 239 228

HSL 70.91, 0.26%, 0.92%

LAB 94.03, -2.58, 5.07

 

CMYK 4 / 0 / 3 / 6

HEX #E5EFE9

RGB 229 239 233

HSL 144, 0.24%, 0.92%

LAB 93.57, -4.39, 1.74

 

CMYK 1 / 4 / 0 / 6

HEX #EDE5EF

RGB 237 229 239

HSL 288, 0.24%, 0.92%

LAB 91.81, 4.47, -3.9

 

CMYK 1 / 0 / 5 / 6

HEX #EDEFE4

RGB 237 239 228

HSL 70.91, 0.26%, 0.92%

LAB 94.03, -2.58, 5.07

 

CMYK 4 / 0 / 0 / 6

HEX #E5EEEF

RGB 229 238 239

HSL 186, 0.24%, 0.92%

LAB 93.47, -2.79, -1.53

 

CMYK 0 / 4 / 0 / 6

HEX #EFE5EE

RGB 239 229 238

HSL 306, 0.24%, 0.92%

LAB 91.94, 4.96, -3.17

 

CMYK 1 / 0 / 5 / 6

HEX #EDEFE4

RGB 237 239 228

HSL 70.91, 0.26%, 0.92%

LAB 94.03, -2.58, 5.07

 

CMYK 4 / 0 / 3 / 6

HEX #E5EFE9

RGB 229 239 233

HSL 144, 0.24%, 0.92%

LAB 93.57, -4.39, 1.74

 

CMYK 3 / 4 / 0 / 6

HEX #E7E5EF

RGB 231 229 239

HSL 252, 0.24%, 0.92%

LAB 91.35, 2.49, -4.62

 

CMYK 0 / 4 / 1 / 6

HEX #EFE5EC

RGB 239 229 236

HSL 318, 0.24%, 0.92%

LAB 91.88, 4.61, -2.2

 

CMYK 1 / 0 / 5 / 6

HEX #EDEFE4

RGB 237 239 228

HSL 70.91, 0.26%, 0.92%

LAB 94.03, -2.58, 5.07

 

CMYK 4 / 0 / 1 / 6

HEX #E5EFEC

RGB 229 239 236

HSL 162, 0.24%, 0.92%

LAB 93.64, -3.85, 0.29

 

CMYK 3 / 4 / 0 / 6

HEX #E7E5EF

RGB 231 229 239

HSL 252, 0.24%, 0.92%

LAB 91.35, 2.49, -4.62

 

CMYK 0 / 4 / 3 / 6

HEX #EFE5E8

RGB 239 229 232

HSL 342, 0.24%, 0.92%

LAB 91.78, 3.91, -0.26

 

Description

Color code: RGB 237 239 228 | qconv.com Color code: RGB 237 239 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 239 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 239 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 5 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 5% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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