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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 183 112 it is the complementary color RGB 18 72 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 183 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 237 183 112: RGB 242 183 107, RGB 255 201 126, RGB 255 219 145, RGB 255 237 164 and RGB 255 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 183 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 237 183 112: RGB 237 183 112, RGB 220 165 93, RGB 203 147 74, RGB 186 129 55 and RGB 169 111 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 53 / 7

HEX #EDB770

RGB 237 183 112

HSL 34.08, 0.78%, 0.68%

LAB 77.9, 11.37, 43.34

 

Complementary color

CMYK 87 / 50 / 0 / 44

HEX #12488F

RGB 18 72 143

HSL 214.08, 0.78%, 0.32%

LAB 31.22, 11.15, -44.06

 

CMYK 0 / 24 / 56 / 5

HEX #F2B76B

RGB 242 183 107

HSL 33.78, 0.84%, 0.68%

LAB 78.35, 13, 46.51

 

CMYK 0 / 21 / 51 / 0

HEX #FFC97E

RGB 255 201 126

HSL 34.88, 1%, 0.75%

LAB 84.25, 10.43, 44.57

 

CMYK 0 / 14 / 43 / 0

HEX #FFDB91

RGB 255 219 145

HSL 40.36, 1%, 0.78%

LAB 88.91, 2.94, 40.95

 

CMYK 0 / 7 / 36 / 0

HEX #FFEDA4

RGB 255 237 164

HSL 48.13, 1%, 0.82%

LAB 93.67, -4.15, 37.61

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 23 / 53 / 7

HEX #EDB770

RGB 237 183 112

HSL 34.08, 0.78%, 0.68%

LAB 77.9, 11.37, 43.34

 

CMYK 0 / 25 / 58 / 14

HEX #DCA55D

RGB 220 165 93

HSL 34.02, 0.64%, 0.61%

LAB 71.5, 12.4, 44.73

 

CMYK 0 / 28 / 64 / 20

HEX #CB934A

RGB 203 147 74

HSL 33.95, 0.55%, 0.54%

LAB 65.01, 13.58, 46.13

 

CMYK 0 / 31 / 70 / 27

HEX #BA8137

RGB 186 129 55

HSL 33.89, 0.54%, 0.47%

LAB 58.43, 14.97, 47.47

 

CMYK 0 / 34 / 79 / 34

HEX #A96F24

RGB 169 111 36

HSL 33.83, 0.65%, 0.4%

LAB 51.76, 16.62, 48.52

 

CMYK 0 / 23 / 53 / 7

HEX #EDB770

RGB 237 183 112

HSL 34.08, 0.78%, 0.68%

LAB 77.9, 11.37, 43.34

 

CMYK 0 / 14 / 54 / 7

HEX #EDCB6D

RGB 237 203 109

HSL 44.06, 0.78%, 0.68%

LAB 82.82, 0.68, 50.77

 

CMYK 0 / 5 / 54 / 7

HEX #EDE06D

RGB 237 224 109

HSL 53.91, 0.78%, 0.68%

LAB 88.17, -9.99, 57.05

 

CMYK 4 / 0 / 54 / 7

HEX #E4ED6D

RGB 228 237 109

HSL 64.22, 0.78%, 0.68%

LAB 90.86, -19.98, 59.95

 

CMYK 13 / 0 / 54 / 7

HEX #CFED6D

RGB 207 237 109

HSL 74.06, 0.78%, 0.68%

LAB 89.36, -28.17, 57.85

 

CMYK 0 / 23 / 53 / 7

HEX #EDB770

RGB 237 183 112

HSL 34.08, 0.78%, 0.68%

LAB 77.9, 11.37, 43.34

 

CMYK 0 / 24 / 52 / 87

HEX #211910

RGB 33 25 16

HSL 31.76, 0.35%, 0.1%

LAB 9.45, 2.31, 7.17

 

CMYK 0 / 23 / 52 / 67

HEX #544128

RGB 84 65 40

HSL 34.09, 0.35%, 0.24%

LAB 28.95, 4.55, 18.34

 

CMYK 0 / 23 / 53 / 47

HEX #876840

RGB 135 104 64

HSL 33.8, 0.36%, 0.39%

LAB 46.21, 7.18, 27.17

 

CMYK 0 / 23 / 53 / 27

HEX #BA9058

RGB 186 144 88

HSL 34.29, 0.42%, 0.54%

LAB 62.58, 9.06, 35.64

 

CMYK 0 / 23 / 53 / 7

HEX #EDB770

RGB 237 183 112

HSL 34.08, 0.78%, 0.68%

LAB 77.9, 11.37, 43.34

 

CMYK 41 / 0 / 54 / 7

HEX #8BED6D

RGB 139 237 109

HSL 105.94, 0.78%, 0.68%

LAB 85.59, -51.98, 52.47

 

CMYK 45 / 54 / 0 / 7

HEX #826DED

RGB 130 109 237

HSL 249.84, 0.78%, 0.68%

LAB 53.81, 39.37, -62.15

 

CMYK 0 / 23 / 53 / 7

HEX #EDB770

RGB 237 183 112

HSL 34.08, 0.78%, 0.68%

LAB 77.9, 11.37, 43.34

 

CMYK 54 / 0 / 24 / 7

HEX #6DEDB5

RGB 109 237 181

HSL 153.75, 0.78%, 0.68%

LAB 85.58, -48.36, 16.53

 

CMYK 24 / 54 / 0 / 7

HEX #B56DED

RGB 181 109 237

HSL 273.75, 0.78%, 0.68%

LAB 58.86, 51.43, -53.79

 

CMYK 0 / 23 / 53 / 7

HEX #EDB770

RGB 237 183 112

HSL 34.08, 0.78%, 0.68%

LAB 77.9, 11.37, 43.34

 

CMYK 41 / 0 / 54 / 7

HEX #8BED6D

RGB 139 237 109

HSL 105.94, 0.78%, 0.68%

LAB 85.59, -51.98, 52.47

 

CMYK 54 / 31 / 0 / 7

HEX #6DA4ED

RGB 109 164 237

HSL 214.22, 0.78%, 0.68%

LAB 66.46, 2.52, -42.14

 

CMYK 13 / 54 / 0 / 7

HEX #CF6DED

RGB 207 109 237

HSL 285.94, 0.78%, 0.68%

LAB 61.93, 58.05, -48.72

 

CMYK 0 / 23 / 53 / 7

HEX #EDB770

RGB 237 183 112

HSL 34.08, 0.78%, 0.68%

LAB 77.9, 11.37, 43.34

 

CMYK 54 / 0 / 50 / 7

HEX #6DED76

RGB 109 237 118

HSL 124.22, 0.78%, 0.68%

LAB 84.55, -59.14, 46.77

 

CMYK 54 / 31 / 0 / 7

HEX #6DA4ED

RGB 109 164 237

HSL 214.22, 0.78%, 0.68%

LAB 66.46, 2.52, -42.14

 

CMYK 0 / 54 / 4 / 7

HEX #ED6DE4

RGB 237 109 228

HSL 304.22, 0.78%, 0.68%

LAB 65.39, 64.3, -38.01

 

Description

Color code: RGB 237 183 112 | qconv.com Color code: RGB 237 183 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 183 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 183 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 53 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 53% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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