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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 159 169 it is the complementary color RGB 18 96 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 159 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 237 159 169: RGB 242 159 164, RGB 255 177 183, RGB 255 195 202, RGB 255 213 221 and RGB 255 231 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 159 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 237 159 169: RGB 237 159 169, RGB 220 141 150, RGB 203 123 131, RGB 186 105 112 and RGB 169 87 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 29 / 7

HEX #ED9FA9

RGB 237 159 169

HSL 352.31, 0.68%, 0.78%

LAB 73.33, 30.32, 6.74

 

Complementary color

CMYK 81 / 0 / 10 / 62

HEX #126056

RGB 18 96 86

HSL 172.31, 0.68%, 0.22%

LAB 36.3, -25.12, -0.81

 

CMYK 0 / 34 / 32 / 5

HEX #F29FA4

RGB 242 159 164

HSL 356.39, 0.76%, 0.79%

LAB 73.77, 31.5, 10.2

 

CMYK 0 / 31 / 28 / 0

HEX #FFB1B7

RGB 255 177 183

HSL 355.38, 1%, 0.85%

LAB 79.68, 29.23, 8.46

 

CMYK 0 / 24 / 21 / 0

HEX #FFC3CA

RGB 255 195 202

HSL 353, 1%, 0.88%

LAB 84.25, 22.43, 4.82

 

CMYK 0 / 16 / 13 / 0

HEX #FFD5DD

RGB 255 213 221

HSL 348.57, 1%, 0.92%

LAB 88.96, 15.9, 1.55

 

CMYK 0 / 9 / 6 / 0

HEX #FFE7F0

RGB 255 231 240

HSL 337.5, 1%, 0.95%

LAB 93.76, 9.67, -1.39

 

CMYK 0 / 33 / 29 / 7

HEX #ED9FA9

RGB 237 159 169

HSL 352.31, 0.68%, 0.78%

LAB 73.33, 30.32, 6.74

 

CMYK 0 / 36 / 32 / 14

HEX #DC8D96

RGB 220 141 150

HSL 353.16, 0.53%, 0.71%

LAB 66.88, 31.16, 7.81

 

CMYK 0 / 39 / 35 / 20

HEX #CB7B83

RGB 203 123 131

HSL 354, 0.43%, 0.64%

LAB 60.34, 32.07, 9.01

 

CMYK 0 / 44 / 40 / 27

HEX #BA6970

RGB 186 105 112

HSL 354.81, 0.37%, 0.57%

LAB 53.72, 33.07, 10.38

 

CMYK 0 / 49 / 45 / 34

HEX #A9575D

RGB 169 87 93

HSL 355.61, 0.32%, 0.5%

LAB 47.03, 34.13, 11.97

 

CMYK 0 / 33 / 29 / 7

HEX #ED9FA9

RGB 237 159 169

HSL 352.31, 0.68%, 0.78%

LAB 73.33, 30.32, 6.74

 

CMYK 0 / 31 / 32 / 7

HEX #EDA3A0

RGB 237 163 160

HSL 2.34, 0.68%, 0.78%

LAB 74.02, 27.03, 12.67

 

CMYK 0 / 26 / 32 / 7

HEX #EDB0A0

RGB 237 176 160

HSL 12.47, 0.68%, 0.78%

LAB 77.04, 20.12, 16.9

 

CMYK 0 / 21 / 32 / 7

HEX #EDBCA0

RGB 237 188 160

HSL 21.82, 0.68%, 0.78%

LAB 79.9, 13.76, 20.88

 

CMYK 0 / 15 / 32 / 7

HEX #EDC9A0

RGB 237 201 160

HSL 31.95, 0.68%, 0.78%

LAB 83.08, 6.92, 25.23

 

CMYK 0 / 33 / 29 / 7

HEX #ED9FA9

RGB 237 159 169

HSL 352.31, 0.68%, 0.78%

LAB 73.33, 30.32, 6.74

 

CMYK 0 / 33 / 27 / 87

HEX #211618

RGB 33 22 24

HSL 349.09, 0.2%, 0.11%

LAB 8.68, 5.99, 0.76

 

CMYK 0 / 33 / 29 / 67

HEX #54383C

RGB 84 56 60

HSL 351.43, 0.2%, 0.27%

LAB 26.85, 13.13, 2.55

 

CMYK 0 / 33 / 29 / 47

HEX #875B60

RGB 135 91 96

HSL 353.18, 0.19%, 0.44%

LAB 43.47, 18.82, 4.48

 

CMYK 0 / 33 / 28 / 27

HEX #BA7D85

RGB 186 125 133

HSL 352.13, 0.31%, 0.61%

LAB 58.79, 24.81, 5.37

 

CMYK 0 / 33 / 29 / 7

HEX #ED9FA9

RGB 237 159 169

HSL 352.31, 0.68%, 0.78%

LAB 73.33, 30.32, 6.74

 

CMYK 3 / 0 / 32 / 7

HEX #E7EDA0

RGB 231 237 160

HSL 64.68, 0.68%, 0.78%

LAB 91.73, -13.71, 36.71

 

CMYK 32 / 15 / 0 / 7

HEX #A0C9ED

RGB 160 201 237

HSL 208.05, 0.68%, 0.78%

LAB 79.25, -5.13, -22.17

 

CMYK 0 / 33 / 29 / 7

HEX #ED9FA9

RGB 237 159 169

HSL 352.31, 0.68%, 0.78%

LAB 73.33, 30.32, 6.74

 

CMYK 28 / 0 / 32 / 7

HEX #AAEDA0

RGB 170 237 160

HSL 112.21, 0.68%, 0.78%

LAB 87.8, -35.34, 30.79

 

CMYK 32 / 28 / 0 / 7

HEX #A0AAED

RGB 160 170 237

HSL 232.21, 0.68%, 0.78%

LAB 71.1, 11.81, -34.67

 

CMYK 0 / 33 / 29 / 7

HEX #ED9FA9

RGB 237 159 169

HSL 352.31, 0.68%, 0.78%

LAB 73.33, 30.32, 6.74

 

CMYK 3 / 0 / 32 / 7

HEX #E7EDA0

RGB 231 237 160

HSL 64.68, 0.68%, 0.78%

LAB 91.73, -13.71, 36.71

 

CMYK 32 / 0 / 5 / 7

HEX #A0EDE2

RGB 160 237 226

HSL 171.43, 0.68%, 0.78%

LAB 88.7, -25.96, -2.22

 

CMYK 30 / 32 / 0 / 7

HEX #A5A0ED

RGB 165 160 237

HSL 243.9, 0.68%, 0.78%

LAB 68.94, 18.84, -38.01

 

CMYK 0 / 33 / 29 / 7

HEX #ED9FA9

RGB 237 159 169

HSL 352.31, 0.68%, 0.78%

LAB 73.33, 30.32, 6.74

 

CMYK 12 / 0 / 32 / 7

HEX #D1EDA0

RGB 209 237 160

HSL 81.82, 0.68%, 0.78%

LAB 90.17, -21.84, 34.36

 

CMYK 32 / 0 / 5 / 7

HEX #A0EDE2

RGB 160 237 226

HSL 171.43, 0.68%, 0.78%

LAB 88.7, -25.96, -2.22

 

CMYK 21 / 32 / 0 / 7

HEX #BCA0ED

RGB 188 160 237

HSL 261.82, 0.68%, 0.78%

LAB 70.83, 25.53, -34.91

 

Description

Color code: RGB 237 159 169 | qconv.com Color code: RGB 237 159 169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 159 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 159 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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