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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 132 168 it is the complementary color RGB 18 123 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 132 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 237 132 168: RGB 242 132 163, RGB 255 150 182, RGB 255 168 201, RGB 255 186 220 and RGB 255 204 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 132 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 237 132 168: RGB 237 132 168, RGB 220 114 149, RGB 203 96 130, RGB 186 78 111 and RGB 169 60 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 29 / 7

HEX #ED84A8

RGB 237 132 168

HSL 339.43, 0.74%, 0.72%

LAB 67.53, 44.25, -1.12

 

Complementary color

CMYK 85 / 0 / 29 / 52

HEX #127B57

RGB 18 123 87

HSL 159.43, 0.74%, 0.28%

LAB 45.61, -37.22, 11.87

 

CMYK 0 / 45 / 33 / 5

HEX #F284A3

RGB 242 132 163

HSL 343.09, 0.81%, 0.73%

LAB 68.04, 45.34, 2.52

 

CMYK 0 / 41 / 29 / 0

HEX #FF96B6

RGB 255 150 182

HSL 341.71, 1%, 0.79%

LAB 73.84, 43.09, 0.56

 

CMYK 0 / 34 / 21 / 0

HEX #FFA8C9

RGB 255 168 201

HSL 337.24, 1%, 0.83%

LAB 78.16, 36.43, -3.53

 

CMYK 0 / 27 / 14 / 0

HEX #FFBADC

RGB 255 186 220

HSL 330.43, 1%, 0.86%

LAB 82.67, 29.89, -7.14

 

CMYK 0 / 20 / 6 / 0

HEX #FFCCEF

RGB 255 204 239

HSL 318.82, 1%, 0.9%

LAB 87.33, 23.56, -10.36

 

CMYK 0 / 44 / 29 / 7

HEX #ED84A8

RGB 237 132 168

HSL 339.43, 0.74%, 0.72%

LAB 67.53, 44.25, -1.12

 

CMYK 0 / 48 / 32 / 14

HEX #DC7295

RGB 220 114 149

HSL 340.19, 0.6%, 0.65%

LAB 61.15, 45.11, 0.11

 

CMYK 0 / 53 / 36 / 20

HEX #CB6082

RGB 203 96 130

HSL 340.93, 0.51%, 0.59%

LAB 54.73, 45.96, 1.54

 

CMYK 0 / 58 / 40 / 27

HEX #BA4E6F

RGB 186 78 111

HSL 341.67, 0.44%, 0.52%

LAB 48.3, 46.75, 3.25

 

CMYK 0 / 64 / 46 / 34

HEX #A93C5C

RGB 169 60 92

HSL 342.39, 0.48%, 0.45%

LAB 41.91, 47.35, 5.36

 

CMYK 0 / 44 / 29 / 7

HEX #ED84A8

RGB 237 132 168

HSL 339.43, 0.74%, 0.72%

LAB 67.53, 44.25, -1.12

 

CMYK 0 / 45 / 36 / 7

HEX #EC8296

RGB 236 130 150

HSL 348.68, 0.74%, 0.72%

LAB 66.52, 42.7, 7.57

 

CMYK 0 / 45 / 44 / 7

HEX #EC8284

RGB 236 130 132

HSL 358.87, 0.74%, 0.72%

LAB 66.11, 40.74, 17.15

 

CMYK 0 / 38 / 45 / 7

HEX #EC9282

RGB 236 146 130

HSL 9.06, 0.74%, 0.72%

LAB 69.47, 32.24, 22.87

 

CMYK 0 / 31 / 45 / 7

HEX #ECA482

RGB 236 164 130

HSL 19.25, 0.74%, 0.72%

LAB 73.54, 22.71, 28.33

 

CMYK 0 / 44 / 29 / 7

HEX #ED84A8

RGB 237 132 168

HSL 339.43, 0.74%, 0.72%

LAB 67.53, 44.25, -1.12

 

CMYK 0 / 45 / 30 / 87

HEX #211217

RGB 33 18 23

HSL 340, 0.29%, 0.1%

LAB 7.39, 8.69, -0.36

 

CMYK 0 / 44 / 29 / 67

HEX #542F3C

RGB 84 47 60

HSL 338.92, 0.28%, 0.26%

LAB 24.46, 18.85, -0.91

 

CMYK 0 / 44 / 29 / 47

HEX #874B60

RGB 135 75 96

HSL 339, 0.29%, 0.41%

LAB 39.63, 28.12, -1.1

 

CMYK 0 / 44 / 29 / 27

HEX #BA6884

RGB 186 104 132

HSL 339.51, 0.37%, 0.57%

LAB 54.03, 36.15, -0.95

 

CMYK 0 / 44 / 29 / 7

HEX #ED84A8

RGB 237 132 168

HSL 339.43, 0.74%, 0.72%

LAB 67.53, 44.25, -1.12

 

CMYK 0 / 7 / 45 / 7

HEX #ECDC82

RGB 236 220 130

HSL 50.94, 0.74%, 0.72%

LAB 87.31, -6.55, 46.02

 

CMYK 45 / 11 / 0 / 7

HEX #82D2EC

RGB 130 210 236

HSL 194.72, 0.74%, 0.72%

LAB 80.12, -17.83, -20.46

 

CMYK 0 / 44 / 29 / 7

HEX #ED84A8

RGB 237 132 168

HSL 339.43, 0.74%, 0.72%

LAB 67.53, 44.25, -1.12

 

CMYK 29 / 0 / 45 / 7

HEX #A7EC82

RGB 167 236 130

HSL 99.06, 0.74%, 0.72%

LAB 86.91, -40.04, 44.51

 

CMYK 45 / 29 / 0 / 7

HEX #82A7EC

RGB 130 167 236

HSL 219.06, 0.74%, 0.72%

LAB 68.34, 5.33, -38.57

 

CMYK 0 / 44 / 29 / 7

HEX #ED84A8

RGB 237 132 168

HSL 339.43, 0.74%, 0.72%

LAB 67.53, 44.25, -1.12

 

CMYK 0 / 7 / 45 / 7

HEX #ECDC82

RGB 236 220 130

HSL 50.94, 0.74%, 0.72%

LAB 87.31, -6.55, 46.02

 

CMYK 45 / 0 / 16 / 7

HEX #82ECC7

RGB 130 236 199

HSL 159.06, 0.74%, 0.72%

LAB 86.43, -39.22, 8.46

 

CMYK 45 / 38 / 0 / 7

HEX #8292EC

RGB 130 146 236

HSL 230.94, 0.74%, 0.72%

LAB 62.81, 17.4, -47.25

 

CMYK 0 / 44 / 29 / 7

HEX #ED84A8

RGB 237 132 168

HSL 339.43, 0.74%, 0.72%

LAB 67.53, 44.25, -1.12

 

CMYK 7 / 0 / 45 / 7

HEX #DCEC82

RGB 220 236 130

HSL 69.06, 0.74%, 0.72%

LAB 90.24, -20.73, 49.37

 

CMYK 45 / 0 / 16 / 7

HEX #82ECC7

RGB 130 236 199

HSL 159.06, 0.74%, 0.72%

LAB 86.43, -39.22, 8.46

 

CMYK 38 / 45 / 0 / 7

HEX #9282EC

RGB 146 130 236

HSL 249.06, 0.74%, 0.72%

LAB 60.01, 30.68, -51.61

 

Description

Color code: RGB 237 132 168 | qconv.com Color code: RGB 237 132 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 132 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 132 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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