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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 108 95 it is the complementary color RGB 18 147 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 108 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 237 108 95: RGB 242 108 90, RGB 255 126 109, RGB 255 144 128, RGB 255 162 147 and RGB 255 180 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 108 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 237 108 95: RGB 237 108 95, RGB 220 90 76, RGB 203 72 57, RGB 186 54 38 and RGB 169 36 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 60 / 7

HEX #ED6C5F

RGB 237 108 95

HSL 5.49, 0.8%, 0.65%

LAB 61.27, 48.85, 31.56

 

Complementary color

CMYK 89 / 8 / 0 / 37

HEX #1293A0

RGB 18 147 160

HSL 185.49, 0.8%, 0.35%

LAB 55.62, -26.83, -15.96

 

CMYK 0 / 55 / 63 / 5

HEX #F26C5A

RGB 242 108 90

HSL 7.11, 0.85%, 0.65%

LAB 61.95, 50.3, 35.36

 

CMYK 0 / 51 / 57 / 0

HEX #FF7E6D

RGB 255 126 109

HSL 6.99, 1%, 0.71%

LAB 67.49, 47.65, 32.28

 

CMYK 0 / 44 / 50 / 0

HEX #FF9080

RGB 255 144 128

HSL 7.56, 1%, 0.75%

LAB 71.4, 40.23, 26.97

 

CMYK 0 / 36 / 42 / 0

HEX #FFA293

RGB 255 162 147

HSL 8.33, 1%, 0.79%

LAB 75.58, 32.81, 22.25

 

CMYK 0 / 29 / 35 / 0

HEX #FFB4A6

RGB 255 180 166

HSL 9.44, 1%, 0.83%

LAB 79.99, 25.53, 18.06

 

CMYK 0 / 54 / 60 / 7

HEX #ED6C5F

RGB 237 108 95

HSL 5.49, 0.8%, 0.65%

LAB 61.27, 48.85, 31.56

 

CMYK 0 / 59 / 65 / 14

HEX #DC5A4C

RGB 220 90 76

HSL 5.83, 0.67%, 0.58%

LAB 55.12, 50.02, 34.02

 

CMYK 0 / 65 / 72 / 20

HEX #CB4839

RGB 203 72 57

HSL 6.16, 0.58%, 0.51%

LAB 49.04, 51.09, 36.83

 

CMYK 0 / 71 / 80 / 27

HEX #BA3626

RGB 186 54 38

HSL 6.49, 0.66%, 0.44%

LAB 43.09, 51.92, 39.97

 

CMYK 0 / 79 / 89 / 34

HEX #A92413

RGB 169 36 19

HSL 6.8, 0.8%, 0.37%

LAB 37.38, 52.24, 43.1

 

CMYK 0 / 54 / 60 / 7

HEX #ED6C5F

RGB 237 108 95

HSL 5.49, 0.8%, 0.65%

LAB 61.27, 48.85, 31.56

 

CMYK 0 / 45 / 60 / 7

HEX #ED825E

RGB 237 130 94

HSL 15.1, 0.8%, 0.65%

LAB 65.58, 37.87, 37.5

 

CMYK 0 / 35 / 60 / 7

HEX #ED995E

RGB 237 153 94

HSL 24.76, 0.8%, 0.65%

LAB 70.59, 25.86, 43.6

 

CMYK 0 / 25 / 60 / 7

HEX #EDB15E

RGB 237 177 94

HSL 34.83, 0.8%, 0.65%

LAB 76.23, 13.15, 50.24

 

CMYK 0 / 15 / 60 / 7

HEX #EDC95E

RGB 237 201 94

HSL 44.9, 0.8%, 0.65%

LAB 82.16, 0.6, 57.01

 

CMYK 0 / 54 / 60 / 7

HEX #ED6C5F

RGB 237 108 95

HSL 5.49, 0.8%, 0.65%

LAB 61.27, 48.85, 31.56

 

CMYK 0 / 55 / 61 / 87

HEX #210F0D

RGB 33 15 13

HSL 6, 0.43%, 0.09%

LAB 6.27, 8.63, 4.1

 

CMYK 0 / 55 / 60 / 67

HEX #542622

RGB 84 38 34

HSL 4.8, 0.42%, 0.23%

LAB 21.53, 20.95, 12.63

 

CMYK 0 / 54 / 60 / 47

HEX #873E36

RGB 135 62 54

HSL 5.93, 0.43%, 0.37%

LAB 35.72, 30.53, 19.78

 

CMYK 0 / 54 / 60 / 27

HEX #BA554B

RGB 186 85 75

HSL 5.41, 0.45%, 0.51%

LAB 48.81, 39.99, 25.55

 

CMYK 0 / 54 / 60 / 7

HEX #ED6C5F

RGB 237 108 95

HSL 5.49, 0.8%, 0.65%

LAB 61.27, 48.85, 31.56

 

CMYK 17 / 0 / 60 / 7

HEX #C4ED5E

RGB 196 237 94

HSL 77.2, 0.8%, 0.65%

LAB 88.5, -33.6, 63.17

 

CMYK 60 / 41 / 0 / 7

HEX #5E8BED

RGB 94 139 237

HSL 221.12, 0.8%, 0.65%

LAB 58.94, 14.12, -54.07

 

CMYK 0 / 54 / 60 / 7

HEX #ED6C5F

RGB 237 108 95

HSL 5.49, 0.8%, 0.65%

LAB 61.27, 48.85, 31.56

 

CMYK 60 / 0 / 55 / 7

HEX #5EED6A

RGB 94 237 106

HSL 125.03, 0.8%, 0.65%

LAB 83.96, -64.14, 51.51

 

CMYK 55 / 60 / 0 / 7

HEX #6A5EED

RGB 106 94 237

HSL 245.03, 0.8%, 0.65%

LAB 48.49, 43.37, -70.85

 

CMYK 0 / 54 / 60 / 7

HEX #ED6C5F

RGB 237 108 95

HSL 5.49, 0.8%, 0.65%

LAB 61.27, 48.85, 31.56

 

CMYK 17 / 0 / 60 / 7

HEX #C4ED5E

RGB 196 237 94

HSL 77.2, 0.8%, 0.65%

LAB 88.5, -33.6, 63.17

 

CMYK 60 / 5 / 0 / 7

HEX #5EE1ED

RGB 94 225 237

HSL 185.03, 0.8%, 0.65%

LAB 83.1, -32.24, -16.62

 

CMYK 43 / 60 / 0 / 7

HEX #865EED

RGB 134 94 237

HSL 256.78, 0.8%, 0.65%

LAB 50.91, 48.68, -66.82

 

CMYK 0 / 54 / 60 / 7

HEX #ED6C5F

RGB 237 108 95

HSL 5.49, 0.8%, 0.65%

LAB 61.27, 48.85, 31.56

 

CMYK 35 / 0 / 60 / 7

HEX #99ED5E

RGB 153 237 94

HSL 95.24, 0.8%, 0.65%

LAB 86.08, -49.04, 59.81

 

CMYK 60 / 5 / 0 / 7

HEX #5EE1ED

RGB 94 225 237

HSL 185.03, 0.8%, 0.65%

LAB 83.1, -32.24, -16.62

 

CMYK 25 / 60 / 0 / 7

HEX #B15EED

RGB 177 94 237

HSL 274.83, 0.8%, 0.65%

LAB 55.55, 58.05, -59.1

 

Description

Color code: RGB 237 108 95 | qconv.com Color code: RGB 237 108 95 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 108 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 108 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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