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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 88 196 it is the complementary color RGB 19 167 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 88 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 236 88 196: RGB 241 88 191, RGB 255 106 210, RGB 255 124 229, RGB 255 142 248 and RGB 255 160 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 88 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 236 88 196: RGB 236 88 196, RGB 219 70 177, RGB 202 52 158, RGB 185 34 139 and RGB 168 16 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 17 / 7

HEX #EC58C4

RGB 236 88 196

HSL 316.22, 0.8%, 0.64%

LAB 60.6, 68.11, -27.45

 

Complementary color

CMYK 89 / 0 / 65 / 35

HEX #13A73B

RGB 19 167 59

HSL 136.22, 0.8%, 0.36%

LAB 59.97, -58, 44.59

 

CMYK 0 / 63 / 21 / 5

HEX #F158BF

RGB 241 88 191

HSL 319.61, 0.85%, 0.65%

LAB 61.17, 68.75, -23.66

 

CMYK 0 / 58 / 18 / 0

HEX #FF6AD2

RGB 255 106 210

HSL 318.12, 1%, 0.71%

LAB 66.69, 67.75, -25.75

 

CMYK 0 / 51 / 10 / 0

HEX #FF7CE5

RGB 255 124 229

HSL 311.91, 1%, 0.74%

LAB 70.41, 62.55, -30.59

 

CMYK 0 / 44 / 3 / 0

HEX #FF8EF8

RGB 255 142 248

HSL 303.72, 1%, 0.78%

LAB 74.43, 57.07, -34.77

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 63 / 17 / 7

HEX #EC58C4

RGB 236 88 196

HSL 316.22, 0.8%, 0.64%

LAB 60.6, 68.11, -27.45

 

CMYK 0 / 68 / 19 / 14

HEX #DB46B1

RGB 219 70 177

HSL 316.91, 0.67%, 0.57%

LAB 54.67, 67.99, -25.89

 

CMYK 0 / 74 / 22 / 21

HEX #CA349E

RGB 202 52 158

HSL 317.6, 0.59%, 0.5%

LAB 48.86, 67.38, -23.92

 

CMYK 0 / 82 / 25 / 27

HEX #B9228B

RGB 185 34 139

HSL 318.28, 0.69%, 0.43%

LAB 43.25, 66.01, -21.4

 

CMYK 0 / 90 / 29 / 34

HEX #A81078

RGB 168 16 120

HSL 318.95, 0.83%, 0.36%

LAB 37.93, 63.54, -18.12

 

CMYK 0 / 63 / 17 / 7

HEX #EC58C4

RGB 236 88 196

HSL 316.22, 0.8%, 0.64%

LAB 60.6, 68.11, -27.45

 

CMYK 0 / 62 / 27 / 7

HEX #EC59AC

RGB 236 89 172

HSL 326.12, 0.79%, 0.64%

LAB 59.85, 64.52, -14.84

 

CMYK 0 / 62 / 37 / 7

HEX #EC5994

RGB 236 89 148

HSL 335.92, 0.79%, 0.64%

LAB 59.08, 61.72, -2.06

 

CMYK 0 / 62 / 47 / 7

HEX #EC597C

RGB 236 89 124

HSL 345.71, 0.79%, 0.64%

LAB 58.45, 59.35, 11.05

 

CMYK 0 / 62 / 58 / 7

HEX #EC5963

RGB 236 89 99

HSL 355.92, 0.79%, 0.64%

LAB 57.92, 57.36, 24.92

 

CMYK 0 / 63 / 17 / 7

HEX #EC58C4

RGB 236 88 196

HSL 316.22, 0.8%, 0.64%

LAB 60.6, 68.11, -27.45

 

CMYK 0 / 63 / 16 / 87

HEX #200C1B

RGB 32 12 27

HSL 315, 0.45%, 0.09%

LAB 5.86, 12.51, -5.72

 

CMYK 0 / 63 / 17 / 67

HEX #531F45

RGB 83 31 69

HSL 316.15, 0.46%, 0.22%

LAB 21.01, 29.43, -12.24

 

CMYK 0 / 63 / 17 / 47

HEX #86326F

RGB 134 50 111

HSL 316.43, 0.46%, 0.36%

LAB 35, 43.24, -17.5

 

CMYK 0 / 63 / 17 / 27

HEX #B9459A

RGB 185 69 154

HSL 316.03, 0.46%, 0.5%

LAB 48.14, 56.11, -22.89

 

CMYK 0 / 63 / 17 / 7

HEX #EC58C4

RGB 236 88 196

HSL 316.22, 0.8%, 0.64%

LAB 60.6, 68.11, -27.45

 

CMYK 0 / 33 / 62 / 7

HEX #EC9E59

RGB 236 158 89

HSL 28.16, 0.79%, 0.64%

LAB 71.56, 22.47, 47.24

 

CMYK 62 / 0 / 8 / 7

HEX #59ECD9

RGB 89 236 217

HSL 172.24, 0.79%, 0.64%

LAB 85.57, -43.41, -2.41

 

CMYK 0 / 63 / 17 / 7

HEX #EC58C4

RGB 236 88 196

HSL 316.22, 0.8%, 0.64%

LAB 60.6, 68.11, -27.45

 

CMYK 17 / 0 / 62 / 7

HEX #C5EC59

RGB 197 236 89

HSL 75.92, 0.79%, 0.64%

LAB 88.25, -33.13, 64.98

 

CMYK 62 / 17 / 0 / 7

HEX #59C5EC

RGB 89 197 236

HSL 195.92, 0.79%, 0.64%

LAB 74.9, -19.53, -28.57

 

CMYK 0 / 63 / 17 / 7

HEX #EC58C4

RGB 236 88 196

HSL 316.22, 0.8%, 0.64%

LAB 60.6, 68.11, -27.45

 

CMYK 0 / 33 / 62 / 7

HEX #EC9E59

RGB 236 158 89

HSL 28.16, 0.79%, 0.64%

LAB 71.56, 22.47, 47.24

 

CMYK 62 / 0 / 46 / 7

HEX #59EC80

RGB 89 236 128

HSL 135.92, 0.79%, 0.64%

LAB 83.8, -61.77, 40.9

 

CMYK 62 / 29 / 0 / 7

HEX #59A8EC

RGB 89 168 236

HSL 207.76, 0.79%, 0.64%

LAB 66.66, -3.95, -41.34

 

CMYK 0 / 63 / 17 / 7

HEX #EC58C4

RGB 236 88 196

HSL 316.22, 0.8%, 0.64%

LAB 60.6, 68.11, -27.45

 

CMYK 0 / 14 / 62 / 7

HEX #ECCA59

RGB 236 202 89

HSL 46.12, 0.79%, 0.64%

LAB 82.27, -0.66, 59.35

 

CMYK 62 / 0 / 46 / 7

HEX #59EC80

RGB 89 236 128

HSL 135.92, 0.79%, 0.64%

LAB 83.8, -61.77, 40.9

 

CMYK 62 / 47 / 0 / 7

HEX #597CEC

RGB 89 124 236

HSL 225.71, 0.79%, 0.64%

LAB 54.65, 21.97, -60.39

 

Description

Color code: RGB 236 88 196 | qconv.com Color code: RGB 236 88 196 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 88 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 88 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 17 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 17% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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