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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 127 83 it is the complementary color RGB 19 128 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 127 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 236 127 83: RGB 241 127 78, RGB 255 145 97, RGB 255 163 116, RGB 255 181 135 and RGB 255 199 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 127 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 236 127 83: RGB 236 127 83, RGB 219 109 64, RGB 202 91 45, RGB 185 73 26 and RGB 168 55 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 65 / 7

HEX #EC7F53

RGB 236 127 83

HSL 17.25, 0.8%, 0.63%

LAB 64.67, 38.31, 42.22

 

Complementary color

CMYK 89 / 26 / 0 / 33

HEX #1380AC

RGB 19 128 172

HSL 197.25, 0.8%, 0.37%

LAB 50.16, -12.4, -31.28

 

CMYK 0 / 47 / 68 / 5

HEX #F17F4E

RGB 241 127 78

HSL 18.04, 0.85%, 0.63%

LAB 65.3, 39.95, 45.72

 

CMYK 0 / 43 / 62 / 0

HEX #FF9161

RGB 255 145 97

HSL 18.23, 1%, 0.69%

LAB 71.13, 37.34, 43.23

 

CMYK 0 / 36 / 55 / 0

HEX #FFA374

RGB 255 163 116

HSL 20.29, 1%, 0.73%

LAB 75.27, 29.43, 38.44

 

CMYK 0 / 29 / 47 / 0

HEX #FFB587

RGB 255 181 135

HSL 23, 1%, 0.76%

LAB 79.65, 21.68, 34.09

 

CMYK 0 / 22 / 40 / 0

HEX #FFC79A

RGB 255 199 154

HSL 26.73, 1%, 0.8%

LAB 84.19, 14.21, 30.17

 

CMYK 0 / 46 / 65 / 7

HEX #EC7F53

RGB 236 127 83

HSL 17.25, 0.8%, 0.63%

LAB 64.67, 38.31, 42.22

 

CMYK 0 / 50 / 71 / 14

HEX #DB6D40

RGB 219 109 64

HSL 17.42, 0.68%, 0.55%

LAB 58.38, 39.82, 44.26

 

CMYK 0 / 55 / 78 / 21

HEX #CA5B2D

RGB 202 91 45

HSL 17.58, 0.64%, 0.48%

LAB 52.09, 41.43, 46.36

 

CMYK 0 / 61 / 86 / 27

HEX #B9491A

RGB 185 73 26

HSL 17.74, 0.75%, 0.41%

LAB 45.84, 43.08, 48.22

 

CMYK 0 / 67 / 96 / 34

HEX #A83707

RGB 168 55 7

HSL 17.89, 0.92%, 0.34%

LAB 39.7, 44.64, 49.04

 

CMYK 0 / 46 / 65 / 7

HEX #EC7F53

RGB 236 127 83

HSL 17.25, 0.8%, 0.63%

LAB 64.67, 38.31, 42.22

 

CMYK 0 / 35 / 64 / 7

HEX #EC9955

RGB 236 153 85

HSL 27.02, 0.8%, 0.63%

LAB 70.37, 24.86, 47.84

 

CMYK 0 / 25 / 64 / 7

HEX #ECB255

RGB 236 178 85

HSL 36.95, 0.8%, 0.63%

LAB 76.27, 11.62, 54.52

 

CMYK 0 / 14 / 64 / 7

HEX #ECCB55

RGB 236 203 85

HSL 46.89, 0.8%, 0.63%

LAB 82.49, -1.42, 61.33

 

CMYK 0 / 3 / 64 / 7

HEX #ECE455

RGB 236 228 85

HSL 56.82, 0.8%, 0.63%

LAB 88.91, -14.01, 68.14

 

CMYK 0 / 46 / 65 / 7

HEX #EC7F53

RGB 236 127 83

HSL 17.25, 0.8%, 0.63%

LAB 64.67, 38.31, 42.22

 

CMYK 0 / 47 / 66 / 87

HEX #20110B

RGB 32 17 11

HSL 17.14, 0.49%, 0.08%

LAB 6.61, 6.58, 5.5

 

CMYK 0 / 46 / 65 / 67

HEX #532D1D

RGB 83 45 29

HSL 17.78, 0.48%, 0.22%

LAB 23.01, 15.71, 17.8

 

CMYK 0 / 46 / 65 / 47

HEX #86482F

RGB 134 72 47

HSL 17.24, 0.48%, 0.35%

LAB 37.68, 23.99, 26.43

 

CMYK 0 / 46 / 65 / 27

HEX #B96441

RGB 185 100 65

HSL 17.5, 0.48%, 0.49%

LAB 51.62, 31.09, 34.68

 

CMYK 0 / 46 / 65 / 7

HEX #EC7F53

RGB 236 127 83

HSL 17.25, 0.8%, 0.63%

LAB 64.67, 38.31, 42.22

 

CMYK 31 / 0 / 64 / 7

HEX #A3EC55

RGB 163 236 85

HSL 89.01, 0.8%, 0.63%

LAB 86.22, -45.96, 63.82

 

CMYK 64 / 57 / 0 / 7

HEX #5566EC

RGB 85 102 236

HSL 233.25, 0.8%, 0.63%

LAB 48.87, 34.81, -69.73

 

CMYK 0 / 46 / 65 / 7

HEX #EC7F53

RGB 236 127 83

HSL 17.25, 0.8%, 0.63%

LAB 64.67, 38.31, 42.22

 

CMYK 64 / 0 / 46 / 7

HEX #55EC7F

RGB 85 236 127

HSL 136.69, 0.8%, 0.63%

LAB 83.68, -62.7, 41.22

 

CMYK 46 / 64 / 0 / 7

HEX #7F55EC

RGB 127 85 236

HSL 256.69, 0.8%, 0.63%

LAB 48.34, 51.92, -70.45

 

CMYK 0 / 46 / 65 / 7

HEX #EC7F53

RGB 236 127 83

HSL 17.25, 0.8%, 0.63%

LAB 64.67, 38.31, 42.22

 

CMYK 31 / 0 / 64 / 7

HEX #A3EC55

RGB 163 236 85

HSL 89.01, 0.8%, 0.63%

LAB 86.22, -45.96, 63.82

 

CMYK 64 / 18 / 0 / 7

HEX #55C1EC

RGB 85 193 236

HSL 197.09, 0.8%, 0.63%

LAB 73.63, -18.13, -30.53

 

CMYK 33 / 64 / 0 / 7

HEX #9E55EC

RGB 158 85 236

HSL 269.01, 0.8%, 0.63%

LAB 51.64, 58.07, -64.96

 

CMYK 0 / 46 / 65 / 7

HEX #EC7F53

RGB 236 127 83

HSL 17.25, 0.8%, 0.63%

LAB 64.67, 38.31, 42.22

 

CMYK 50 / 0 / 64 / 7

HEX #75EC55

RGB 117 236 85

HSL 107.28, 0.8%, 0.63%

LAB 84.19, -60.39, 61.02

 

CMYK 64 / 18 / 0 / 7

HEX #55C1EC

RGB 85 193 236

HSL 197.09, 0.8%, 0.63%

LAB 73.63, -18.13, -30.53

 

CMYK 14 / 64 / 0 / 7

HEX #CB55EC

RGB 203 85 236

HSL 286.89, 0.8%, 0.63%

LAB 57.32, 67.86, -55.52

 

Description

Color code: RGB 236 127 83 | qconv.com Color code: RGB 236 127 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 127 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 127 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 65 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 65% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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