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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 114 212 it is the complementary color RGB 19 141 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 114 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 236 114 212: RGB 241 114 207, RGB 255 132 226, RGB 255 150 245, RGB 255 168 255 and RGB 255 186 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 114 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 236 114 212: RGB 236 114 212, RGB 219 96 193, RGB 202 78 174, RGB 185 60 155 and RGB 168 42 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 10 / 7

HEX #EC72D4

RGB 236 114 212

HSL 311.8, 0.76%, 0.69%

LAB 65.45, 59.14, -29

 

Complementary color

CMYK 87 / 0 / 70 / 45

HEX #138D2B

RGB 19 141 43

HSL 131.8, 0.76%, 0.31%

LAB 51.11, -51.43, 41.85

 

CMYK 0 / 53 / 14 / 5

HEX #F172CF

RGB 241 114 207

HSL 316.06, 0.82%, 0.7%

LAB 65.94, 59.81, -25.4

 

CMYK 0 / 48 / 11 / 0

HEX #FF84E2

RGB 255 132 226

HSL 314.15, 1%, 0.76%

LAB 71.73, 58.32, -26.91

 

CMYK 0 / 41 / 4 / 0

HEX #FF96F5

RGB 255 150 245

HSL 305.71, 1%, 0.79%

LAB 75.86, 52.6, -30.94

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 27 / 0 / 0

HEX #FFBAFF

RGB 255 186 255

HSL 300, 1%, 0.86%

LAB 83.76, 35.82, -24.23

 

CMYK 0 / 52 / 10 / 7

HEX #EC72D4

RGB 236 114 212

HSL 311.8, 0.76%, 0.69%

LAB 65.45, 59.14, -29

 

CMYK 0 / 56 / 12 / 14

HEX #DB60C1

RGB 219 96 193

HSL 312.68, 0.63%, 0.62%

LAB 59.23, 59.64, -28.06

 

CMYK 0 / 61 / 14 / 21

HEX #CA4EAE

RGB 202 78 174

HSL 313.55, 0.54%, 0.55%

LAB 53.02, 59.94, -26.92

 

CMYK 0 / 68 / 16 / 27

HEX #B93C9B

RGB 185 60 155

HSL 314.4, 0.51%, 0.48%

LAB 46.86, 59.91, -25.46

 

CMYK 0 / 75 / 19 / 34

HEX #A82A88

RGB 168 42 136

HSL 315.24, 0.6%, 0.41%

LAB 40.83, 59.32, -23.55

 

CMYK 0 / 52 / 10 / 7

HEX #EC72D4

RGB 236 114 212

HSL 311.8, 0.76%, 0.69%

LAB 65.45, 59.14, -29

 

CMYK 0 / 51 / 18 / 7

HEX #EC73C1

RGB 236 115 193

HSL 321.32, 0.76%, 0.69%

LAB 64.92, 55.78, -19.14

 

CMYK 0 / 51 / 27 / 7

HEX #EC73AD

RGB 236 115 173

HSL 331.24, 0.76%, 0.69%

LAB 64.25, 53, -8.8

 

CMYK 0 / 51 / 35 / 7

HEX #EC7399

RGB 236 115 153

HSL 341.16, 0.76%, 0.69%

LAB 63.67, 50.51, 1.75

 

CMYK 0 / 51 / 44 / 7

HEX #EC7385

RGB 236 115 133

HSL 351.07, 0.76%, 0.69%

LAB 63.17, 48.33, 12.48

 

CMYK 0 / 52 / 10 / 7

HEX #EC72D4

RGB 236 114 212

HSL 311.8, 0.76%, 0.69%

LAB 65.45, 59.14, -29

 

CMYK 0 / 53 / 9 / 87

HEX #200F1D

RGB 32 15 29

HSL 310.59, 0.36%, 0.09%

LAB 6.66, 11.45, -6.08

 

CMYK 0 / 52 / 10 / 67

HEX #53284B

RGB 83 40 75

HSL 311.16, 0.35%, 0.24%

LAB 23.22, 25.47, -12.91

 

CMYK 0 / 51 / 10 / 47

HEX #864178

RGB 134 65 120

HSL 312.17, 0.35%, 0.39%

LAB 38.21, 37.22, -18.19

 

CMYK 0 / 52 / 10 / 27

HEX #B959A6

RGB 185 89 166

HSL 311.88, 0.41%, 0.54%

LAB 52.08, 48.74, -23.9

 

CMYK 0 / 52 / 10 / 7

HEX #EC72D4

RGB 236 114 212

HSL 311.8, 0.76%, 0.69%

LAB 65.45, 59.14, -29

 

CMYK 0 / 32 / 51 / 7

HEX #ECA173

RGB 236 161 115

HSL 22.81, 0.76%, 0.69%

LAB 72.6, 22.88, 35.11

 

CMYK 51 / 0 / 11 / 7

HEX #73ECD1

RGB 115 236 209

HSL 166.61, 0.76%, 0.69%

LAB 86.13, -40.44, 2.7

 

CMYK 0 / 52 / 10 / 7

HEX #EC72D4

RGB 236 114 212

HSL 311.8, 0.76%, 0.69%

LAB 65.45, 59.14, -29

 

CMYK 10 / 0 / 51 / 7

HEX #D5EC73

RGB 213 236 115

HSL 71.4, 0.76%, 0.69%

LAB 89.57, -24.86, 55.47

 

CMYK 51 / 10 / 0 / 7

HEX #73D5EC

RGB 115 213 236

HSL 191.4, 0.76%, 0.69%

LAB 80.34, -22.69, -20.18

 

CMYK 0 / 52 / 10 / 7

HEX #EC72D4

RGB 236 114 212

HSL 311.8, 0.76%, 0.69%

LAB 65.45, 59.14, -29

 

CMYK 0 / 32 / 51 / 7

HEX #ECA173

RGB 236 161 115

HSL 22.81, 0.76%, 0.69%

LAB 72.6, 22.88, 35.11

 

CMYK 51 / 0 / 42 / 7

HEX #73EC89

RGB 115 236 137

HSL 130.91, 0.76%, 0.69%

LAB 84.71, -54.53, 37.81

 

CMYK 51 / 20 / 0 / 7

HEX #73BDEC

RGB 115 189 236

HSL 203.31, 0.76%, 0.69%

LAB 73.61, -10.28, -30.47

 

CMYK 0 / 52 / 10 / 7

HEX #EC72D4

RGB 236 114 212

HSL 311.8, 0.76%, 0.69%

LAB 65.45, 59.14, -29

 

CMYK 0 / 17 / 51 / 7

HEX #ECC573

RGB 236 197 115

HSL 40.66, 0.76%, 0.69%

LAB 81.29, 3.88, 45.99

 

CMYK 51 / 0 / 42 / 7

HEX #73EC89

RGB 115 236 137

HSL 130.91, 0.76%, 0.69%

LAB 84.71, -54.53, 37.81

 

CMYK 51 / 35 / 0 / 7

HEX #7399EC

RGB 115 153 236

HSL 221.16, 0.76%, 0.69%

LAB 63.74, 9.84, -45.84

 

Description

Color code: RGB 236 114 212 | qconv.com Color code: RGB 236 114 212 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 114 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 114 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 10 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 10% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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