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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 98 43 it is the complementary color RGB 20 157 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 98 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 235 98 43: RGB 240 98 38, RGB 255 116 57, RGB 255 134 76, RGB 255 152 95 and RGB 255 170 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 98 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 235 98 43: RGB 235 98 43, RGB 218 80 24, RGB 201 62 5, RGB 184 44 0 and RGB 167 26 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 82 / 8

HEX #EB622B

RGB 235 98 43

HSL 17.19, 0.83%, 0.55%

LAB 58.58, 50.3, 55.3

 

Complementary color

CMYK 91 / 26 / 0 / 17

HEX #149DD4

RGB 20 157 212

HSL 197.19, 0.83%, 0.45%

LAB 60.8, -13.98, -37.38

 

CMYK 0 / 59 / 84 / 6

HEX #F06226

RGB 240 98 38

HSL 17.82, 0.87%, 0.55%

LAB 59.34, 51.97, 58.38

 

CMYK 0 / 55 / 78 / 0

HEX #FF7439

RGB 255 116 57

HSL 17.88, 1%, 0.61%

LAB 65, 49.66, 56.23

 

CMYK 0 / 47 / 70 / 0

HEX #FF864C

RGB 255 134 76

HSL 19.44, 1%, 0.65%

LAB 68.63, 41.7, 50.99

 

CMYK 0 / 40 / 63 / 0

HEX #FF985F

RGB 255 152 95

HSL 21.38, 1%, 0.69%

LAB 72.59, 33.62, 46.01

 

CMYK 0 / 33 / 55 / 0

HEX #FFAA72

RGB 255 170 114

HSL 23.83, 1%, 0.72%

LAB 76.81, 25.62, 41.41

 

CMYK 0 / 58 / 82 / 8

HEX #EB622B

RGB 235 98 43

HSL 17.19, 0.83%, 0.55%

LAB 58.58, 50.3, 55.3

 

CMYK 0 / 63 / 89 / 15

HEX #DA5018

RGB 218 80 24

HSL 17.32, 0.8%, 0.47%

LAB 52.63, 51.83, 56.75

 

CMYK 0 / 69 / 98 / 21

HEX #C93E05

RGB 201 62 5

HSL 17.45, 0.95%, 0.4%

LAB 46.81, 53.17, 56.91

 

CMYK 0 / 76 / 100 / 28

HEX #B82C00

RGB 184 44 0

HSL 14.35, 1%, 0.36%

LAB 41.2, 54.1, 53.81

 

CMYK 0 / 84 / 100 / 35

HEX #A71A00

RGB 167 26 0

HSL 9.34, 1%, 0.33%

LAB 35.9, 54.13, 49.46

 

CMYK 0 / 58 / 82 / 8

HEX #EB622B

RGB 235 98 43

HSL 17.19, 0.83%, 0.55%

LAB 58.58, 50.3, 55.3

 

CMYK 0 / 45 / 81 / 8

HEX #EB822D

RGB 235 130 45

HSL 26.84, 0.83%, 0.55%

LAB 64.82, 34.64, 60.15

 

CMYK 0 / 31 / 81 / 8

HEX #EBA22D

RGB 235 162 45

HSL 36.95, 0.83%, 0.55%

LAB 72.02, 17.81, 66.61

 

CMYK 0 / 17 / 81 / 8

HEX #EBC22D

RGB 235 194 45

HSL 47.05, 0.83%, 0.55%

LAB 79.86, 0.99, 73.48

 

CMYK 0 / 4 / 81 / 8

HEX #EBE12D

RGB 235 225 45

HSL 56.84, 0.83%, 0.55%

LAB 87.82, -14.68, 80.34

 

CMYK 0 / 58 / 82 / 8

HEX #EB622B

RGB 235 98 43

HSL 17.19, 0.83%, 0.55%

LAB 58.58, 50.3, 55.3

 

CMYK 0 / 58 / 81 / 88

HEX #1F0D06

RGB 31 13 6

HSL 16.8, 0.68%, 0.07%

LAB 5.35, 7.33, 5.68

 

CMYK 0 / 59 / 82 / 68

HEX #52220F

RGB 82 34 15

HSL 17.01, 0.69%, 0.19%

LAB 19.93, 21.01, 22.82

 

CMYK 0 / 59 / 82 / 48

HEX #853718

RGB 133 55 24

HSL 17.06, 0.69%, 0.31%

LAB 33.53, 31.66, 34.67

 

CMYK 0 / 58 / 82 / 28

HEX #B84D22

RGB 184 77 34

HSL 17.2, 0.69%, 0.43%

LAB 46.46, 41.02, 45.15

 

CMYK 0 / 58 / 82 / 8

HEX #EB622B

RGB 235 98 43

HSL 17.19, 0.83%, 0.55%

LAB 58.58, 50.3, 55.3

 

CMYK 39 / 0 / 81 / 8

HEX #8FEB2D

RGB 143 235 45

HSL 89.05, 0.83%, 0.55%

LAB 84.71, -54.76, 75.35

 

CMYK 81 / 71 / 0 / 8

HEX #2D43EB

RGB 45 67 235

HSL 233.05, 0.83%, 0.55%

LAB 38.85, 51.17, -85.67

 

CMYK 0 / 58 / 82 / 8

HEX #EB622B

RGB 235 98 43

HSL 17.19, 0.83%, 0.55%

LAB 58.58, 50.3, 55.3

 

CMYK 81 / 0 / 58 / 8

HEX #2DEB62

RGB 45 235 98

HSL 136.74, 0.83%, 0.55%

LAB 82.3, -72.31, 52.91

 

CMYK 58 / 81 / 0 / 8

HEX #622DEB

RGB 98 45 235

HSL 256.74, 0.83%, 0.55%

LAB 38.68, 66.46, -85.84

 

CMYK 0 / 58 / 82 / 8

HEX #EB622B

RGB 235 98 43

HSL 17.19, 0.83%, 0.55%

LAB 58.58, 50.3, 55.3

 

CMYK 39 / 0 / 81 / 8

HEX #8FEB2D

RGB 143 235 45

HSL 89.05, 0.83%, 0.55%

LAB 84.71, -54.76, 75.35

 

CMYK 81 / 23 / 0 / 8

HEX #2DB5EB

RGB 45 181 235

HSL 197.05, 0.83%, 0.55%

LAB 69.19, -17.18, -36.94

 

CMYK 42 / 81 / 0 / 8

HEX #892DEB

RGB 137 45 235

HSL 269.05, 0.83%, 0.55%

LAB 43.05, 71.07, -78.47

 

CMYK 0 / 58 / 82 / 8

HEX #EB622B

RGB 235 98 43

HSL 17.19, 0.83%, 0.55%

LAB 58.58, 50.3, 55.3

 

CMYK 63 / 0 / 81 / 8

HEX #56EB2D

RGB 86 235 45

HSL 107.05, 0.83%, 0.55%

LAB 82.69, -70.39, 72.76

 

CMYK 81 / 23 / 0 / 8

HEX #2DB5EB

RGB 45 181 235

HSL 197.05, 0.83%, 0.55%

LAB 69.19, -17.18, -36.94

 

CMYK 17 / 81 / 0 / 8

HEX #C22DEB

RGB 194 45 235

HSL 287.05, 0.83%, 0.55%

LAB 51.09, 79.76, -65.04

 

Description

Color code: RGB 235 98 43 | qconv.com Color code: RGB 235 98 43 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 98 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 98 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 82 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 82% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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