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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 35 37 it is the complementary color RGB 20 220 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 35 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 235 35 37: RGB 240 35 32, RGB 255 53 51, RGB 255 71 70, RGB 255 89 89 and RGB 255 107 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 35 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 235 35 37: RGB 235 35 37, RGB 218 17 18, RGB 201 0 0, RGB 184 0 0 and RGB 167 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 84 / 8

HEX #EB2325

RGB 235 35 37

HSL 359.4, 0.83%, 0.53%

LAB 50.68, 71.62, 51.01

 

Complementary color

CMYK 91 / 0 / 1 / 14

HEX #14DCDA

RGB 20 220 218

HSL 179.4, 0.83%, 0.47%

LAB 79.84, -43.03, -11.53

 

CMYK 0 / 85 / 87 / 6

HEX #F02320

RGB 240 35 32

HSL 0.87, 0.87%, 0.53%

LAB 51.65, 72.83, 54.56

 

CMYK 0 / 79 / 80 / 0

HEX #FF3533

RGB 255 53 51

HSL 0.59, 1%, 0.6%

LAB 56.13, 73.25, 50.43

 

CMYK 0 / 72 / 73 / 0

HEX #FF4746

RGB 255 71 70

HSL 0.32, 1%, 0.64%

LAB 58.23, 68.56, 42.51

 

CMYK 0 / 65 / 65 / 0

HEX #FF5959

RGB 255 89 89

HSL 0, 1%, 0.67%

LAB 60.89, 62.87, 35.07

 

CMYK 0 / 58 / 58 / 0

HEX #FF6B6C

RGB 255 107 108

HSL 359.59, 1%, 0.71%

LAB 64.05, 56.45, 28.37

 

CMYK 0 / 85 / 84 / 8

HEX #EB2325

RGB 235 35 37

HSL 359.4, 0.83%, 0.53%

LAB 50.68, 71.62, 51.01

 

CMYK 0 / 92 / 92 / 15

HEX #DA1112

RGB 218 17 18

HSL 359.7, 0.86%, 0.46%

LAB 46.11, 69.75, 54.36

 

CMYK 0 / 100 / 100 / 21

HEX #C90000

RGB 201 0 0

HSL 0, 1%, 0.39%

LAB 41.87, 66.96, 56.19

 

CMYK 0 / 100 / 100 / 28

HEX #B80000

RGB 184 0 0

HSL 0, 1%, 0.36%

LAB 38.18, 62.69, 52.6

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 85 / 84 / 8

HEX #EB2325

RGB 235 35 37

HSL 359.4, 0.83%, 0.53%

LAB 50.68, 71.62, 51.01

 

CMYK 0 / 72 / 85 / 8

HEX #EA4123

RGB 234 65 35

HSL 9.05, 0.83%, 0.53%

LAB 53.38, 63.14, 54.17

 

CMYK 0 / 58 / 85 / 8

HEX #EA6223

RGB 234 98 35

HSL 18.99, 0.83%, 0.53%

LAB 58.37, 49.73, 58.35

 

CMYK 0 / 44 / 85 / 8

HEX #EA8323

RGB 234 131 35

HSL 28.94, 0.83%, 0.53%

LAB 64.84, 33.45, 63.74

 

CMYK 0 / 30 / 85 / 8

HEX #EAA423

RGB 234 164 35

HSL 38.89, 0.83%, 0.53%

LAB 72.34, 16.04, 69.92

 

CMYK 0 / 85 / 84 / 8

HEX #EB2325

RGB 235 35 37

HSL 359.4, 0.83%, 0.53%

LAB 50.68, 71.62, 51.01

 

CMYK 0 / 84 / 84 / 88

HEX #1F0505

RGB 31 5 5

HSL 0, 0.72%, 0.07%

LAB 3.71, 10.5, 3.7

 

CMYK 0 / 85 / 84 / 68

HEX #520C0D

RGB 82 12 13

HSL 359.14, 0.74%, 0.18%

LAB 15.93, 31.57, 19.04

 

CMYK 0 / 85 / 84 / 48

HEX #851415

RGB 133 20 21

HSL 359.47, 0.74%, 0.3%

LAB 28.22, 45.88, 31.14

 

CMYK 0 / 85 / 84 / 28

HEX #B81B1D

RGB 184 27 29

HSL 359.24, 0.74%, 0.41%

LAB 39.69, 59.24, 41.34

 

CMYK 0 / 85 / 84 / 8

HEX #EB2325

RGB 235 35 37

HSL 359.4, 0.83%, 0.53%

LAB 50.68, 71.62, 51.01

 

CMYK 15 / 0 / 85 / 8

HEX #C6EA23

RGB 198 234 35

HSL 70.85, 0.83%, 0.53%

LAB 87.47, -34.42, 81.21

 

CMYK 85 / 50 / 0 / 8

HEX #2376EA

RGB 35 118 234

HSL 214.97, 0.83%, 0.53%

LAB 50.98, 18.38, -65.28

 

CMYK 0 / 85 / 84 / 8

HEX #EB2325

RGB 235 35 37

HSL 359.4, 0.83%, 0.53%

LAB 50.68, 71.62, 51.01

 

CMYK 84 / 0 / 85 / 8

HEX #26EA23

RGB 38 234 35

HSL 119.1, 0.83%, 0.53%

LAB 81.5, -77.85, 73.72

 

CMYK 85 / 84 / 0 / 8

HEX #2326EA

RGB 35 38 234

HSL 239.1, 0.83%, 0.53%

LAB 33.32, 64.87, -94.28

 

CMYK 0 / 85 / 84 / 8

HEX #EB2325

RGB 235 35 37

HSL 359.4, 0.83%, 0.53%

LAB 50.68, 71.62, 51.01

 

CMYK 15 / 0 / 85 / 8

HEX #C6EA23

RGB 198 234 35

HSL 70.85, 0.83%, 0.53%

LAB 87.47, -34.42, 81.21

 

CMYK 85 / 0 / 1 / 8

HEX #23EAE7

RGB 35 234 231

HSL 179.1, 0.83%, 0.53%

LAB 84.47, -44.69, -11.5

 

CMYK 69 / 85 / 0 / 8

HEX #4823EA

RGB 72 35 234

HSL 251.16, 0.83%, 0.53%

LAB 35.04, 67.78, -91.35

 

CMYK 0 / 85 / 84 / 8

HEX #EB2325

RGB 235 35 37

HSL 359.4, 0.83%, 0.53%

LAB 50.68, 71.62, 51.01

 

CMYK 41 / 0 / 85 / 8

HEX #8AEA23

RGB 138 234 35

HSL 88.94, 0.83%, 0.53%

LAB 84.16, -56.38, 77.08

 

CMYK 85 / 0 / 1 / 8

HEX #23EAE7

RGB 35 234 231

HSL 179.1, 0.83%, 0.53%

LAB 84.47, -44.69, -11.5

 

CMYK 44 / 85 / 0 / 8

HEX #8323EA

RGB 131 35 234

HSL 268.94, 0.83%, 0.53%

LAB 41.17, 73.15, -81.04

 

Description

Color code: RGB 235 35 37 | qconv.com Color code: RGB 235 35 37 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 35 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 35 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 84 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 84% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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