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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 96 46 it is the complementary color RGB 21 159 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 96 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 234 96 46: RGB 239 96 41, RGB 255 114 60, RGB 255 132 79, RGB 255 150 98 and RGB 255 168 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 96 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 234 96 46: RGB 234 96 46, RGB 217 78 27, RGB 200 60 8, RGB 183 42 0 and RGB 166 24 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 80 / 8

HEX #EA602E

RGB 234 96 46

HSL 15.96, 0.82%, 0.55%

LAB 58.09, 50.94, 53.46

 

Complementary color

CMYK 90 / 24 / 0 / 18

HEX #159FD1

RGB 21 159 209

HSL 195.96, 0.82%, 0.45%

LAB 61.27, -16.09, -34.96

 

CMYK 0 / 60 / 83 / 6

HEX #EF6029

RGB 239 96 41

HSL 16.67, 0.86%, 0.55%

LAB 58.86, 52.58, 56.66

 

CMYK 0 / 55 / 76 / 0

HEX #FF723C

RGB 255 114 60

HSL 16.62, 1%, 0.62%

LAB 64.66, 50.7, 54.51

 

CMYK 0 / 48 / 69 / 0

HEX #FF844F

RGB 255 132 79

HSL 18.07, 1%, 0.65%

LAB 68.26, 42.85, 49.09

 

CMYK 0 / 41 / 62 / 0

HEX #FF9662

RGB 255 150 98

HSL 19.87, 1%, 0.69%

LAB 72.2, 34.85, 44

 

CMYK 0 / 34 / 54 / 0

HEX #FFA875

RGB 255 168 117

HSL 22.17, 1%, 0.73%

LAB 76.41, 26.9, 39.34

 

CMYK 0 / 59 / 80 / 8

HEX #EA602E

RGB 234 96 46

HSL 15.96, 0.82%, 0.55%

LAB 58.09, 50.94, 53.46

 

CMYK 0 / 64 / 88 / 15

HEX #D94E1B

RGB 217 78 27

HSL 16.11, 0.78%, 0.48%

LAB 52.15, 52.39, 55.22

 

CMYK 0 / 70 / 96 / 22

HEX #C83C08

RGB 200 60 8

HSL 16.25, 0.92%, 0.41%

LAB 46.35, 53.64, 55.77

 

CMYK 0 / 77 / 100 / 28

HEX #B72A00

RGB 183 42 0

HSL 13.77, 1%, 0.36%

LAB 40.77, 54.44, 53.5

 

CMYK 0 / 86 / 100 / 35

HEX #A61800

RGB 166 24 0

HSL 8.67, 1%, 0.33%

LAB 35.52, 54.32, 49.15

 

CMYK 0 / 59 / 80 / 8

HEX #EA602E

RGB 234 96 46

HSL 15.96, 0.82%, 0.55%

LAB 58.09, 50.94, 53.46

 

CMYK 0 / 47 / 80 / 8

HEX #EA7C2E

RGB 234 124 46

HSL 24.89, 0.82%, 0.55%

LAB 63.43, 37.36, 58.43

 

CMYK 0 / 34 / 80 / 8

HEX #EA9B2E

RGB 234 155 46

HSL 34.79, 0.82%, 0.55%

LAB 70.27, 21.13, 64.65

 

CMYK 0 / 20 / 80 / 8

HEX #EABB2E

RGB 234 187 46

HSL 45, 0.82%, 0.55%

LAB 78.01, 4.23, 71.53

 

CMYK 0 / 7 / 80 / 8

HEX #EADA2E

RGB 234 218 46

HSL 54.89, 0.82%, 0.55%

LAB 85.92, -11.61, 78.42

 

CMYK 0 / 59 / 80 / 8

HEX #EA602E

RGB 234 96 46

HSL 15.96, 0.82%, 0.55%

LAB 58.09, 50.94, 53.46

 

CMYK 0 / 60 / 80 / 88

HEX #1E0C06

RGB 30 12 6

HSL 15, 0.67%, 0.07%

LAB 4.99, 7.17, 5.14

 

CMYK 0 / 59 / 80 / 68

HEX #512110

RGB 81 33 16

HSL 15.69, 0.67%, 0.19%

LAB 19.53, 21.2, 21.77

 

CMYK 0 / 59 / 80 / 48

HEX #84361A

RGB 132 54 26

HSL 15.85, 0.67%, 0.31%

LAB 33.18, 31.86, 33.21

 

CMYK 0 / 59 / 80 / 28

HEX #B74B24

RGB 183 75 36

HSL 15.92, 0.67%, 0.43%

LAB 45.94, 41.68, 43.64

 

CMYK 0 / 59 / 80 / 8

HEX #EA602E

RGB 234 96 46

HSL 15.96, 0.82%, 0.55%

LAB 58.09, 50.94, 53.46

 

CMYK 36 / 0 / 80 / 8

HEX #95EA2E

RGB 149 234 46

HSL 87.13, 0.82%, 0.55%

LAB 84.71, -52.3, 75.19

 

CMYK 80 / 68 / 0 / 8

HEX #2E4AEA

RGB 46 74 234

HSL 231.06, 0.82%, 0.55%

LAB 40.28, 46.81, -82.74

 

CMYK 0 / 59 / 80 / 8

HEX #EA602E

RGB 234 96 46

HSL 15.96, 0.82%, 0.55%

LAB 58.09, 50.94, 53.46

 

CMYK 80 / 0 / 60 / 8

HEX #2EEA5D

RGB 46 234 93

HSL 135, 0.82%, 0.55%

LAB 81.96, -72.5, 54.7

 

CMYK 60 / 80 / 0 / 8

HEX #5D2EEA

RGB 93 46 234

HSL 255, 0.82%, 0.55%

LAB 38.24, 65.3, -86.01

 

CMYK 0 / 59 / 80 / 8

HEX #EA602E

RGB 234 96 46

HSL 15.96, 0.82%, 0.55%

LAB 58.09, 50.94, 53.46

 

CMYK 36 / 0 / 80 / 8

HEX #95EA2E

RGB 149 234 46

HSL 87.13, 0.82%, 0.55%

LAB 84.71, -52.3, 75.19

 

CMYK 80 / 20 / 0 / 8

HEX #2EBBEA

RGB 46 187 234

HSL 195, 0.82%, 0.55%

LAB 70.91, -20.57, -33.71

 

CMYK 44 / 80 / 0 / 8

HEX #822EEA

RGB 130 46 234

HSL 266.81, 0.82%, 0.55%

LAB 42.22, 69.57, -79.31

 

CMYK 0 / 59 / 80 / 8

HEX #EA602E

RGB 234 96 46

HSL 15.96, 0.82%, 0.55%

LAB 58.09, 50.94, 53.46

 

CMYK 60 / 0 / 80 / 8

HEX #5DEA2E

RGB 93 234 46

HSL 105, 0.82%, 0.55%

LAB 82.58, -68.48, 72.46

 

CMYK 80 / 20 / 0 / 8

HEX #2EBBEA

RGB 46 187 234

HSL 195, 0.82%, 0.55%

LAB 70.91, -20.57, -33.71

 

CMYK 20 / 80 / 0 / 8

HEX #BB2EEA

RGB 187 46 234

HSL 285, 0.82%, 0.55%

LAB 50.05, 78.15, -66.21

 

Description

Color code: RGB 234 96 46 | qconv.com Color code: RGB 234 96 46 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 96 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 96 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 80 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 80% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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