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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 80 54 it is the complementary color RGB 21 175 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 80 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 234 80 54: RGB 239 80 49, RGB 255 98 68, RGB 255 116 87, RGB 255 134 106 and RGB 255 152 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 80 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 234 80 54: RGB 234 80 54, RGB 217 62 35, RGB 200 44 16, RGB 183 26 0 and RGB 166 8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 77 / 8

HEX #EA5036

RGB 234 80 54

HSL 8.67, 0.81%, 0.56%

LAB 55.58, 58.08, 47.09

 

Complementary color

CMYK 90 / 13 / 0 / 21

HEX #15AFC9

RGB 21 175 201

HSL 188.67, 0.81%, 0.44%

LAB 65.78, -27.16, -23.56

 

CMYK 0 / 67 / 79 / 6

HEX #EF5031

RGB 239 80 49

HSL 9.79, 0.86%, 0.56%

LAB 56.4, 59.55, 50.7

 

CMYK 0 / 62 / 73 / 0

HEX #FF6244

RGB 255 98 68

HSL 9.63, 1%, 0.63%

LAB 62.01, 58.16, 47.76

 

CMYK 0 / 55 / 66 / 0

HEX #FF7457

RGB 255 116 87

HSL 10.36, 1%, 0.67%

LAB 65.31, 51.01, 41.53

 

CMYK 0 / 47 / 58 / 0

HEX #FF866A

RGB 255 134 106

HSL 11.28, 1%, 0.71%

LAB 69, 43.5, 35.84

 

CMYK 0 / 40 / 51 / 0

HEX #FF987D

RGB 255 152 125

HSL 12.46, 1%, 0.75%

LAB 73.02, 35.88, 30.75

 

CMYK 0 / 66 / 77 / 8

HEX #EA5036

RGB 234 80 54

HSL 8.67, 0.81%, 0.56%

LAB 55.58, 58.08, 47.09

 

CMYK 0 / 71 / 84 / 15

HEX #D93E23

RGB 217 62 35

HSL 8.9, 0.72%, 0.49%

LAB 49.88, 58.88, 49.93

 

CMYK 0 / 78 / 92 / 22

HEX #C82C10

RGB 200 44 16

HSL 9.13, 0.85%, 0.42%

LAB 44.4, 59.21, 52.2

 

CMYK 0 / 86 / 100 / 28

HEX #B71A00

RGB 183 26 0

HSL 8.52, 1%, 0.36%

LAB 39.25, 58.73, 52.87

 

CMYK 0 / 95 / 100 / 35

HEX #A60800

RGB 166 8 0

HSL 2.89, 1%, 0.33%

LAB 34.56, 57.06, 48.65

 

CMYK 0 / 66 / 77 / 8

HEX #EA5036

RGB 234 80 54

HSL 8.67, 0.81%, 0.56%

LAB 55.58, 58.08, 47.09

 

CMYK 0 / 55 / 78 / 9

HEX #E96A33

RGB 233 106 51

HSL 18.13, 0.81%, 0.56%

LAB 59.77, 46.07, 52.73

 

CMYK 0 / 42 / 78 / 9

HEX #E98833

RGB 233 136 51

HSL 28.02, 0.81%, 0.56%

LAB 65.88, 30.92, 58.63

 

CMYK 0 / 28 / 78 / 9

HEX #E9A733

RGB 233 167 51

HSL 38.24, 0.81%, 0.56%

LAB 73.02, 14.51, 65.33

 

CMYK 0 / 15 / 78 / 9

HEX #E9C533

RGB 233 197 51

HSL 48.13, 0.81%, 0.56%

LAB 80.46, -1.22, 72.11

 

CMYK 0 / 66 / 77 / 8

HEX #EA5036

RGB 234 80 54

HSL 8.67, 0.81%, 0.56%

LAB 55.58, 58.08, 47.09

 

CMYK 0 / 67 / 77 / 88

HEX #1E0A07

RGB 30 10 7

HSL 7.83, 0.62%, 0.07%

LAB 4.59, 8.15, 4.15

 

CMYK 0 / 65 / 77 / 68

HEX #511C13

RGB 81 28 19

HSL 8.71, 0.62%, 0.2%

LAB 18.48, 24.21, 18.76

 

CMYK 0 / 66 / 77 / 48

HEX #842D1E

RGB 132 45 30

HSL 8.82, 0.63%, 0.32%

LAB 31.52, 36.5, 29.24

 

CMYK 0 / 66 / 77 / 28

HEX #B73F2A

RGB 183 63 42

HSL 8.94, 0.63%, 0.44%

LAB 43.93, 47.39, 38.5

 

CMYK 0 / 66 / 77 / 8

HEX #EA5036

RGB 234 80 54

HSL 8.67, 0.81%, 0.56%

LAB 55.58, 58.08, 47.09

 

CMYK 26 / 0 / 78 / 9

HEX #ADE933

RGB 173 233 51

HSL 79.78, 0.81%, 0.56%

LAB 85.71, -43.08, 75.22

 

CMYK 78 / 57 / 0 / 9

HEX #3364E9

RGB 51 100 233

HSL 223.85, 0.81%, 0.56%

LAB 46.58, 30.75, -71.84

 

CMYK 0 / 66 / 77 / 8

HEX #EA5036

RGB 234 80 54

HSL 8.67, 0.81%, 0.56%

LAB 55.58, 58.08, 47.09

 

CMYK 78 / 0 / 67 / 9

HEX #33E94C

RGB 51 233 76

HSL 128.24, 0.81%, 0.56%

LAB 81.57, -73.41, 61.28

 

CMYK 67 / 78 / 0 / 9

HEX #4C33E9

RGB 76 51 233

HSL 248.24, 0.81%, 0.56%

LAB 37.46, 61.27, -86.77

 

CMYK 0 / 66 / 77 / 8

HEX #EA5036

RGB 234 80 54

HSL 8.67, 0.81%, 0.56%

LAB 55.58, 58.08, 47.09

 

CMYK 26 / 0 / 78 / 9

HEX #ADE933

RGB 173 233 51

HSL 79.78, 0.81%, 0.56%

LAB 85.71, -43.08, 75.22

 

CMYK 78 / 10 / 0 / 9

HEX #33D1E9

RGB 51 209 233

HSL 187.91, 0.81%, 0.56%

LAB 77.39, -31.41, -23.22

 

CMYK 52 / 78 / 0 / 9

HEX #7033E9

RGB 112 51 233

HSL 260.11, 0.81%, 0.56%

LAB 40.73, 65.12, -81.27

 

CMYK 0 / 66 / 77 / 8

HEX #EA5036

RGB 234 80 54

HSL 8.67, 0.81%, 0.56%

LAB 55.58, 58.08, 47.09

 

CMYK 49 / 0 / 78 / 9

HEX #76E933

RGB 118 233 51

HSL 97.91, 0.81%, 0.56%

LAB 83.11, -61.43, 71.87

 

CMYK 78 / 10 / 0 / 9

HEX #33D1E9

RGB 51 209 233

HSL 187.91, 0.81%, 0.56%

LAB 77.39, -31.41, -23.22

 

CMYK 28 / 78 / 0 / 9

HEX #A733E9

RGB 167 51 233

HSL 278.24, 0.81%, 0.56%

LAB 47.58, 73.16, -69.78

 

Description

Color code: RGB 234 80 54 | qconv.com Color code: RGB 234 80 54 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 80 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 80 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 77 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 77% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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