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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 200 253 it is the complementary color RGB 21 55 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 200 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 234 200 253: RGB 239 200 248, RGB 255 218 255, RGB 255 236 255, RGB 255 254 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 200 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 234 200 253: RGB 234 200 253, RGB 217 182 234, RGB 200 164 215, RGB 183 146 196 and RGB 166 128 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 21 / 0 / 1

HEX #EAC8FD

RGB 234 200 253

HSL 278.49, 0.93%, 0.89%

LAB 84.94, 21.36, -21.55

 

Complementary color

CMYK 62 / 0 / 96 / 78

HEX #153702

RGB 21 55 2

HSL 98.49, 0.93%, 0.11%

LAB 19.62, -23.14, 26.29

 

CMYK 4 / 19 / 0 / 3

HEX #EFC8F8

RGB 239 200 248

HSL 288.75, 0.77%, 0.88%

LAB 85.22, 22.01, -18.44

 

CMYK 0 / 15 / 0 / 0

HEX #FFDAFF

RGB 255 218 255

HSL 300, 1%, 0.93%

LAB 91.06, 19.03, -13.21

 

CMYK 0 / 7 / 0 / 0

HEX #FFECFF

RGB 255 236 255

HSL 300, 1%, 0.96%

LAB 95.36, 9.69, -6.83

 

CMYK 0 / 0 / 0 / 0

HEX #FFFEFF

RGB 255 254 255

HSL 300, 1%, 1%

LAB 99.75, 0.51, -0.37

 

CMYK 8 / 21 / 0 / 1

HEX #EAC8FD

RGB 234 200 253

HSL 278.49, 0.93%, 0.89%

LAB 84.94, 21.36, -21.55

 

CMYK 7 / 22 / 0 / 8

HEX #D9B6EA

RGB 217 182 234

HSL 280.38, 0.55%, 0.82%

LAB 78.55, 21.85, -21.23

 

CMYK 7 / 24 / 0 / 16

HEX #C8A4D7

RGB 200 164 215

HSL 282.35, 0.39%, 0.74%

LAB 72.05, 22.36, -20.91

 

CMYK 7 / 26 / 0 / 23

HEX #B792C4

RGB 183 146 196

HSL 284.4, 0.3%, 0.67%

LAB 65.44, 22.93, -20.59

 

CMYK 6 / 28 / 0 / 31

HEX #A680B1

RGB 166 128 177

HSL 286.53, 0.24%, 0.6%

LAB 58.71, 23.53, -20.27

 

CMYK 8 / 21 / 0 / 1

HEX #EAC8FD

RGB 234 200 253

HSL 278.49, 0.93%, 0.89%

LAB 84.94, 21.36, -21.55

 

CMYK 4 / 21 / 0 / 1

HEX #F2C8FD

RGB 242 200 253

HSL 287.55, 0.93%, 0.89%

LAB 85.64, 23.92, -20.42

 

CMYK 1 / 21 / 0 / 1

HEX #FBC8FD

RGB 251 200 253

HSL 297.74, 0.93%, 0.89%

LAB 86.46, 26.82, -19.11

 

CMYK 0 / 21 / 3 / 1

HEX #FDC8F6

RGB 253 200 246

HSL 307.92, 0.93%, 0.89%

LAB 86.43, 26.21, -15.43

 

CMYK 0 / 21 / 6 / 1

HEX #FDC8ED

RGB 253 200 237

HSL 318.11, 0.93%, 0.89%

LAB 86.16, 24.65, -11.06

 

CMYK 8 / 21 / 0 / 1

HEX #EAC8FD

RGB 234 200 253

HSL 278.49, 0.93%, 0.89%

LAB 84.94, 21.36, -21.55

 

CMYK 8 / 20 / 0 / 81

HEX #2D2731

RGB 45 39 49

HSL 276, 0.11%, 0.17%

LAB 16.65, 5.16, -5.5

 

CMYK 8 / 21 / 0 / 61

HEX #5C4F64

RGB 92 79 100

HSL 277.14, 0.12%, 0.35%

LAB 35.57, 9.83, -10.2

 

CMYK 7 / 21 / 0 / 41

HEX #8C7797

RGB 140 119 151

HSL 279.38, 0.13%, 0.53%

LAB 52.95, 14.36, -14.25

 

CMYK 7 / 21 / 0 / 21

HEX #BBA0CA

RGB 187 160 202

HSL 278.57, 0.28%, 0.71%

LAB 69.45, 17.67, -17.81

 

CMYK 8 / 21 / 0 / 1

HEX #EAC8FD

RGB 234 200 253

HSL 278.49, 0.93%, 0.89%

LAB 84.94, 21.36, -21.55

 

CMYK 0 / 21 / 17 / 1

HEX #FDC8D1

RGB 253 200 209

HSL 349.81, 0.93%, 0.89%

LAB 85.4, 20.14, 2.72

 

CMYK 21 / 0 / 16 / 1

HEX #C8FDD5

RGB 200 253 213

HSL 134.72, 0.93%, 0.89%

LAB 94.88, -24.35, 13.71

 

CMYK 8 / 21 / 0 / 1

HEX #EAC8FD

RGB 234 200 253

HSL 278.49, 0.93%, 0.89%

LAB 84.94, 21.36, -21.55

 

CMYK 0 / 8 / 21 / 1

HEX #FDE9C8

RGB 253 233 200

HSL 37.36, 0.93%, 0.89%

LAB 93.16, 1.71, 18.51

 

CMYK 21 / 0 / 8 / 1

HEX #C8FDE9

RGB 200 253 233

HSL 157.36, 0.93%, 0.89%

LAB 95.33, -20.64, 4.07

 

CMYK 8 / 21 / 0 / 1

HEX #EAC8FD

RGB 234 200 253

HSL 278.49, 0.93%, 0.89%

LAB 84.94, 21.36, -21.55

 

CMYK 0 / 21 / 17 / 1

HEX #FDC8D1

RGB 253 200 209

HSL 349.81, 0.93%, 0.89%

LAB 85.4, 20.14, 2.72

 

CMYK 13 / 0 / 21 / 1

HEX #DBFDC8

RGB 219 253 200

HSL 98.49, 0.93%, 0.89%

LAB 95.78, -20.26, 21.79

 

CMYK 21 / 0 / 4 / 1

HEX #C8FDF4

RGB 200 253 244

HSL 169.81, 0.93%, 0.89%

LAB 95.61, -18.46, -1.21

 

CMYK 8 / 21 / 0 / 1

HEX #EAC8FD

RGB 234 200 253

HSL 278.49, 0.93%, 0.89%

LAB 84.94, 21.36, -21.55

 

CMYK 0 / 18 / 21 / 1

HEX #FDCFC8

RGB 253 207 200

HSL 7.92, 0.93%, 0.89%

LAB 86.84, 15.14, 9.57

 

CMYK 13 / 0 / 21 / 1

HEX #DBFDC8

RGB 219 253 200

HSL 98.49, 0.93%, 0.89%

LAB 95.78, -20.26, 21.79

 

CMYK 21 / 3 / 0 / 1

HEX #C8F6FD

RGB 200 246 253

HSL 187.92, 0.93%, 0.89%

LAB 94, -13.14, -8.22

 

Description

Color code: RGB 234 200 253 | qconv.com Color code: RGB 234 200 253 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 200 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 200 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 21 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 21% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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