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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 138 123 it is the complementary color RGB 21 117 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 138 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 234 138 123: RGB 239 138 118, RGB 255 156 137, RGB 255 174 156, RGB 255 192 175 and RGB 255 210 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 138 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 234 138 123: RGB 234 138 123, RGB 217 120 104, RGB 200 102 85, RGB 183 84 66 and RGB 166 66 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 47 / 8

HEX #EA8A7B

RGB 234 138 123

HSL 8.11, 0.73%, 0.7%

LAB 67.35, 34.98, 23.84

 

Complementary color

CMYK 84 / 11 / 0 / 48

HEX #157584

RGB 21 117 132

HSL 188.11, 0.73%, 0.3%

LAB 45.01, -20.53, -15.74

 

CMYK 0 / 42 / 51 / 6

HEX #EF8A76

RGB 239 138 118

HSL 9.92, 0.79%, 0.7%

LAB 67.9, 36.41, 27.45

 

CMYK 0 / 39 / 46 / 0

HEX #FF9C89

RGB 255 156 137

HSL 9.66, 1%, 0.77%

LAB 74.09, 34.91, 25.66

 

CMYK 0 / 32 / 39 / 0

HEX #FFAE9C

RGB 255 174 156

HSL 10.91, 1%, 0.81%

LAB 78.42, 27.52, 21.28

 

CMYK 0 / 25 / 31 / 0

HEX #FFC0AF

RGB 255 192 175

HSL 12.75, 1%, 0.84%

LAB 82.94, 20.34, 17.37

 

CMYK 0 / 18 / 24 / 0

HEX #FFD2C2

RGB 255 210 194

HSL 15.74, 1%, 0.88%

LAB 87.61, 13.45, 13.86

 

CMYK 0 / 41 / 47 / 8

HEX #EA8A7B

RGB 234 138 123

HSL 8.11, 0.73%, 0.7%

LAB 67.35, 34.98, 23.84

 

CMYK 0 / 45 / 52 / 15

HEX #D97868

RGB 217 120 104

HSL 8.5, 0.6%, 0.63%

LAB 60.94, 36.14, 25.53

 

CMYK 0 / 49 / 58 / 22

HEX #C86655

RGB 200 102 85

HSL 8.87, 0.51%, 0.56%

LAB 54.49, 37.4, 27.45

 

CMYK 0 / 54 / 64 / 28

HEX #B75442

RGB 183 84 66

HSL 9.23, 0.47%, 0.49%

LAB 48.01, 38.73, 29.67

 

CMYK 0 / 60 / 72 / 35

HEX #A6422F

RGB 166 66 47

HSL 9.58, 0.56%, 0.42%

LAB 41.55, 40.08, 32.25

 

CMYK 0 / 41 / 47 / 8

HEX #EA8A7B

RGB 234 138 123

HSL 8.11, 0.73%, 0.7%

LAB 67.35, 34.98, 23.84

 

CMYK 0 / 33 / 48 / 8

HEX #EA9C7A

RGB 234 156 122

HSL 18.21, 0.73%, 0.7%

LAB 71.33, 25.39, 29.68

 

CMYK 0 / 26 / 48 / 8

HEX #EAAE7A

RGB 234 174 122

HSL 27.86, 0.73%, 0.7%

LAB 75.56, 15.81, 35.17

 

CMYK 0 / 18 / 48 / 8

HEX #EAC17A

RGB 234 193 122

HSL 38.04, 0.73%, 0.7%

LAB 80.2, 5.79, 41.08

 

CMYK 0 / 9 / 48 / 8

HEX #EAD47A

RGB 234 212 122

HSL 48.21, 0.73%, 0.7%

LAB 84.99, -4.04, 47.03

 

CMYK 0 / 41 / 47 / 8

HEX #EA8A7B

RGB 234 138 123

HSL 8.11, 0.73%, 0.7%

LAB 67.35, 34.98, 23.84

 

CMYK 0 / 40 / 47 / 88

HEX #1E1210

RGB 30 18 16

HSL 8.57, 0.3%, 0.09%

LAB 6.74, 5.58, 3.18

 

CMYK 0 / 41 / 47 / 68

HEX #51302B

RGB 81 48 43

HSL 7.89, 0.31%, 0.24%

LAB 23.8, 14.38, 9.53

 

CMYK 0 / 41 / 48 / 48

HEX #844E45

RGB 132 78 69

HSL 8.57, 0.31%, 0.39%

LAB 39.21, 21.68, 15.04

 

CMYK 0 / 41 / 48 / 28

HEX #B76C60

RGB 183 108 96

HSL 8.28, 0.38%, 0.55%

LAB 53.64, 28.52, 19.56

 

CMYK 0 / 41 / 47 / 8

HEX #EA8A7B

RGB 234 138 123

HSL 8.11, 0.73%, 0.7%

LAB 67.35, 34.98, 23.84

 

CMYK 16 / 0 / 48 / 8

HEX #C5EA7A

RGB 197 234 122

HSL 79.82, 0.73%, 0.7%

LAB 88.03, -29.32, 50.11

 

CMYK 48 / 35 / 0 / 8

HEX #7A98EA

RGB 122 152 234

HSL 223.93, 0.73%, 0.7%

LAB 63.78, 11.41, -44.65

 

CMYK 0 / 41 / 47 / 8

HEX #EA8A7B

RGB 234 138 123

HSL 8.11, 0.73%, 0.7%

LAB 67.35, 34.98, 23.84

 

CMYK 48 / 0 / 41 / 8

HEX #7AEA89

RGB 122 234 137

HSL 128.04, 0.73%, 0.7%

LAB 84.38, -51.92, 37.43

 

CMYK 41 / 48 / 0 / 8

HEX #897AEA

RGB 137 122 234

HSL 248.04, 0.73%, 0.7%

LAB 57.25, 32.57, -54.94

 

CMYK 0 / 41 / 47 / 8

HEX #EA8A7B

RGB 234 138 123

HSL 8.11, 0.73%, 0.7%

LAB 67.35, 34.98, 23.84

 

CMYK 16 / 0 / 48 / 8

HEX #C5EA7A

RGB 197 234 122

HSL 79.82, 0.73%, 0.7%

LAB 88.03, -29.32, 50.11

 

CMYK 48 / 6 / 0 / 8

HEX #7ADBEA

RGB 122 219 234

HSL 188.04, 0.73%, 0.7%

LAB 82.24, -24.7, -16.23

 

CMYK 32 / 48 / 0 / 8

HEX #9F7AEA

RGB 159 122 234

HSL 259.82, 0.73%, 0.7%

LAB 59.19, 38.05, -51.73

 

CMYK 0 / 41 / 47 / 8

HEX #EA8A7B

RGB 234 138 123

HSL 8.11, 0.73%, 0.7%

LAB 67.35, 34.98, 23.84

 

CMYK 30 / 0 / 48 / 8

HEX #A3EA7A

RGB 163 234 122

HSL 98.04, 0.73%, 0.7%

LAB 86.03, -41.48, 47.21

 

CMYK 48 / 6 / 0 / 8

HEX #7ADBEA

RGB 122 219 234

HSL 188.04, 0.73%, 0.7%

LAB 82.24, -24.7, -16.23

 

CMYK 18 / 48 / 0 / 8

HEX #C17AEA

RGB 193 122 234

HSL 278.04, 0.73%, 0.7%

LAB 62.67, 47.1, -45.99

 

Description

Color code: RGB 234 138 123 | qconv.com Color code: RGB 234 138 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 138 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 138 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 47 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 47% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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