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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 126 64 it is the complementary color RGB 21 129 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 126 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 234 126 64: RGB 239 126 59, RGB 255 144 78, RGB 255 162 97, RGB 255 180 116 and RGB 255 198 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 126 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 234 126 64: RGB 234 126 64, RGB 217 108 45, RGB 200 90 26, RGB 183 72 7 and RGB 166 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 73 / 8

HEX #EA7E40

RGB 234 126 64

HSL 21.88, 0.8%, 0.58%

LAB 63.99, 37.03, 50.95

 

Complementary color

CMYK 89 / 32 / 0 / 25

HEX #1581BF

RGB 21 129 191

HSL 201.88, 0.8%, 0.42%

LAB 51.41, -5.75, -40.26

 

CMYK 0 / 47 / 75 / 6

HEX #EF7E3B

RGB 239 126 59

HSL 22.33, 0.85%, 0.58%

LAB 64.63, 38.78, 54.19

 

CMYK 0 / 44 / 69 / 0

HEX #FF904E

RGB 255 144 78

HSL 22.37, 1%, 0.65%

LAB 70.7, 36.76, 52.3

 

CMYK 0 / 36 / 62 / 0

HEX #FFA261

RGB 255 162 97

HSL 24.68, 1%, 0.69%

LAB 74.8, 28.57, 47.61

 

CMYK 0 / 29 / 55 / 0

HEX #FFB474

RGB 255 180 116

HSL 27.63, 1%, 0.73%

LAB 79.14, 20.55, 43.26

 

CMYK 0 / 22 / 47 / 0

HEX #FFC687

RGB 255 198 135

HSL 31.5, 1%, 0.76%

LAB 83.65, 12.8, 39.27

 

CMYK 0 / 46 / 73 / 8

HEX #EA7E40

RGB 234 126 64

HSL 21.88, 0.8%, 0.58%

LAB 63.99, 37.03, 50.95

 

CMYK 0 / 50 / 79 / 15

HEX #D96C2D

RGB 217 108 45

HSL 21.98, 0.69%, 0.51%

LAB 57.72, 38.75, 52.63

 

CMYK 0 / 55 / 87 / 22

HEX #C85A1A

RGB 200 90 26

HSL 22.07, 0.77%, 0.44%

LAB 51.46, 40.58, 53.85

 

CMYK 0 / 61 / 96 / 28

HEX #B74807

RGB 183 72 7

HSL 22.16, 0.93%, 0.37%

LAB 45.24, 42.47, 53.83

 

CMYK 0 / 67 / 100 / 35

HEX #A63600

RGB 166 54 0

HSL 19.52, 1%, 0.33%

LAB 39.15, 44.25, 50.88

 

CMYK 0 / 46 / 73 / 8

HEX #EA7E40

RGB 234 126 64

HSL 21.88, 0.8%, 0.58%

LAB 63.99, 37.03, 50.95

 

CMYK 0 / 36 / 73 / 9

HEX #E9963E

RGB 233 150 62

HSL 30.88, 0.8%, 0.58%

LAB 69.1, 23.98, 57.14

 

CMYK 0 / 23 / 73 / 9

HEX #E9B33E

RGB 233 179 62

HSL 41.05, 0.8%, 0.58%

LAB 76.01, 8.6, 64.04

 

CMYK 0 / 11 / 73 / 9

HEX #E9CF3E

RGB 233 207 62

HSL 50.88, 0.8%, 0.58%

LAB 83.07, -5.91, 70.86

 

CMYK 1 / 0 / 73 / 9

HEX #E6E93E

RGB 230 233 62

HSL 61.05, 0.8%, 0.58%

LAB 89.6, -20.06, 76.93

 

CMYK 0 / 46 / 73 / 8

HEX #EA7E40

RGB 234 126 64

HSL 21.88, 0.8%, 0.58%

LAB 63.99, 37.03, 50.95

 

CMYK 0 / 47 / 73 / 88

HEX #1E1008

RGB 30 16 8

HSL 21.82, 0.58%, 0.07%

LAB 6, 5.46, 5.8

 

CMYK 0 / 46 / 73 / 68

HEX #512C16

RGB 81 44 22

HSL 22.37, 0.57%, 0.2%

LAB 22.33, 14.83, 21.32

 

CMYK 0 / 46 / 73 / 48

HEX #844724

RGB 132 71 36

HSL 21.88, 0.57%, 0.33%

LAB 37, 22.98, 31.84

 

CMYK 0 / 46 / 73 / 28

HEX #B76332

RGB 183 99 50

HSL 22.11, 0.57%, 0.46%

LAB 50.95, 29.94, 41.79

 

CMYK 0 / 46 / 73 / 8

HEX #EA7E40

RGB 234 126 64

HSL 21.88, 0.8%, 0.58%

LAB 63.99, 37.03, 50.95

 

CMYK 40 / 0 / 73 / 9

HEX #8BE93E

RGB 139 233 62

HSL 92.98, 0.8%, 0.58%

LAB 84.03, -54.41, 69.65

 

CMYK 73 / 70 / 0 / 9

HEX #3E46E9

RGB 62 70 233

HSL 237.19, 0.8%, 0.58%

LAB 40.06, 50.12, -82.51

 

CMYK 0 / 46 / 73 / 8

HEX #EA7E40

RGB 234 126 64

HSL 21.88, 0.8%, 0.58%

LAB 63.99, 37.03, 50.95

 

CMYK 73 / 0 / 48 / 9

HEX #3EE97A

RGB 62 233 122

HSL 141.05, 0.8%, 0.58%

LAB 82.22, -66.22, 41.7

 

CMYK 48 / 73 / 0 / 9

HEX #7A3EE9

RGB 122 62 233

HSL 261.05, 0.8%, 0.58%

LAB 43.46, 61.74, -76.75

 

CMYK 0 / 46 / 73 / 8

HEX #EA7E40

RGB 234 126 64

HSL 21.88, 0.8%, 0.58%

LAB 63.99, 37.03, 50.95

 

CMYK 40 / 0 / 73 / 9

HEX #8BE93E

RGB 139 233 62

HSL 92.98, 0.8%, 0.58%

LAB 84.03, -54.41, 69.65

 

CMYK 73 / 26 / 0 / 9

HEX #3EADE9

RGB 62 173 233

HSL 201.05, 0.8%, 0.58%

LAB 67.12, -11.77, -39.04

 

CMYK 33 / 73 / 0 / 9

HEX #9C3EE9

RGB 156 62 233

HSL 272.98, 0.8%, 0.58%

LAB 47.49, 67.3, -70

 

CMYK 0 / 46 / 73 / 8

HEX #EA7E40

RGB 234 126 64

HSL 21.88, 0.8%, 0.58%

LAB 63.99, 37.03, 50.95

 

CMYK 63 / 0 / 73 / 9

HEX #57E93E

RGB 87 233 62

HSL 111.23, 0.8%, 0.58%

LAB 82.19, -68.51, 67.22

 

CMYK 73 / 26 / 0 / 9

HEX #3EADE9

RGB 62 173 233

HSL 201.05, 0.8%, 0.58%

LAB 67.12, -11.77, -39.04

 

CMYK 11 / 73 / 0 / 9

HEX #CF3EE9

RGB 207 62 233

HSL 290.88, 0.8%, 0.58%

LAB 54.65, 76.8, -58.08

 

Description

Color code: RGB 234 126 64 | qconv.com Color code: RGB 234 126 64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 126 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 126 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 73 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 73% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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