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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 130 89 it is the complementary color RGB 22 125 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 130 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 233 130 89: RGB 238 130 84, RGB 255 148 103, RGB 255 166 122, RGB 255 184 141 and RGB 255 202 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 130 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 233 130 89: RGB 233 130 89, RGB 216 112 70, RGB 199 94 51, RGB 182 76 32 and RGB 165 58 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 62 / 9

HEX #E98259

RGB 233 130 89

HSL 17.08, 0.77%, 0.63%

LAB 64.97, 35.98, 39.32

 

Complementary color

CMYK 87 / 25 / 0 / 35

HEX #167DA6

RGB 22 125 166

HSL 197.08, 0.77%, 0.37%

LAB 49, -12.7, -29.61

 

CMYK 0 / 45 / 65 / 7

HEX #EE8254

RGB 238 130 84

HSL 17.92, 0.82%, 0.63%

LAB 65.58, 37.61, 42.84

 

CMYK 0 / 42 / 60 / 0

HEX #FF9467

RGB 255 148 103

HSL 17.76, 1%, 0.7%

LAB 71.84, 36.21, 40.97

 

CMYK 0 / 35 / 52 / 0

HEX #FFA67A

RGB 255 166 122

HSL 19.85, 1%, 0.74%

LAB 76.03, 28.36, 36.25

 

CMYK 0 / 28 / 45 / 0

HEX #FFB88D

RGB 255 184 141

HSL 22.63, 1%, 0.78%

LAB 80.44, 20.7, 31.99

 

CMYK 0 / 21 / 37 / 0

HEX #FFCAA0

RGB 255 202 160

HSL 26.53, 1%, 0.81%

LAB 85.02, 13.32, 28.14

 

CMYK 0 / 44 / 62 / 9

HEX #E98259

RGB 233 130 89

HSL 17.08, 0.77%, 0.63%

LAB 64.97, 35.98, 39.32

 

CMYK 0 / 48 / 68 / 15

HEX #D87046

RGB 216 112 70

HSL 17.26, 0.65%, 0.56%

LAB 58.63, 37.45, 41.3

 

CMYK 0 / 53 / 74 / 22

HEX #C75E33

RGB 199 94 51

HSL 17.43, 0.59%, 0.49%

LAB 52.27, 39.03, 43.41

 

CMYK 0 / 58 / 82 / 29

HEX #B64C20

RGB 182 76 32

HSL 17.6, 0.7%, 0.42%

LAB 45.93, 40.68, 45.47

 

CMYK 0 / 65 / 92 / 35

HEX #A53A0D

RGB 165 58 13

HSL 17.76, 0.85%, 0.35%

LAB 39.67, 42.31, 46.87

 

CMYK 0 / 44 / 62 / 9

HEX #E98259

RGB 233 130 89

HSL 17.08, 0.77%, 0.63%

LAB 64.97, 35.98, 39.32

 

CMYK 0 / 34 / 62 / 9

HEX #E99958

RGB 233 153 88

HSL 26.9, 0.77%, 0.63%

LAB 70.04, 23.83, 45.88

 

CMYK 0 / 24 / 62 / 9

HEX #E9B158

RGB 233 177 88

HSL 36.83, 0.77%, 0.63%

LAB 75.74, 11.08, 52.44

 

CMYK 0 / 14 / 62 / 9

HEX #E9C958

RGB 233 201 88

HSL 46.76, 0.77%, 0.63%

LAB 81.73, -1.46, 59.12

 

CMYK 0 / 3 / 62 / 9

HEX #E9E258

RGB 233 226 88

HSL 57.1, 0.77%, 0.63%

LAB 88.17, -14.07, 66.08

 

CMYK 0 / 44 / 62 / 9

HEX #E98259

RGB 233 130 89

HSL 17.08, 0.77%, 0.63%

LAB 64.97, 35.98, 39.32

 

CMYK 0 / 45 / 62 / 89

HEX #1D100B

RGB 29 16 11

HSL 16.67, 0.45%, 0.08%

LAB 5.93, 5.28, 4.44

 

CMYK 0 / 44 / 61 / 69

HEX #502D1F

RGB 80 45 31

HSL 17.14, 0.44%, 0.22%

LAB 22.59, 14.47, 15.87

 

CMYK 0 / 44 / 62 / 49

HEX #834932

RGB 131 73 50

HSL 17.04, 0.45%, 0.35%

LAB 37.52, 22.35, 24.36

 

CMYK 0 / 44 / 62 / 29

HEX #B66646

RGB 182 102 70

HSL 17.14, 0.44%, 0.49%

LAB 51.71, 29.13, 31.92

 

CMYK 0 / 44 / 62 / 9

HEX #E98259

RGB 233 130 89

HSL 17.08, 0.77%, 0.63%

LAB 64.97, 35.98, 39.32

 

CMYK 30 / 0 / 62 / 9

HEX #A3E958

RGB 163 233 88

HSL 88.97, 0.77%, 0.63%

LAB 85.39, -44.44, 61.7

 

CMYK 62 / 55 / 0 / 9

HEX #5868E9

RGB 88 104 233

HSL 233.38, 0.77%, 0.63%

LAB 49.32, 33.06, -67.31

 

CMYK 0 / 44 / 62 / 9

HEX #E98259

RGB 233 130 89

HSL 17.08, 0.77%, 0.63%

LAB 64.97, 35.98, 39.32

 

CMYK 62 / 0 / 45 / 9

HEX #58E981

RGB 88 233 129

HSL 136.97, 0.77%, 0.63%

LAB 82.88, -60.71, 39.24

 

CMYK 45 / 62 / 0 / 9

HEX #8158E9

RGB 129 88 233

HSL 256.97, 0.77%, 0.63%

LAB 48.92, 49.87, -67.81

 

CMYK 0 / 44 / 62 / 9

HEX #E98259

RGB 233 130 89

HSL 17.08, 0.77%, 0.63%

LAB 64.97, 35.98, 39.32

 

CMYK 30 / 0 / 62 / 9

HEX #A3E958

RGB 163 233 88

HSL 88.97, 0.77%, 0.63%

LAB 85.39, -44.44, 61.7

 

CMYK 62 / 18 / 0 / 9

HEX #58C0E9

RGB 88 192 233

HSL 196.97, 0.77%, 0.63%

LAB 73.32, -18.02, -29.37

 

CMYK 32 / 62 / 0 / 9

HEX #9E58E9

RGB 158 88 233

HSL 268.97, 0.77%, 0.63%

LAB 51.99, 55.87, -62.71

 

CMYK 0 / 44 / 62 / 9

HEX #E98259

RGB 233 130 89

HSL 17.08, 0.77%, 0.63%

LAB 64.97, 35.98, 39.32

 

CMYK 49 / 0 / 62 / 9

HEX #77E958

RGB 119 233 88

HSL 107.17, 0.77%, 0.63%

LAB 83.39, -58.44, 58.93

 

CMYK 62 / 18 / 0 / 9

HEX #58C0E9

RGB 88 192 233

HSL 196.97, 0.77%, 0.63%

LAB 73.32, -18.02, -29.37

 

CMYK 14 / 62 / 0 / 9

HEX #C958E9

RGB 201 88 233

HSL 286.76, 0.77%, 0.63%

LAB 57.35, 65.55, -53.82

 

Description

Color code: RGB 233 130 89 | qconv.com Color code: RGB 233 130 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 130 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 130 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 62 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 62% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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