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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 125 63 it is the complementary color RGB 22 130 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 125 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 233 125 63: RGB 238 125 58, RGB 255 143 77, RGB 255 161 96, RGB 255 179 115 and RGB 255 197 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 125 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 233 125 63: RGB 233 125 63, RGB 216 107 44, RGB 199 89 25, RGB 182 71 6 and RGB 165 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 73 / 9

HEX #E97D3F

RGB 233 125 63

HSL 21.88, 0.79%, 0.58%

LAB 63.63, 37.1, 51.01

 

Complementary color

CMYK 89 / 32 / 0 / 25

HEX #1682C0

RGB 22 130 192

HSL 201.88, 0.79%, 0.42%

LAB 51.77, -5.9, -40.26

 

CMYK 0 / 47 / 76 / 7

HEX #EE7D3A

RGB 238 125 58

HSL 22.33, 0.84%, 0.58%

LAB 64.28, 38.85, 54.25

 

CMYK 0 / 44 / 70 / 0

HEX #FF8F4D

RGB 255 143 77

HSL 22.25, 1%, 0.65%

LAB 70.48, 37.22, 52.54

 

CMYK 0 / 37 / 62 / 0

HEX #FFA160

RGB 255 161 96

HSL 24.53, 1%, 0.69%

LAB 74.57, 29.03, 47.84

 

CMYK 0 / 30 / 55 / 0

HEX #FFB373

RGB 255 179 115

HSL 27.43, 1%, 0.73%

LAB 78.89, 20.99, 43.47

 

CMYK 0 / 23 / 47 / 0

HEX #FFC586

RGB 255 197 134

HSL 31.24, 1%, 0.76%

LAB 83.4, 13.23, 39.46

 

CMYK 0 / 46 / 73 / 9

HEX #E97D3F

RGB 233 125 63

HSL 21.88, 0.79%, 0.58%

LAB 63.63, 37.1, 51.01

 

CMYK 0 / 50 / 80 / 15

HEX #D86B2C

RGB 216 107 44

HSL 21.98, 0.69%, 0.51%

LAB 57.36, 38.83, 52.68

 

CMYK 0 / 55 / 87 / 22

HEX #C75919

RGB 199 89 25

HSL 22.07, 0.78%, 0.44%

LAB 51.1, 40.67, 53.86

 

CMYK 0 / 61 / 97 / 29

HEX #B64706

RGB 182 71 6

HSL 22.16, 0.94%, 0.37%

LAB 44.89, 42.55, 53.78

 

CMYK 0 / 68 / 100 / 35

HEX #A53500

RGB 165 53 0

HSL 19.27, 1%, 0.32%

LAB 38.8, 44.32, 50.6

 

CMYK 0 / 46 / 73 / 9

HEX #E97D3F

RGB 233 125 63

HSL 21.88, 0.79%, 0.58%

LAB 63.63, 37.1, 51.01

 

CMYK 0 / 35 / 73 / 9

HEX #E8963F

RGB 232 150 63

HSL 30.89, 0.79%, 0.58%

LAB 68.99, 23.61, 56.54

 

CMYK 0 / 23 / 73 / 9

HEX #E8B23F

RGB 232 178 63

HSL 40.83, 0.79%, 0.58%

LAB 75.67, 8.75, 63.27

 

CMYK 0 / 11 / 73 / 9

HEX #E8CF3F

RGB 232 207 63

HSL 51.12, 0.79%, 0.58%

LAB 82.99, -6.29, 70.4

 

CMYK 1 / 0 / 73 / 9

HEX #E5E83F

RGB 229 232 63

HSL 61.07, 0.79%, 0.58%

LAB 89.27, -19.95, 76.27

 

CMYK 0 / 46 / 73 / 9

HEX #E97D3F

RGB 233 125 63

HSL 21.88, 0.79%, 0.58%

LAB 63.63, 37.1, 51.01

 

CMYK 0 / 45 / 72 / 89

HEX #1D1008

RGB 29 16 8

HSL 22.86, 0.57%, 0.07%

LAB 5.87, 4.86, 5.59

 

CMYK 0 / 46 / 73 / 69

HEX #502B16

RGB 80 43 22

HSL 21.72, 0.57%, 0.2%

LAB 21.91, 14.98, 20.79

 

CMYK 0 / 47 / 73 / 49

HEX #834623

RGB 131 70 35

HSL 21.88, 0.58%, 0.33%

LAB 36.61, 23.06, 31.91

 

CMYK 0 / 46 / 73 / 29

HEX #B66231

RGB 182 98 49

HSL 22.11, 0.58%, 0.45%

LAB 50.57, 30.01, 41.86

 

CMYK 0 / 46 / 73 / 9

HEX #E97D3F

RGB 233 125 63

HSL 21.88, 0.79%, 0.58%

LAB 63.63, 37.1, 51.01

 

CMYK 40 / 0 / 73 / 9

HEX #8BE83F

RGB 139 232 63

HSL 93.02, 0.79%, 0.58%

LAB 83.74, -53.96, 69.03

 

CMYK 73 / 69 / 0 / 9

HEX #3F47E8

RGB 63 71 232

HSL 237.16, 0.79%, 0.58%

LAB 40.23, 49.31, -81.66

 

CMYK 0 / 46 / 73 / 9

HEX #E97D3F

RGB 233 125 63

HSL 21.88, 0.79%, 0.58%

LAB 63.63, 37.1, 51.01

 

CMYK 73 / 0 / 47 / 9

HEX #3FE87A

RGB 63 232 122

HSL 140.95, 0.79%, 0.58%

LAB 81.93, -65.74, 41.35

 

CMYK 47 / 73 / 0 / 9

HEX #7A3FE8

RGB 122 63 232

HSL 260.95, 0.79%, 0.58%

LAB 43.53, 61.03, -76.05

 

CMYK 0 / 46 / 73 / 9

HEX #E97D3F

RGB 233 125 63

HSL 21.88, 0.79%, 0.58%

LAB 63.63, 37.1, 51.01

 

CMYK 40 / 0 / 73 / 9

HEX #8BE83F

RGB 139 232 63

HSL 93.02, 0.79%, 0.58%

LAB 83.74, -53.96, 69.03

 

CMYK 73 / 25 / 0 / 9

HEX #3FADE8

RGB 63 173 232

HSL 200.95, 0.79%, 0.58%

LAB 67.1, -11.98, -38.51

 

CMYK 33 / 73 / 0 / 9

HEX #9C3FE8

RGB 156 63 232

HSL 273.02, 0.79%, 0.58%

LAB 47.56, 66.68, -69.32

 

CMYK 0 / 46 / 73 / 9

HEX #E97D3F

RGB 233 125 63

HSL 21.88, 0.79%, 0.58%

LAB 63.63, 37.1, 51.01

 

CMYK 62 / 0 / 73 / 9

HEX #58E83F

RGB 88 232 63

HSL 111.12, 0.79%, 0.58%

LAB 81.92, -67.9, 66.62

 

CMYK 73 / 25 / 0 / 9

HEX #3FADE8

RGB 63 173 232

HSL 200.95, 0.79%, 0.58%

LAB 67.1, -11.98, -38.51

 

CMYK 11 / 73 / 0 / 9

HEX #CF3FE8

RGB 207 63 232

HSL 291.12, 0.79%, 0.58%

LAB 54.71, 76.3, -57.43

 

Description

Color code: RGB 233 125 63 | qconv.com Color code: RGB 233 125 63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 125 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 125 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 73 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 73% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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