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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 95 81 it is the complementary color RGB 23 160 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 95 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 232 95 81: RGB 237 95 76, RGB 254 113 95, RGB 255 131 114, RGB 255 149 133 and RGB 255 167 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 95 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 232 95 81: RGB 232 95 81, RGB 215 77 62, RGB 198 59 43, RGB 181 41 24 and RGB 164 23 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 65 / 9

HEX #E85F51

RGB 232 95 81

HSL 5.56, 0.77%, 0.61%

LAB 57.97, 52.23, 35.13

 

Complementary color

CMYK 87 / 8 / 0 / 32

HEX #17A0AE

RGB 23 160 174

HSL 185.56, 0.77%, 0.39%

LAB 60.23, -28.41, -16.92

 

CMYK 0 / 60 / 68 / 7

HEX #ED5F4C

RGB 237 95 76

HSL 7.08, 0.82%, 0.61%

LAB 58.71, 53.69, 38.97

 

CMYK 0 / 56 / 63 / 0

HEX #FE715F

RGB 254 113 95

HSL 6.79, 0.99%, 0.68%

LAB 64.73, 52.52, 36.45

 

CMYK 0 / 49 / 55 / 0

HEX #FF8372

RGB 255 131 114

HSL 7.23, 1%, 0.72%

LAB 68.54, 45.58, 30.89

 

CMYK 0 / 42 / 48 / 0

HEX #FF9585

RGB 255 149 133

HSL 7.87, 1%, 0.76%

LAB 72.53, 38.13, 25.74

 

CMYK 0 / 35 / 40 / 0

HEX #FFA798

RGB 255 167 152

HSL 8.74, 1%, 0.8%

LAB 76.78, 30.73, 21.18

 

CMYK 0 / 59 / 65 / 9

HEX #E85F51

RGB 232 95 81

HSL 5.56, 0.77%, 0.61%

LAB 57.97, 52.23, 35.13

 

CMYK 0 / 64 / 71 / 16

HEX #D74D3E

RGB 215 77 62

HSL 5.88, 0.66%, 0.54%

LAB 51.95, 53.29, 37.91

 

CMYK 0 / 70 / 78 / 22

HEX #C63B2B

RGB 198 59 43

HSL 6.19, 0.64%, 0.47%

LAB 46.05, 54.12, 41.02

 

CMYK 0 / 77 / 87 / 29

HEX #B52918

RGB 181 41 24

HSL 6.5, 0.77%, 0.4%

LAB 40.37, 54.49, 44.21

 

CMYK 0 / 86 / 97 / 36

HEX #A41705

RGB 164 23 5

HSL 6.79, 0.94%, 0.33%

LAB 35.04, 54.03, 46.63

 

CMYK 0 / 59 / 65 / 9

HEX #E85F51

RGB 232 95 81

HSL 5.56, 0.77%, 0.61%

LAB 57.97, 52.23, 35.13

 

CMYK 0 / 50 / 66 / 9

HEX #E8754E

RGB 232 117 78

HSL 15.19, 0.77%, 0.61%

LAB 62.02, 41.54, 41.6

 

CMYK 0 / 39 / 66 / 9

HEX #E88E4E

RGB 232 142 78

HSL 24.94, 0.77%, 0.61%

LAB 67.32, 28.62, 47.7

 

CMYK 0 / 28 / 66 / 9

HEX #E8A84E

RGB 232 168 78

HSL 35.06, 0.77%, 0.61%

LAB 73.36, 14.82, 54.42

 

CMYK 0 / 17 / 66 / 9

HEX #E8C14E

RGB 232 193 78

HSL 44.81, 0.77%, 0.61%

LAB 79.53, 1.66, 61.05

 

CMYK 0 / 59 / 65 / 9

HEX #E85F51

RGB 232 95 81

HSL 5.56, 0.77%, 0.61%

LAB 57.97, 52.23, 35.13

 

CMYK 0 / 61 / 64 / 89

HEX #1C0B0A

RGB 28 11 10

HSL 3.33, 0.47%, 0.07%

LAB 4.59, 6.98, 2.9

 

CMYK 0 / 59 / 65 / 69

HEX #4F201C

RGB 79 32 28

HSL 4.71, 0.48%, 0.21%

LAB 19.14, 21.75, 13.43

 

CMYK 0 / 59 / 65 / 49

HEX #82352D

RGB 130 53 45

HSL 5.65, 0.49%, 0.34%

LAB 32.88, 32.63, 21.61

 

CMYK 0 / 59 / 65 / 29

HEX #B54A3F

RGB 181 74 63

HSL 5.59, 0.48%, 0.48%

LAB 45.74, 42.72, 28.56

 

CMYK 0 / 59 / 65 / 9

HEX #E85F51

RGB 232 95 81

HSL 5.56, 0.77%, 0.61%

LAB 57.97, 52.23, 35.13

 

CMYK 19 / 0 / 66 / 9

HEX #BCE84E

RGB 188 232 78

HSL 77.14, 0.77%, 0.61%

LAB 86.48, -35.51, 67.27

 

CMYK 66 / 45 / 0 / 9

HEX #4E7FE8

RGB 78 127 232

HSL 220.91, 0.77%, 0.61%

LAB 54.68, 16.95, -58.13

 

CMYK 0 / 59 / 65 / 9

HEX #E85F51

RGB 232 95 81

HSL 5.56, 0.77%, 0.61%

LAB 57.97, 52.23, 35.13

 

CMYK 66 / 0 / 61 / 9

HEX #4EE85B

RGB 78 232 91

HSL 125.06, 0.77%, 0.61%

LAB 81.89, -67.38, 55.63

 

CMYK 61 / 66 / 0 / 9

HEX #5B4EE8

RGB 91 78 232

HSL 245.06, 0.77%, 0.61%

LAB 43.51, 48.65, -76.21

 

CMYK 0 / 59 / 65 / 9

HEX #E85F51

RGB 232 95 81

HSL 5.56, 0.77%, 0.61%

LAB 57.97, 52.23, 35.13

 

CMYK 19 / 0 / 66 / 9

HEX #BCE84E

RGB 188 232 78

HSL 77.14, 0.77%, 0.61%

LAB 86.48, -35.51, 67.27

 

CMYK 66 / 6 / 0 / 9

HEX #4EDBE8

RGB 78 219 232

HSL 185.06, 0.77%, 0.61%

LAB 80.8, -33.29, -17.47

 

CMYK 47 / 66 / 0 / 9

HEX #7A4EE8

RGB 122 78 232

HSL 257.14, 0.77%, 0.61%

LAB 46.19, 53.62, -71.71

 

CMYK 0 / 59 / 65 / 9

HEX #E85F51

RGB 232 95 81

HSL 5.56, 0.77%, 0.61%

LAB 57.97, 52.23, 35.13

 

CMYK 39 / 0 / 66 / 9

HEX #8EE84E

RGB 142 232 78

HSL 95.06, 0.77%, 0.61%

LAB 83.97, -51.94, 63.87

 

CMYK 66 / 6 / 0 / 9

HEX #4EDBE8

RGB 78 219 232

HSL 185.06, 0.77%, 0.61%

LAB 80.8, -33.29, -17.47

 

CMYK 28 / 66 / 0 / 9

HEX #A84EE8

RGB 168 78 232

HSL 275.06, 0.77%, 0.61%

LAB 51.38, 62.53, -63.06

 

Description

Color code: RGB 232 95 81 | qconv.com Color code: RGB 232 95 81 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 95 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 95 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 65 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 65% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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