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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 74 155 it is the complementary color RGB 23 181 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 74 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 232 74 155: RGB 237 74 150, RGB 254 92 169, RGB 255 110 188, RGB 255 128 207 and RGB 255 146 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 74 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 232 74 155: RGB 232 74 155, RGB 215 56 136, RGB 198 38 117, RGB 181 20 98 and RGB 164 2 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 33 / 9

HEX #E84A9B

RGB 232 74 155

HSL 329.24, 0.77%, 0.6%

LAB 56.51, 67.23, -10.05

 

Complementary color

CMYK 87 / 0 / 45 / 29

HEX #17B564

RGB 23 181 100

HSL 149.24, 0.77%, 0.4%

LAB 65.08, -56.23, 30.77

 

CMYK 0 / 69 / 37 / 7

HEX #ED4A96

RGB 237 74 150

HSL 332.02, 0.82%, 0.61%

LAB 57.18, 68.06, -6.02

 

CMYK 0 / 64 / 33 / 0

HEX #FE5CA9

RGB 254 92 169

HSL 331.48, 0.99%, 0.68%

LAB 63, 68.05, -8.1

 

CMYK 0 / 57 / 26 / 0

HEX #FF6EBC

RGB 255 110 188

HSL 327.72, 1%, 0.72%

LAB 66.55, 63.07, -13.58

 

CMYK 0 / 50 / 19 / 0

HEX #FF80CF

RGB 255 128 207

HSL 322.68, 1%, 0.75%

LAB 70.32, 57.38, -18.54

 

CMYK 0 / 43 / 11 / 0

HEX #FF92E2

RGB 255 146 226

HSL 315.96, 1%, 0.79%

LAB 74.39, 51.47, -22.84

 

CMYK 0 / 68 / 33 / 9

HEX #E84A9B

RGB 232 74 155

HSL 329.24, 0.77%, 0.6%

LAB 56.51, 67.23, -10.05

 

CMYK 0 / 74 / 37 / 16

HEX #D73888

RGB 215 56 136

HSL 329.81, 0.67%, 0.53%

LAB 50.75, 66.81, -7.68

 

CMYK 0 / 81 / 41 / 22

HEX #C62675

RGB 198 38 117

HSL 330.38, 0.68%, 0.46%

LAB 45.19, 65.72, -4.73

 

CMYK 0 / 89 / 46 / 29

HEX #B51462

RGB 181 20 98

HSL 330.93, 0.8%, 0.39%

LAB 39.93, 63.65, -1

 

CMYK 0 / 99 / 52 / 36

HEX #A4024F

RGB 164 2 79

HSL 331.48, 0.98%, 0.33%

LAB 35, 60.44, 3.63

 

CMYK 0 / 68 / 33 / 9

HEX #E84A9B

RGB 232 74 155

HSL 329.24, 0.77%, 0.6%

LAB 56.51, 67.23, -10.05

 

CMYK 0 / 68 / 44 / 9

HEX #E74A81

RGB 231 74 129

HSL 338.98, 0.77%, 0.6%

LAB 55.55, 64.28, 3.87

 

CMYK 0 / 68 / 55 / 9

HEX #E74A67

RGB 231 74 103

HSL 348.92, 0.77%, 0.6%

LAB 54.93, 62.11, 18.43

 

CMYK 0 / 68 / 67 / 9

HEX #E74A4D

RGB 231 74 77

HSL 358.85, 0.77%, 0.6%

LAB 54.47, 60.48, 33.07

 

CMYK 0 / 58 / 68 / 9

HEX #E7624A

RGB 231 98 74

HSL 9.17, 0.77%, 0.6%

LAB 58.24, 50.12, 39.28

 

CMYK 0 / 68 / 33 / 9

HEX #E84A9B

RGB 232 74 155

HSL 329.24, 0.77%, 0.6%

LAB 56.51, 67.23, -10.05

 

CMYK 0 / 68 / 32 / 89

HEX #1C0913

RGB 28 9 19

HSL 328.42, 0.51%, 0.07%

LAB 4.42, 9.38, -2.02

 

CMYK 0 / 68 / 33 / 69

HEX #4F1935

RGB 79 25 53

HSL 328.89, 0.52%, 0.2%

LAB 18.43, 28.57, -5.13

 

CMYK 0 / 68 / 33 / 49

HEX #822957

RGB 130 41 87

HSL 328.99, 0.52%, 0.34%

LAB 31.85, 42.6, -6.99

 

CMYK 0 / 68 / 33 / 29

HEX #B53A79

RGB 181 58 121

HSL 329.27, 0.51%, 0.47%

LAB 44.56, 55.08, -8.45

 

CMYK 0 / 68 / 33 / 9

HEX #E84A9B

RGB 232 74 155

HSL 329.24, 0.77%, 0.6%

LAB 56.51, 67.23, -10.05

 

CMYK 0 / 22 / 68 / 9

HEX #E7B54A

RGB 231 181 74

HSL 40.89, 0.77%, 0.6%

LAB 76.39, 7.29, 59.43

 

CMYK 68 / 6 / 0 / 9

HEX #4ADAE7

RGB 74 218 231

HSL 184.97, 0.77%, 0.6%

LAB 80.39, -33.66, -17.57

 

CMYK 0 / 68 / 33 / 9

HEX #E84A9B

RGB 232 74 155

HSL 329.24, 0.77%, 0.6%

LAB 56.51, 67.23, -10.05

 

CMYK 33 / 0 / 68 / 9

HEX #9BE74A

RGB 155 231 74

HSL 89.04, 0.77%, 0.6%

LAB 84.28, -47.45, 65.92

 

CMYK 68 / 33 / 0 / 9

HEX #4A9BE7

RGB 74 155 231

HSL 209.04, 0.77%, 0.6%

LAB 62.23, -0.7, -45.59

 

CMYK 0 / 68 / 33 / 9

HEX #E84A9B

RGB 232 74 155

HSL 329.24, 0.77%, 0.6%

LAB 56.51, 67.23, -10.05

 

CMYK 0 / 22 / 68 / 9

HEX #E7B54A

RGB 231 181 74

HSL 40.89, 0.77%, 0.6%

LAB 76.39, 7.29, 59.43

 

CMYK 68 / 0 / 35 / 9

HEX #4AE796

RGB 74 231 150

HSL 149.04, 0.77%, 0.6%

LAB 82.28, -58.84, 27.84

 

CMYK 68 / 46 / 0 / 9

HEX #4A7CE7

RGB 74 124 231

HSL 220.89, 0.77%, 0.6%

LAB 53.64, 17.83, -59.25

 

CMYK 0 / 68 / 33 / 9

HEX #E84A9B

RGB 232 74 155

HSL 329.24, 0.77%, 0.6%

LAB 56.51, 67.23, -10.05

 

CMYK 0 / 1 / 68 / 9

HEX #E7E44A

RGB 231 228 74

HSL 58.85, 0.77%, 0.6%

LAB 88.43, -16.67, 71.74

 

CMYK 68 / 0 / 35 / 9

HEX #4AE796

RGB 74 231 150

HSL 149.04, 0.77%, 0.6%

LAB 82.28, -58.84, 27.84

 

CMYK 68 / 67 / 0 / 9

HEX #4A4DE7

RGB 74 77 231

HSL 238.85, 0.77%, 0.6%

LAB 42.05, 46.69, -78.08

 

Description

Color code: RGB 232 74 155 | qconv.com Color code: RGB 232 74 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 74 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 74 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 33 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 33% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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