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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 71 80 it is the complementary color RGB 23 184 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 71 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 232 71 80: RGB 237 71 75, RGB 254 89 94, RGB 255 107 113, RGB 255 125 132 and RGB 255 143 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 71 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 232 71 80: RGB 232 71 80, RGB 215 53 61, RGB 198 35 42, RGB 181 17 23 and RGB 164 0 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 66 / 9

HEX #E84750

RGB 232 71 80

HSL 356.65, 0.78%, 0.59%

LAB 54.28, 62.08, 31.14

 

Complementary color

CMYK 88 / 0 / 5 / 28

HEX #17B8AF

RGB 23 184 175

HSL 176.65, 0.78%, 0.41%

LAB 67.69, -39.4, -6.29

 

CMYK 0 / 70 / 68 / 7

HEX #ED474B

RGB 237 71 75

HSL 358.55, 0.82%, 0.6%

LAB 55.09, 63.35, 35.22

 

CMYK 0 / 65 / 63 / 0

HEX #FE595E

RGB 254 89 94

HSL 358.18, 0.99%, 0.67%

LAB 60.8, 62.84, 32.09

 

CMYK 0 / 58 / 56 / 0

HEX #FF6B71

RGB 255 107 113

HSL 357.57, 1%, 0.71%

LAB 64.13, 56.81, 25.66

 

CMYK 0 / 51 / 48 / 0

HEX #FF7D84

RGB 255 125 132

HSL 356.77, 1%, 0.75%

LAB 67.72, 50, 19.78

 

CMYK 0 / 44 / 41 / 0

HEX #FF8F97

RGB 255 143 151

HSL 355.71, 1%, 0.78%

LAB 71.65, 42.98, 14.61

 

CMYK 0 / 69 / 66 / 9

HEX #E84750

RGB 232 71 80

HSL 356.65, 0.78%, 0.59%

LAB 54.28, 62.08, 31.14

 

CMYK 0 / 75 / 72 / 16

HEX #D7353D

RGB 215 53 61

HSL 357.04, 0.67%, 0.53%

LAB 48.67, 62.2, 34.68

 

CMYK 0 / 82 / 79 / 22

HEX #C6232A

RGB 198 35 42

HSL 357.42, 0.7%, 0.46%

LAB 43.32, 61.67, 38.74

 

CMYK 0 / 91 / 87 / 29

HEX #B51117

RGB 181 17 23

HSL 357.8, 0.83%, 0.39%

LAB 38.35, 60.17, 43.02

 

CMYK 0 / 100 / 98 / 36

HEX #A40004

RGB 164 0 4

HSL 358.54, 1%, 0.32%

LAB 33.78, 57.63, 46.34

 

CMYK 0 / 69 / 66 / 9

HEX #E84750

RGB 232 71 80

HSL 356.65, 0.78%, 0.59%

LAB 54.28, 62.08, 31.14

 

CMYK 0 / 63 / 71 / 9

HEX #E75544

RGB 231 85 68

HSL 6.26, 0.77%, 0.59%

LAB 55.99, 55.59, 39.94

 

CMYK 0 / 52 / 71 / 9

HEX #E77044

RGB 231 112 68

HSL 16.2, 0.77%, 0.59%

LAB 60.78, 43.11, 45.36

 

CMYK 0 / 40 / 71 / 9

HEX #E78B44

RGB 231 139 68

HSL 26.13, 0.77%, 0.59%

LAB 66.42, 29.26, 51.53

 

CMYK 0 / 28 / 71 / 9

HEX #E7A644

RGB 231 166 68

HSL 36.07, 0.77%, 0.59%

LAB 72.68, 14.92, 58.13

 

CMYK 0 / 69 / 66 / 9

HEX #E84750

RGB 232 71 80

HSL 356.65, 0.78%, 0.59%

LAB 54.28, 62.08, 31.14

 

CMYK 0 / 68 / 64 / 89

HEX #1C090A

RGB 28 9 10

HSL 356.84, 0.51%, 0.07%

LAB 4.19, 7.79, 2.32

 

CMYK 0 / 70 / 66 / 69

HEX #4F181B

RGB 79 24 27

HSL 356.73, 0.53%, 0.2%

LAB 17.44, 26.08, 11.92

 

CMYK 0 / 69 / 65 / 49

HEX #82282D

RGB 130 40 45

HSL 356.67, 0.53%, 0.33%

LAB 30.53, 38.89, 18.64

 

CMYK 0 / 70 / 66 / 29

HEX #B5373E

RGB 181 55 62

HSL 356.67, 0.53%, 0.46%

LAB 42.62, 51, 25.27

 

CMYK 0 / 69 / 66 / 9

HEX #E84750

RGB 232 71 80

HSL 356.65, 0.78%, 0.59%

LAB 54.28, 62.08, 31.14

 

CMYK 9 / 0 / 71 / 9

HEX #D2E744

RGB 210 231 68

HSL 67.73, 0.77%, 0.59%

LAB 87.62, -26.96, 72.53

 

CMYK 71 / 37 / 0 / 9

HEX #4491E7

RGB 68 145 231

HSL 211.66, 0.77%, 0.59%

LAB 59.2, 4.26, -50.39

 

CMYK 0 / 69 / 66 / 9

HEX #E84750

RGB 232 71 80

HSL 356.65, 0.78%, 0.59%

LAB 54.28, 62.08, 31.14

 

CMYK 66 / 0 / 71 / 9

HEX #4FE744

RGB 79 231 68

HSL 115.95, 0.77%, 0.59%

LAB 81.42, -69.04, 64.28

 

CMYK 71 / 66 / 0 / 9

HEX #444FE7

RGB 68 79 231

HSL 235.95, 0.77%, 0.59%

LAB 42.14, 44.82, -77.94

 

CMYK 0 / 69 / 66 / 9

HEX #E84750

RGB 232 71 80

HSL 356.65, 0.78%, 0.59%

LAB 54.28, 62.08, 31.14

 

CMYK 9 / 0 / 71 / 9

HEX #D2E744

RGB 210 231 68

HSL 67.73, 0.77%, 0.59%

LAB 87.62, -26.96, 72.53

 

CMYK 71 / 0 / 4 / 9

HEX #44E7DD

RGB 68 231 221

HSL 176.32, 0.77%, 0.59%

LAB 83.76, -43.17, -7.24

 

CMYK 61 / 71 / 0 / 9

HEX #5A44E7

RGB 90 68 231

HSL 248.1, 0.77%, 0.59%

LAB 41.34, 53.71, -79.2

 

CMYK 0 / 69 / 66 / 9

HEX #E84750

RGB 232 71 80

HSL 356.65, 0.78%, 0.59%

LAB 54.28, 62.08, 31.14

 

CMYK 30 / 0 / 71 / 9

HEX #A1E744

RGB 161 231 68

HSL 85.77, 0.77%, 0.59%

LAB 84.56, -45.73, 68.48

 

CMYK 71 / 0 / 4 / 9

HEX #44E7DD

RGB 68 231 221

HSL 176.32, 0.77%, 0.59%

LAB 83.76, -43.17, -7.24

 

CMYK 40 / 71 / 0 / 9

HEX #8B44E7

RGB 139 68 231

HSL 266.13, 0.77%, 0.59%

LAB 46.17, 61.28, -71.11

 

Description

Color code: RGB 232 71 80 | qconv.com Color code: RGB 232 71 80 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 71 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 71 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 66 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 66% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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