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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 179 213 it is the complementary color RGB 23 76 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 179 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 232 179 213: RGB 237 179 208, RGB 254 197 227, RGB 255 215 246, RGB 255 233 255 and RGB 255 251 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 179 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 232 179 213: RGB 232 179 213, RGB 215 161 194, RGB 198 143 175, RGB 181 125 156 and RGB 164 107 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 8 / 9

HEX #E8B3D5

RGB 232 179 213

HSL 321.51, 0.54%, 0.81%

LAB 78.58, 24.58, -9.69

 

Complementary color

CMYK 70 / 0 / 45 / 70

HEX #174C2A

RGB 23 76 42

HSL 141.51, 0.54%, 0.19%

LAB 28.16, -26.33, 15.21

 

CMYK 0 / 24 / 12 / 7

HEX #EDB3D0

RGB 237 179 208

HSL 330, 0.62%, 0.82%

LAB 78.93, 25.47, -6.42

 

CMYK 0 / 22 / 11 / 0

HEX #FEC5E3

RGB 254 197 227

HSL 328.42, 0.97%, 0.88%

LAB 85.28, 24.9, -7.04

 

CMYK 0 / 16 / 4 / 0

HEX #FFD7F6

RGB 255 215 246

HSL 313.5, 1%, 0.92%

LAB 90.1, 19.01, -9.93

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 0 / 23 / 8 / 9

HEX #E8B3D5

RGB 232 179 213

HSL 321.51, 0.54%, 0.81%

LAB 78.58, 24.58, -9.69

 

CMYK 0 / 25 / 10 / 16

HEX #D7A1C2

RGB 215 161 194

HSL 323.33, 0.4%, 0.74%

LAB 72.12, 25.18, -9.11

 

CMYK 0 / 28 / 12 / 22

HEX #C68FAF

RGB 198 143 175

HSL 325.09, 0.33%, 0.67%

LAB 65.55, 25.82, -8.49

 

CMYK 0 / 31 / 14 / 29

HEX #B57D9C

RGB 181 125 156

HSL 326.79, 0.27%, 0.6%

LAB 58.87, 26.51, -7.83

 

CMYK 0 / 35 / 16 / 36

HEX #A46B89

RGB 164 107 137

HSL 328.42, 0.24%, 0.53%

LAB 52.08, 27.27, -7.09

 

CMYK 0 / 23 / 8 / 9

HEX #E8B3D5

RGB 232 179 213

HSL 321.51, 0.54%, 0.81%

LAB 78.58, 24.58, -9.69

 

CMYK 0 / 22 / 12 / 9

HEX #E8B4CD

RGB 232 180 205

HSL 331.15, 0.53%, 0.81%

LAB 78.58, 22.71, -5.35

NCS® S1030-R30B

CMYK 0 / 22 / 16 / 9

HEX #E8B4C4

RGB 232 180 196

HSL 341.54, 0.53%, 0.81%

LAB 78.34, 21.26, -0.83

 

CMYK 0 / 22 / 19 / 9

HEX #E8B4BC

RGB 232 180 188

HSL 350.77, 0.53%, 0.81%

LAB 78.13, 20.02, 3.2

 

CMYK 0 / 22 / 22 / 9

HEX #E8B5B4

RGB 232 181 180

HSL 1.15, 0.53%, 0.81%

LAB 78.17, 18.3, 7.6

 

CMYK 0 / 23 / 8 / 9

HEX #E8B3D5

RGB 232 179 213

HSL 321.51, 0.54%, 0.81%

LAB 78.58, 24.58, -9.69

 

CMYK 0 / 21 / 7 / 89

HEX #1C161A

RGB 28 22 26

HSL 320, 0.12%, 0.1%

LAB 8.09, 3.97, -1.71

 

CMYK 0 / 23 / 8 / 69

HEX #4F3D49

RGB 79 61 73

HSL 320, 0.13%, 0.27%

LAB 28.06, 10.21, -4.3

 

CMYK 0 / 23 / 8 / 49

HEX #826477

RGB 130 100 119

HSL 322, 0.13%, 0.45%

LAB 45.9, 15.43, -5.99

 

CMYK 0 / 23 / 8 / 29

HEX #B58CA6

RGB 181 140 166

HSL 321.95, 0.22%, 0.63%

LAB 62.79, 19.86, -7.71

 

CMYK 0 / 23 / 8 / 9

HEX #E8B3D5

RGB 232 179 213

HSL 321.51, 0.54%, 0.81%

LAB 78.58, 24.58, -9.69

 

CMYK 0 / 10 / 22 / 9

HEX #E8D1B4

RGB 232 209 180

HSL 33.46, 0.53%, 0.81%

LAB 85.02, 3.52, 17.31

 

CMYK 22 / 0 / 1 / 9

HEX #B4E8E6

RGB 180 232 230

HSL 177.69, 0.53%, 0.81%

LAB 88.51, -16.93, -4.48

 

CMYK 0 / 23 / 8 / 9

HEX #E8B3D5

RGB 232 179 213

HSL 321.51, 0.54%, 0.81%

LAB 78.58, 24.58, -9.69

 

CMYK 8 / 0 / 22 / 9

HEX #D6E8B4

RGB 214 232 180

HSL 80.77, 0.53%, 0.81%

LAB 89.54, -14.77, 23.36

 

CMYK 22 / 8 / 0 / 9

HEX #B4D6E8

RGB 180 214 232

HSL 200.77, 0.53%, 0.81%

LAB 83.77, -7.32, -12.57

 

CMYK 0 / 23 / 8 / 9

HEX #E8B3D5

RGB 232 179 213

HSL 321.51, 0.54%, 0.81%

LAB 78.58, 24.58, -9.69

 

CMYK 0 / 10 / 22 / 9

HEX #E8D1B4

RGB 232 209 180

HSL 33.46, 0.53%, 0.81%

LAB 85.02, 3.52, 17.31

 

CMYK 22 / 0 / 15 / 9

HEX #B4E8C6

RGB 180 232 198

HSL 140.77, 0.53%, 0.81%

LAB 87.72, -23.3, 11.15

 

CMYK 22 / 13 / 0 / 9

HEX #B4CBE8

RGB 180 203 232

HSL 213.46, 0.53%, 0.81%

LAB 80.87, -1.55, -16.92

 

CMYK 0 / 23 / 8 / 9

HEX #E8B3D5

RGB 232 179 213

HSL 321.51, 0.54%, 0.81%

LAB 78.58, 24.58, -9.69

 

CMYK 0 / 3 / 22 / 9

HEX #E8E0B4

RGB 232 224 180

HSL 50.77, 0.53%, 0.81%

LAB 88.81, -4.2, 22.57

 

CMYK 22 / 0 / 15 / 9

HEX #B4E8C6

RGB 180 232 198

HSL 140.77, 0.53%, 0.81%

LAB 87.72, -23.3, 11.15

 

CMYK 22 / 19 / 0 / 9

HEX #B4BCE8

RGB 180 188 232

HSL 230.77, 0.53%, 0.81%

LAB 76.98, 6.51, -22.81

 

Description

Color code: RGB 232 179 213 | qconv.com Color code: RGB 232 179 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 179 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 179 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 8 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 8% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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