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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 140 27 it is the complementary color RGB 23 115 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 140 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 232 140 27: RGB 237 140 22, RGB 254 158 41, RGB 255 176 60, RGB 255 194 79 and RGB 255 212 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 140 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 232 140 27: RGB 232 140 27, RGB 215 122 8, RGB 198 104 0, RGB 181 86 0 and RGB 164 68 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 88 / 9

HEX #E88C1B

RGB 232 140 27

HSL 33.07, 0.82%, 0.51%

LAB 66.51, 27.74, 67.34

 

Complementary color

CMYK 90 / 50 / 0 / 11

HEX #1773E4

RGB 23 115 228

HSL 213.07, 0.82%, 0.49%

LAB 49.55, 17.25, -64.24

 

CMYK 0 / 41 / 91 / 7

HEX #ED8C16

RGB 237 140 22

HSL 32.93, 0.86%, 0.51%

LAB 67.14, 29.73, 69.31

 

CMYK 0 / 38 / 84 / 0

HEX #FE9E29

RGB 254 158 41

HSL 32.96, 0.99%, 0.58%

LAB 73.34, 27.75, 69.93

 

CMYK 0 / 31 / 76 / 0

HEX #FFB03C

RGB 255 176 60

HSL 35.69, 1%, 0.62%

LAB 77.66, 19.37, 67.22

 

CMYK 0 / 24 / 69 / 0

HEX #FFC24F

RGB 255 194 79

HSL 39.2, 1%, 0.65%

LAB 82.06, 10.83, 63.99

 

CMYK 0 / 17 / 62 / 0

HEX #FFD462

RGB 255 212 98

HSL 43.57, 1%, 0.69%

LAB 86.62, 2.65, 60.67

 

CMYK 0 / 40 / 88 / 9

HEX #E88C1B

RGB 232 140 27

HSL 33.07, 0.82%, 0.51%

LAB 66.51, 27.74, 67.34

 

CMYK 0 / 43 / 96 / 16

HEX #D77A08

RGB 215 122 8

HSL 33.04, 0.93%, 0.44%

LAB 60.23, 29.88, 65.72

 

CMYK 0 / 47 / 100 / 22

HEX #C66800

RGB 198 104 0

HSL 31.52, 1%, 0.39%

LAB 53.93, 32.22, 61.96

 

CMYK 0 / 52 / 100 / 29

HEX #B55600

RGB 181 86 0

HSL 28.51, 1%, 0.35%

LAB 47.6, 34.64, 56.87

 

CMYK 0 / 59 / 100 / 36

HEX #A44400

RGB 164 68 0

HSL 24.88, 1%, 0.32%

LAB 41.26, 36.98, 51.81

 

CMYK 0 / 40 / 88 / 9

HEX #E88C1B

RGB 232 140 27

HSL 33.07, 0.82%, 0.51%

LAB 66.51, 27.74, 67.34

 

CMYK 0 / 25 / 88 / 9

HEX #E8AE1B

RGB 232 174 27

HSL 43.02, 0.82%, 0.51%

LAB 74.51, 9.72, 73.55

 

CMYK 0 / 10 / 88 / 9

HEX #E8D01B

RGB 232 208 27

HSL 52.98, 0.82%, 0.51%

LAB 83.1, -7.9, 80.27

 

CMYK 4 / 0 / 88 / 9

HEX #DEE81B

RGB 222 232 27

HSL 62.93, 0.82%, 0.51%

LAB 88.6, -23.91, 84.27

 

CMYK 19 / 0 / 88 / 9

HEX #BCE81B

RGB 188 232 27

HSL 72.88, 0.82%, 0.51%

LAB 86.25, -37.65, 81.39

 

CMYK 0 / 40 / 88 / 9

HEX #E88C1B

RGB 232 140 27

HSL 33.07, 0.82%, 0.51%

LAB 66.51, 27.74, 67.34

 

CMYK 0 / 39 / 89 / 89

HEX #1C1103

RGB 28 17 3

HSL 33.6, 0.81%, 0.06%

LAB 5.91, 3.02, 7.68

 

CMYK 0 / 39 / 89 / 69

HEX #4F3009

RGB 79 48 9

HSL 33.43, 0.8%, 0.17%

LAB 22.98, 10.55, 28.72

 

CMYK 0 / 40 / 88 / 49

HEX #824E0F

RGB 130 78 15

HSL 32.87, 0.79%, 0.28%

LAB 38.25, 17.11, 42.65

 

CMYK 0 / 40 / 88 / 29

HEX #B56D15

RGB 181 109 21

HSL 33, 0.79%, 0.4%

LAB 52.75, 22.58, 55.38

 

CMYK 0 / 40 / 88 / 9

HEX #E88C1B

RGB 232 140 27

HSL 33.07, 0.82%, 0.51%

LAB 66.51, 27.74, 67.34

 

CMYK 66 / 0 / 88 / 9

HEX #4EE81B

RGB 78 232 27

HSL 105.07, 0.82%, 0.51%

LAB 81.52, -71.79, 75.53

 

CMYK 75 / 88 / 0 / 9

HEX #3A1BE8

RGB 58 27 232

HSL 249.07, 0.82%, 0.51%

LAB 32.94, 69.11, -93.74

 

CMYK 0 / 40 / 88 / 9

HEX #E88C1B

RGB 232 140 27

HSL 33.07, 0.82%, 0.51%

LAB 66.51, 27.74, 67.34

 

CMYK 88 / 0 / 40 / 9

HEX #1BE88C

RGB 27 232 140

HSL 153.07, 0.82%, 0.51%

LAB 81.75, -66.26, 32.1

 

CMYK 40 / 88 / 0 / 9

HEX #8C1BE8

RGB 140 27 232

HSL 273.07, 0.82%, 0.51%

LAB 41.51, 75.74, -79.29

 

CMYK 0 / 40 / 88 / 9

HEX #E88C1B

RGB 232 140 27

HSL 33.07, 0.82%, 0.51%

LAB 66.51, 27.74, 67.34

 

CMYK 66 / 0 / 88 / 9

HEX #4EE81B

RGB 78 232 27

HSL 105.07, 0.82%, 0.51%

LAB 81.52, -71.79, 75.53

 

CMYK 88 / 49 / 0 / 9

HEX #1B77E8

RGB 27 119 232

HSL 213.07, 0.82%, 0.51%

LAB 50.98, 16.48, -64.17

 

CMYK 22 / 88 / 0 / 9

HEX #B51BE8

RGB 181 27 232

HSL 285.07, 0.82%, 0.51%

LAB 47.54, 81.11, -69.19

 

CMYK 0 / 40 / 88 / 9

HEX #E88C1B

RGB 232 140 27

HSL 33.07, 0.82%, 0.51%

LAB 66.51, 27.74, 67.34

 

CMYK 88 / 0 / 84 / 9

HEX #1BE825

RGB 27 232 37

HSL 122.93, 0.82%, 0.51%

LAB 80.78, -78.09, 72.61

 

CMYK 88 / 49 / 0 / 9

HEX #1B77E8

RGB 27 119 232

HSL 213.07, 0.82%, 0.51%

LAB 50.98, 16.48, -64.17

 

CMYK 0 / 88 / 4 / 9

HEX #E81BDE

RGB 232 27 222

HSL 302.93, 0.82%, 0.51%

LAB 55.29, 87.69, -50.61

 

Description

Color code: RGB 232 140 27 | qconv.com Color code: RGB 232 140 27 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 140 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 140 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 88 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 88% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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