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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 105 92 it is the complementary color RGB 23 150 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 105 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 232 105 92: RGB 237 105 87, RGB 254 123 106, RGB 255 141 125, RGB 255 159 144 and RGB 255 177 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 105 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 232 105 92: RGB 232 105 92, RGB 215 87 73, RGB 198 69 54, RGB 181 51 35 and RGB 164 33 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 60 / 9

HEX #E8695C

RGB 232 105 92

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

 

Complementary color

CMYK 86 / 8 / 0 / 36

HEX #1796A3

RGB 23 150 163

HSL 185.57, 0.75%, 0.36%

LAB 56.72, -27.02, -16

 

CMYK 0 / 56 / 63 / 7

HEX #ED6957

RGB 237 105 87

HSL 7.2, 0.81%, 0.64%

LAB 60.6, 49.74, 35.19

 

CMYK 0 / 52 / 58 / 0

HEX #FE7B6A

RGB 254 123 106

HSL 6.89, 0.99%, 0.71%

LAB 66.73, 48.52, 32.93

 

CMYK 0 / 45 / 51 / 0

HEX #FF8D7D

RGB 255 141 125

HSL 7.38, 1%, 0.75%

LAB 70.73, 41.49, 27.72

 

CMYK 0 / 38 / 44 / 0

HEX #FF9F90

RGB 255 159 144

HSL 8.11, 1%, 0.78%

LAB 74.87, 34.05, 22.91

 

CMYK 0 / 31 / 36 / 0

HEX #FFB1A3

RGB 255 177 163

HSL 9.13, 1%, 0.82%

LAB 79.24, 26.74, 18.64

 

CMYK 0 / 55 / 60 / 9

HEX #E8695C

RGB 232 105 92

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

 

CMYK 0 / 60 / 66 / 16

HEX #D75749

RGB 215 87 73

HSL 5.92, 0.64%, 0.56%

LAB 53.75, 49.45, 33.86

 

CMYK 0 / 65 / 73 / 22

HEX #C64536

RGB 198 69 54

HSL 6.25, 0.57%, 0.49%

LAB 47.66, 50.52, 36.71

 

CMYK 0 / 72 / 81 / 29

HEX #B53323

RGB 181 51 35

HSL 6.58, 0.68%, 0.42%

LAB 41.71, 51.32, 39.88

 

CMYK 0 / 80 / 90 / 36

HEX #A42110

RGB 164 33 16

HSL 6.89, 0.82%, 0.35%

LAB 36.02, 51.56, 42.94

 

CMYK 0 / 55 / 60 / 9

HEX #E8695C

RGB 232 105 92

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

 

CMYK 0 / 45 / 59 / 9

HEX #E8805E

RGB 232 128 94

HSL 14.78, 0.75%, 0.64%

LAB 64.49, 36.97, 36.01

 

CMYK 0 / 35 / 59 / 9

HEX #E8975E

RGB 232 151 94

HSL 24.78, 0.75%, 0.64%

LAB 69.54, 24.9, 42.19

 

CMYK 0 / 25 / 59 / 9

HEX #E8AE5E

RGB 232 174 94

HSL 34.78, 0.75%, 0.64%

LAB 74.97, 12.67, 48.65

 

CMYK 0 / 15 / 59 / 9

HEX #E8C55E

RGB 232 197 94

HSL 44.78, 0.75%, 0.64%

LAB 80.68, 0.6, 55.22

 

CMYK 0 / 55 / 60 / 9

HEX #E8695C

RGB 232 105 92

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

 

CMYK 0 / 54 / 61 / 89

HEX #1C0D0B

RGB 28 13 11

HSL 7.06, 0.44%, 0.08%

LAB 5.05, 6.23, 3.15

 

CMYK 0 / 54 / 61 / 69

HEX #4F241F

RGB 79 36 31

HSL 6.25, 0.44%, 0.22%

LAB 20.14, 19.64, 12.67

 

CMYK 0 / 55 / 60 / 49

HEX #823B34

RGB 130 59 52

HSL 5.38, 0.43%, 0.36%

LAB 34.24, 29.98, 18.95

Pantone® 7609 C

CMYK 0 / 55 / 60 / 29

HEX #B55248

RGB 181 82 72

HSL 5.5, 0.43%, 0.5%

LAB 47.4, 39.4, 25.34

 

CMYK 0 / 55 / 60 / 9

HEX #E8695C

RGB 232 105 92

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

 

CMYK 17 / 0 / 59 / 9

HEX #C1E85E

RGB 193 232 94

HSL 76.96, 0.75%, 0.64%

LAB 86.93, -32.45, 61.38

 

CMYK 59 / 41 / 0 / 9

HEX #5E89E8

RGB 94 137 232

HSL 221.3, 0.75%, 0.64%

LAB 58.13, 13.67, -52.59

 

CMYK 0 / 55 / 60 / 9

HEX #E8695C

RGB 232 105 92

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

 

CMYK 59 / 0 / 55 / 9

HEX #5EE869

RGB 94 232 105

HSL 124.78, 0.75%, 0.64%

LAB 82.44, -62.47, 50.16

 

CMYK 55 / 59 / 0 / 9

HEX #695EE8

RGB 105 94 232

HSL 244.78, 0.75%, 0.64%

LAB 48.05, 41.67, -68.76

 

CMYK 0 / 55 / 60 / 9

HEX #E8695C

RGB 232 105 92

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

 

CMYK 17 / 0 / 59 / 9

HEX #C1E85E

RGB 193 232 94

HSL 76.96, 0.75%, 0.64%

LAB 86.93, -32.45, 61.38

 

CMYK 59 / 5 / 0 / 9

HEX #5EDCE8

RGB 94 220 232

HSL 185.22, 0.75%, 0.64%

LAB 81.51, -31.24, -16.36

 

CMYK 43 / 59 / 0 / 9

HEX #855EE8

RGB 133 94 232

HSL 256.96, 0.75%, 0.64%

LAB 50.47, 47.12, -64.72

 

CMYK 0 / 55 / 60 / 9

HEX #E8695C

RGB 232 105 92

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

 

CMYK 35 / 0 / 59 / 9

HEX #97E85E

RGB 151 232 94

HSL 95.22, 0.75%, 0.64%

LAB 84.54, -47.61, 58.05

 

CMYK 59 / 5 / 0 / 9

HEX #5EDCE8

RGB 94 220 232

HSL 185.22, 0.75%, 0.64%

LAB 81.51, -31.24, -16.36

 

CMYK 25 / 59 / 0 / 9

HEX #AE5EE8

RGB 174 94 232

HSL 274.78, 0.75%, 0.64%

LAB 54.9, 56.25, -57.37

 

Description

Color code: RGB 232 105 92 | qconv.com Color code: RGB 232 105 92 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 105 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 105 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 60 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 60% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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