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Color name
RGB 232 105 92

Information

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 105 92 it is the complementary color RGB 23 150 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 105 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 232 105 92: RGB 237 105 87, RGB 254 123 106, RGB 255 141 125, RGB 255 159 144 and RGB 255 177 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color RGB 232 105 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 232 105 92: RGB 232 105 92, RGB 215 87 73, RGB 198 69 54, RGB 181 51 35 and RGB 164 33 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 60 / 9

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

Complementary color

CMYK 86 / 8 / 0 / 36

HSL 185.57, 0.75%, 0.36%

LAB 56.72, -27.02, -16

Lighter colors

CMYK 0 / 56 / 63 / 7

HSL 7.2, 0.81%, 0.64%

LAB 60.6, 49.74, 35.19

CMYK 0 / 52 / 58 / 0

RGB 254 123 106

HSL 6.89, 0.99%, 0.71%

LAB 66.73, 48.52, 32.93

CMYK 0 / 45 / 51 / 0

RGB 255 141 125

HSL 7.38, 1%, 0.75%

LAB 70.73, 41.49, 27.72

CMYK 0 / 38 / 44 / 0

RGB 255 159 144

HSL 8.11, 1%, 0.78%

LAB 74.87, 34.05, 22.91

CMYK 0 / 31 / 36 / 0

RGB 255 177 163

HSL 9.13, 1%, 0.82%

LAB 79.24, 26.74, 18.64

Darker colors

CMYK 0 / 55 / 60 / 9

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

CMYK 0 / 60 / 66 / 16

HSL 5.92, 0.64%, 0.56%

LAB 53.75, 49.45, 33.86

CMYK 0 / 65 / 73 / 22

HSL 6.25, 0.57%, 0.49%

LAB 47.66, 50.52, 36.71

CMYK 0 / 72 / 81 / 29

HSL 6.58, 0.68%, 0.42%

LAB 41.71, 51.32, 39.88

CMYK 0 / 80 / 90 / 36

HSL 6.89, 0.82%, 0.35%

LAB 36.02, 51.56, 42.94

Analogue colors

CMYK 0 / 55 / 60 / 9

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

CMYK 0 / 45 / 59 / 9

HSL 14.78, 0.75%, 0.64%

LAB 64.49, 36.97, 36.01

CMYK 0 / 35 / 59 / 9

HSL 24.78, 0.75%, 0.64%

LAB 69.54, 24.9, 42.19

CMYK 0 / 25 / 59 / 9

HSL 34.78, 0.75%, 0.64%

LAB 74.97, 12.67, 48.65

CMYK 0 / 15 / 59 / 9

HSL 44.78, 0.75%, 0.64%

LAB 80.68, 0.6, 55.22

Monochromatic colors

CMYK 0 / 55 / 60 / 9

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

CMYK 0 / 54 / 61 / 89

HSL 7.06, 0.44%, 0.08%

LAB 5.05, 6.23, 3.15

CMYK 0 / 54 / 61 / 69

HSL 6.25, 0.44%, 0.22%

LAB 20.14, 19.64, 12.67

CMYK 0 / 55 / 60 / 49

HSL 5.38, 0.43%, 0.36%

LAB 34.24, 29.98, 18.95

Pantone® 7609 C

CMYK 0 / 55 / 60 / 29

HSL 5.5, 0.43%, 0.5%

LAB 47.4, 39.4, 25.34

Partial complementary colors

CMYK 0 / 55 / 60 / 9

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

CMYK 17 / 0 / 59 / 9

HSL 76.96, 0.75%, 0.64%

LAB 86.93, -32.45, 61.38

CMYK 59 / 41 / 0 / 9

HSL 221.3, 0.75%, 0.64%

LAB 58.13, 13.67, -52.59

Triadic colors

CMYK 0 / 55 / 60 / 9

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

CMYK 59 / 0 / 55 / 9

HSL 124.78, 0.75%, 0.64%

LAB 82.44, -62.47, 50.16

CMYK 55 / 59 / 0 / 9

HSL 244.78, 0.75%, 0.64%

LAB 48.05, 41.67, -68.76

Rectangular (tetradic) colors

CMYK 0 / 55 / 60 / 9

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

CMYK 17 / 0 / 59 / 9

HSL 76.96, 0.75%, 0.64%

LAB 86.93, -32.45, 61.38

CMYK 59 / 5 / 0 / 9

HSL 185.22, 0.75%, 0.64%

LAB 81.51, -31.24, -16.36

CMYK 43 / 59 / 0 / 9

HSL 256.96, 0.75%, 0.64%

LAB 50.47, 47.12, -64.72

Square colors

CMYK 0 / 55 / 60 / 9

HSL 5.57, 0.75%, 0.64%

LAB 59.92, 48.28, 31.38

CMYK 35 / 0 / 59 / 9

HSL 95.22, 0.75%, 0.64%

LAB 84.54, -47.61, 58.05

CMYK 59 / 5 / 0 / 9

HSL 185.22, 0.75%, 0.64%

LAB 81.51, -31.24, -16.36

CMYK 25 / 59 / 0 / 9

HSL 274.78, 0.75%, 0.64%

LAB 54.9, 56.25, -57.37

Description

Color code: RGB 232 105 92 | qconv.com

Color code: RGB 232 105 92 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 105 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 60 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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