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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 193 172 it is the complementary color RGB 24 62 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 193 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 193 172 shade: RGB 236 193 167, RGB 253 211 186, RGB 255 229 205, RGB 255 247 224 and RGB 255 255 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 193 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 193 172 shade: RGB 231 193 172, RGB 214 175 153, RGB 197 157 134, RGB 180 139 115 and RGB 163 121 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 193 172 shade: RGB 231 193 172, RGB 231 177 172 and RGB 231 172 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 193 172 shade: RGB 231 193 172, RGB 231 209 172, RGB 231 225 172, RGB 221 231 172 and RGB 205 231 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 193 172 shade matches the following richer shades: RGB 231 193 172, RGB 240 190 163 and RGB 248 188 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 193 172 shade: RGB 231 193 172, RGB 222 195 181, RGB 214 198 189, RGB 205 200 198 and RGB 196 203 207

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 193 172 shade: RGB 231 172 183, RGB 231 177 172, RGB 231 193 172, RGB 231 208 172 and RGB 231 224 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 193 172 shade: RGB 212 145 108, RGB 222 169 140, RGB 231 193 172, RGB 240 217 204 and RGB 249 241 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 193 172 shade: RGB 231 193 172, RGB 199 231 172 and RGB 172 175 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 193 172 shade: RGB 231 193 172, RGB 172 231 193 and RGB 193 172 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 193 172 shade: RGB 231 193 172, RGB 199 231 172, RGB 172 210 231 and RGB 204 172 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 193 172 shade: RGB 231 193 172, RGB 181 231 172, RGB 172 210 231 and RGB 222 172 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 26 / 9

HEX #E7C1AC

RGB 231 193 172

HSL 21.36, 0.55%, 0.79%

LAB 80.8, 10.42, 15.62

 

Complementary color

CMYK 71 / 25 / 0 / 67

HEX #183E53

RGB 24 62 83

HSL 201.36, 0.55%, 0.21%

LAB 24.53, -5.83, -16.64

 

CMYK 0 / 18 / 29 / 7

HEX #ECC1A7

RGB 236 193 167

HSL 22.61, 0.64%, 0.79%

LAB 81.16, 11.63, 18.87

 

CMYK 0 / 17 / 26 / 1

HEX #FDD3BA

RGB 253 211 186

HSL 22.39, 0.94%, 0.86%

LAB 87.49, 11.1, 17.88

 

CMYK 0 / 10 / 20 / 0

HEX #FFE5CD

RGB 255 229 205

HSL 28.8, 1%, 0.9%

LAB 92.45, 5.2, 14.94

 

CMYK 0 / 3 / 12 / 0

HEX #FFF7E0

RGB 255 247 224

HSL 44.52, 1%, 0.94%

LAB 97.29, -1.09, 12

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 0 / 16 / 26 / 9

HEX #E7C1AC

RGB 231 193 172

HSL 21.36, 0.55%, 0.79%

LAB 80.8, 10.42, 15.62

 

CMYK 0 / 18 / 29 / 16

HEX #D6AF99

RGB 214 175 153

HSL 21.64, 0.43%, 0.72%

LAB 74.35, 10.95, 16.61

 

CMYK 0 / 20 / 32 / 23

HEX #C59D86

RGB 197 157 134

HSL 21.9, 0.35%, 0.65%

LAB 67.8, 11.55, 17.67

 

CMYK 0 / 23 / 36 / 29

HEX #B48B73

RGB 180 139 115

HSL 22.15, 0.3%, 0.58%

LAB 61.14, 12.23, 18.83

 

CMYK 0 / 26 / 41 / 36

HEX #A37960

RGB 163 121 96

HSL 22.39, 0.27%, 0.51%

LAB 54.35, 13.03, 20.1

 

CMYK 0 / 16 / 26 / 9

HEX #E7C1AC

RGB 231 193 172

HSL 21.36, 0.55%, 0.79%

LAB 80.8, 10.42, 15.62

 

CMYK 0 / 23 / 26 / 9

HEX #E7B1AC

RGB 231 177 172

HSL 5.08, 0.55%, 0.79%

LAB 76.93, 18.92, 10.15

 

CMYK 0 / 26 / 26 / 9

HEX #E7ACAC

RGB 231 172 172

HSL 0, 0.55%, 0.79%

LAB 75.74, 21.59, 8.47

 

CMYK 0 / 16 / 26 / 9

HEX #E7C1AC

RGB 231 193 172

HSL 21.36, 0.55%, 0.79%

LAB 80.8, 10.42, 15.62

 

CMYK 0 / 10 / 26 / 9

HEX #E7D1AC

RGB 231 209 172

HSL 37.63, 0.55%, 0.79%

LAB 84.78, 2.04, 21.16

 

CMYK 0 / 3 / 26 / 9

HEX #E7E1AC

RGB 231 225 172

HSL 53.9, 0.55%, 0.79%

LAB 88.84, -6.17, 26.73

 

CMYK 4 / 0 / 26 / 9

HEX #DDE7AC

RGB 221 231 172

HSL 70.17, 0.55%, 0.79%

LAB 89.63, -12.88, 27.68

 

CMYK 11 / 0 / 26 / 9

HEX #CDE7AC

RGB 205 231 172

HSL 86.44, 0.55%, 0.79%

LAB 88.5, -18.67, 25.96

 

CMYK 0 / 16 / 26 / 9

HEX #E7C1AC

RGB 231 193 172

HSL 21.36, 0.55%, 0.79%

LAB 80.8, 10.42, 15.62

 

CMYK 0 / 21 / 32 / 6

HEX #F0BEA3

RGB 240 190 163

HSL 21.04, 0.72%, 0.79%

LAB 80.74, 14.22, 20.47

 

CMYK 0 / 24 / 38 / 3

HEX #F8BC9B

RGB 248 188 155

HSL 21.29, 0.87%, 0.79%

LAB 80.9, 17.38, 25.08

 

CMYK 0 / 16 / 26 / 9

HEX #E7C1AC

RGB 231 193 172

HSL 21.36, 0.55%, 0.79%

LAB 80.8, 10.42, 15.62

 

CMYK 0 / 12 / 18 / 13

HEX #DEC3B5

RGB 222 195 181

HSL 20.49, 0.38%, 0.79%

LAB 80.68, 7.32, 10.53

 

CMYK 0 / 7 / 12 / 16

HEX #D6C6BD

RGB 214 198 189

HSL 21.6, 0.23%, 0.79%

LAB 80.94, 4.09, 6.51

 

CMYK 0 / 2 / 3 / 20

HEX #CDC8C6

RGB 205 200 198

HSL 17.14, 0.07%, 0.79%

LAB 80.94, 1.38, 1.6

 

CMYK 5 / 2 / 0 / 19

HEX #C4CBCF

RGB 196 203 207

HSL 201.82, 0.1%, 0.79%

LAB 81.27, -1.63, -2.83

 

CMYK 0 / 26 / 21 / 9

HEX #E7ACB7

RGB 231 172 183

HSL 348.81, 0.55%, 0.79%

LAB 76.02, 23.18, 2.85

 

CMYK 0 / 23 / 26 / 9

HEX #E7B1AC

RGB 231 177 172

HSL 5.08, 0.55%, 0.79%

LAB 76.93, 18.92, 10.15

 

CMYK 0 / 16 / 26 / 9

HEX #E7C1AC

RGB 231 193 172

HSL 21.36, 0.55%, 0.79%

LAB 80.8, 10.42, 15.62

 

CMYK 0 / 10 / 26 / 9

HEX #E7D0AC

RGB 231 208 172

HSL 36.61, 0.55%, 0.79%

LAB 84.52, 2.56, 20.82

 

CMYK 0 / 3 / 26 / 9

HEX #E7E0AC

RGB 231 224 172

HSL 52.88, 0.55%, 0.79%

LAB 88.58, -5.66, 26.38

 

CMYK 0 / 32 / 49 / 17

HEX #D4916C

RGB 212 145 108

HSL 21.35, 0.55%, 0.63%

LAB 66.01, 21.17, 29.82

 

CMYK 0 / 24 / 37 / 13

HEX #DEA98C

RGB 222 169 140

HSL 21.22, 0.55%, 0.71%

LAB 73.41, 15.63, 22.5

 

CMYK 0 / 16 / 26 / 9

HEX #E7C1AC

RGB 231 193 172

HSL 21.36, 0.55%, 0.79%

LAB 80.8, 10.42, 15.62

 

CMYK 0 / 10 / 15 / 6

HEX #F0D9CC

RGB 240 217 204

HSL 21.67, 0.55%, 0.87%

LAB 88.21, 5.85, 9.27

 

CMYK 0 / 3 / 5 / 2

HEX #F9F1EC

RGB 249 241 236

HSL 23.08, 0.52%, 0.95%

LAB 95.62, 1.83, 3.35

 

CMYK 0 / 16 / 26 / 9

HEX #E7C1AC

RGB 231 193 172

HSL 21.36, 0.55%, 0.79%

LAB 80.8, 10.42, 15.62

 

CMYK 14 / 0 / 26 / 9

HEX #C7E7AC

RGB 199 231 172

HSL 92.54, 0.55%, 0.79%

LAB 88.1, -20.8, 25.35

 

CMYK 26 / 24 / 0 / 9

HEX #ACAFE7

RGB 172 175 231

HSL 236.95, 0.55%, 0.79%

LAB 73.02, 11.01, -28.37

 

CMYK 0 / 16 / 26 / 9

HEX #E7C1AC

RGB 231 193 172

HSL 21.36, 0.55%, 0.79%

LAB 80.8, 10.42, 15.62

 

CMYK 26 / 0 / 16 / 9

HEX #ACE7C1

RGB 172 231 193

HSL 141.36, 0.55%, 0.79%

LAB 86.89, -26.27, 12.51

 

CMYK 16 / 26 / 0 / 9

HEX #C1ACE7

RGB 193 172 231

HSL 261.36, 0.55%, 0.79%

LAB 73.94, 19.07, -26.82

 

CMYK 0 / 16 / 26 / 9

HEX #E7C1AC

RGB 231 193 172

HSL 21.36, 0.55%, 0.79%

LAB 80.8, 10.42, 15.62

 

CMYK 14 / 0 / 26 / 9

HEX #C7E7AC

RGB 199 231 172

HSL 92.54, 0.55%, 0.79%

LAB 88.1, -20.8, 25.35

 

CMYK 26 / 9 / 0 / 9

HEX #ACD2E7

RGB 172 210 231

HSL 201.36, 0.55%, 0.79%

LAB 82.18, -7.85, -14.47

 

CMYK 12 / 26 / 0 / 9

HEX #CCACE7

RGB 204 172 231

HSL 272.54, 0.55%, 0.79%

LAB 74.9, 22.52, -25.27

 

CMYK 0 / 16 / 26 / 9

HEX #E7C1AC

RGB 231 193 172

HSL 21.36, 0.55%, 0.79%

LAB 80.8, 10.42, 15.62

 

CMYK 22 / 0 / 26 / 9

HEX #B5E7AC

RGB 181 231 172

HSL 110.85, 0.55%, 0.79%

LAB 86.97, -27, 23.62

 

CMYK 26 / 9 / 0 / 9

HEX #ACD2E7

RGB 172 210 231

HSL 201.36, 0.55%, 0.79%

LAB 82.18, -7.85, -14.47

 

CMYK 4 / 26 / 0 / 9

HEX #DEACE7

RGB 222 172 231

HSL 290.85, 0.55%, 0.79%

LAB 76.56, 28.28, -22.58

 

Description

Color code: RGB 231 193 172 | qconv.com Color code: RGB 231 193 172 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 193 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 193 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 26 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 26% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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