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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCACE7 it is the complementary color #335318. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCACE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCACE7 shade: #D1ACE2, #E2BEF5, #F3D0FF, #FFE2FF and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCACE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCACE7 shade: #CCACE7, #BB9AD4, #AA88C1, #9976AE and #88649B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCACE7 shade: #CCACE7, #DCACE7, #E7ACE2, #E7ACD2 and #E7ACC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCACE7 shade: #CCACE7, #BCACE7 and #ACACE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCACE7 shade matches the following richer shades: #CCACE7, #CDA3F0 and #CD9BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCACE7 shade: #CCACE7, #CBB5DE, #CABDD6, #CAC6CD and #C9CFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCACE7 shade: #ACACE7, #BCACE7, #CBACE7, #DBACE7 and #E7ACE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCACE7 shade: #A56CD4, #B88CDE, #CCACE7, #E0CCF0 and #F3ECF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCACE7 shade: #CCACE7, #E7ACBC and #ACE7B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCACE7 shade: #CCACE7, #E7CBAC and #ACE7CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCACE7 shade: #CCACE7, #E7ACBC, #C7E7AC and #ACE7D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCACE7 shade: #CCACE7, #E7AEAC, #C7E7AC and #ACE5E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 26 / 0 / 9

HEX #CCACE7

RGB 204 172 231

HSL 272.54, 0.55%, 0.79%

LAB 74.9, 22.52, -25.27

 

Complementary color

CMYK 39 / 0 / 71 / 67

HEX #335318

RGB 51 83 24

HSL 92.54, 0.55%, 0.21%

LAB 31.71, -23.11, 29.81

 

CMYK 8 / 24 / 0 / 11

HEX #D1ACE2

RGB 209 172 226

HSL 281.11, 0.48%, 0.78%

LAB 75.17, 23.11, -22.09

 

CMYK 8 / 22 / 0 / 4

HEX #E2BEF5

RGB 226 190 245

HSL 279.27, 0.73%, 0.85%

LAB 81.61, 22.59, -22.4

 

CMYK 5 / 18 / 0 / 0

HEX #F3D0FF

RGB 243 208 255

HSL 284.68, 1%, 0.91%

LAB 87.67, 20.39, -18.41

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 12 / 26 / 0 / 9

HEX #CCACE7

RGB 204 172 231

HSL 272.54, 0.55%, 0.79%

LAB 74.9, 22.52, -25.27

 

CMYK 12 / 27 / 0 / 17

HEX #BB9AD4

RGB 187 154 212

HSL 274.14, 0.4%, 0.72%

LAB 68.34, 23.08, -25.03

 

CMYK 12 / 30 / 0 / 24

HEX #AA88C1

RGB 170 136 193

HSL 275.79, 0.31%, 0.65%

LAB 61.66, 23.67, -24.8

 

CMYK 12 / 32 / 0 / 32

HEX #9976AE

RGB 153 118 174

HSL 277.5, 0.26%, 0.57%

LAB 54.85, 24.33, -24.59

 

CMYK 12 / 35 / 0 / 39

HEX #88649B

RGB 136 100 155

HSL 279.27, 0.22%, 0.5%

LAB 47.9, 25.04, -24.37

 

CMYK 12 / 26 / 0 / 9

HEX #CCACE7

RGB 204 172 231

HSL 272.54, 0.55%, 0.79%

LAB 74.9, 22.52, -25.27

 

CMYK 5 / 26 / 0 / 9

HEX #DCACE7

RGB 220 172 231

HSL 288.81, 0.55%, 0.79%

LAB 76.37, 27.63, -22.89

 

CMYK 0 / 26 / 2 / 9

HEX #E7ACE2

RGB 231 172 226

HSL 305.08, 0.55%, 0.79%

LAB 77.27, 30.28, -18.71

 

CMYK 0 / 26 / 9 / 9

HEX #E7ACD2

RGB 231 172 210

HSL 321.36, 0.55%, 0.79%

LAB 76.77, 27.48, -10.77

 

CMYK 0 / 26 / 16 / 9

HEX #E7ACC2

RGB 231 172 194

HSL 337.63, 0.55%, 0.79%

LAB 76.31, 24.86, -2.73

 

CMYK 12 / 26 / 0 / 9

HEX #CCACE7

RGB 204 172 231

HSL 272.54, 0.55%, 0.79%

LAB 74.9, 22.52, -25.27

 

CMYK 19 / 26 / 0 / 9

HEX #BCACE7

RGB 188 172 231

HSL 256.27, 0.55%, 0.79%

LAB 73.52, 17.52, -27.5

 

CMYK 26 / 26 / 0 / 9

HEX #ACACE7

RGB 172 172 231

HSL 240, 0.55%, 0.79%

LAB 72.26, 12.68, -29.55

 

CMYK 12 / 26 / 0 / 9

HEX #CCACE7

RGB 204 172 231

HSL 272.54, 0.55%, 0.79%

LAB 74.9, 22.52, -25.27

 

CMYK 15 / 32 / 0 / 6

HEX #CDA3F0

RGB 205 163 240

HSL 272.73, 0.72%, 0.79%

LAB 73.2, 29.65, -32.77

 

CMYK 17 / 38 / 0 / 3

HEX #CD9BF8

RGB 205 155 248

HSL 272.26, 0.87%, 0.79%

LAB 71.69, 35.74, -39.46

 

CMYK 12 / 26 / 0 / 9

HEX #CCACE7

RGB 204 172 231

HSL 272.54, 0.55%, 0.79%

LAB 74.9, 22.52, -25.27

 

CMYK 9 / 18 / 0 / 13

HEX #CBB5DE

RGB 203 181 222

HSL 272.2, 0.38%, 0.79%

LAB 76.69, 15.45, -17.67

 

CMYK 6 / 12 / 0 / 16

HEX #CABDD6

RGB 202 189 214

HSL 271.2, 0.23%, 0.79%

LAB 78.35, 9.2, -10.86

 

CMYK 1 / 3 / 0 / 20

HEX #CAC6CD

RGB 202 198 205

HSL 274.29, 0.07%, 0.79%

LAB 80.38, 2.67, -3.01

 

CMYK 3 / 0 / 5 / 19

HEX #C9CFC4

RGB 201 207 196

HSL 92.73, 0.1%, 0.79%

LAB 82.39, -4.04, 4.74

 

CMYK 26 / 26 / 0 / 9

HEX #ACACE7

RGB 172 172 231

HSL 240, 0.55%, 0.79%

LAB 72.26, 12.68, -29.55

 

CMYK 19 / 26 / 0 / 9

HEX #BCACE7

RGB 188 172 231

HSL 256.27, 0.55%, 0.79%

LAB 73.52, 17.52, -27.5

 

CMYK 12 / 26 / 0 / 9

HEX #CBACE7

RGB 203 172 231

HSL 271.53, 0.55%, 0.79%

LAB 74.81, 22.21, -25.42

 

CMYK 5 / 26 / 0 / 9

HEX #DBACE7

RGB 219 172 231

HSL 287.8, 0.55%, 0.79%

LAB 76.27, 27.31, -23.05

 

CMYK 0 / 26 / 2 / 9

HEX #E7ACE3

RGB 231 172 227

HSL 304.07, 0.55%, 0.79%

LAB 77.3, 30.46, -19.2

 

CMYK 22 / 49 / 0 / 17

HEX #A56CD4

RGB 165 108 212

HSL 272.88, 0.55%, 0.63%

LAB 55.56, 42.13, -45.1

 

CMYK 17 / 37 / 0 / 13

HEX #B88CDE

RGB 184 140 222

HSL 272.2, 0.55%, 0.71%

LAB 65.14, 32.1, -35.54

 

CMYK 12 / 26 / 0 / 9

HEX #CCACE7

RGB 204 172 231

HSL 272.54, 0.55%, 0.79%

LAB 74.9, 22.52, -25.27

 

CMYK 7 / 15 / 0 / 6

HEX #E0CCF0

RGB 224 204 240

HSL 273.33, 0.55%, 0.87%

LAB 84.65, 13.49, -15.17

 

CMYK 2 / 5 / 0 / 2

HEX #F3ECF9

RGB 243 236 249

HSL 272.31, 0.52%, 0.95%

LAB 94.26, 4.66, -5.44

 

CMYK 12 / 26 / 0 / 9

HEX #CCACE7

RGB 204 172 231

HSL 272.54, 0.55%, 0.79%

LAB 74.9, 22.52, -25.27

 

CMYK 0 / 26 / 19 / 9

HEX #E7ACBC

RGB 231 172 188

HSL 343.73, 0.55%, 0.79%

LAB 76.15, 23.93, 0.31

 

CMYK 26 / 0 / 22 / 9

HEX #ACE7B4

RGB 172 231 180

HSL 128.14, 0.55%, 0.79%

LAB 86.61, -28.62, 18.9

 

CMYK 12 / 26 / 0 / 9

HEX #CCACE7

RGB 204 172 231

HSL 272.54, 0.55%, 0.79%

LAB 74.9, 22.52, -25.27

 

CMYK 0 / 12 / 26 / 9

HEX #E7CBAC

RGB 231 203 172

HSL 31.53, 0.55%, 0.79%

LAB 83.27, 5.16, 19.08

 

CMYK 26 / 0 / 12 / 9

HEX #ACE7CB

RGB 172 231 203

HSL 151.53, 0.55%, 0.79%

LAB 87.11, -24.36, 7.59

 

CMYK 12 / 26 / 0 / 9

HEX #CCACE7

RGB 204 172 231

HSL 272.54, 0.55%, 0.79%

LAB 74.9, 22.52, -25.27

 

CMYK 0 / 26 / 19 / 9

HEX #E7ACBC

RGB 231 172 188

HSL 343.73, 0.55%, 0.79%

LAB 76.15, 23.93, 0.31

 

CMYK 14 / 0 / 26 / 9

HEX #C7E7AC

RGB 199 231 172

HSL 92.54, 0.55%, 0.79%

LAB 88.1, -20.8, 25.35

 

CMYK 26 / 0 / 7 / 9

HEX #ACE7D7

RGB 172 231 215

HSL 163.73, 0.55%, 0.79%

LAB 87.4, -21.95, 1.72

 

CMYK 12 / 26 / 0 / 9

HEX #CCACE7

RGB 204 172 231

HSL 272.54, 0.55%, 0.79%

LAB 74.9, 22.52, -25.27

 

CMYK 0 / 25 / 26 / 9

HEX #E7AEAC

RGB 231 174 172

HSL 2.03, 0.55%, 0.79%

LAB 76.22, 20.53, 9.14

 

CMYK 14 / 0 / 26 / 9

HEX #C7E7AC

RGB 199 231 172

HSL 92.54, 0.55%, 0.79%

LAB 88.1, -20.8, 25.35

 

CMYK 26 / 1 / 0 / 9

HEX #ACE5E7

RGB 172 229 231

HSL 182.03, 0.55%, 0.79%

LAB 87.28, -17.55, -6.87

 

Description

Color code: HEX #CCACE7 | qconv.com Color code: HEX #CCACE7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 172 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 172 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 26 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 26% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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