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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 169 116 it is the complementary color RGB 24 86 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 169 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 231 169 116: RGB 236 169 111, RGB 253 187 130, RGB 255 205 149, RGB 255 223 168 and RGB 255 241 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 169 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 231 169 116: RGB 231 169 116, RGB 214 151 97, RGB 197 133 78, RGB 180 115 59 and RGB 163 97 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 50 / 9

HEX #E7A974

RGB 231 169 116

HSL 27.65, 0.71%, 0.68%

LAB 73.95, 16.71, 36.2

 

Complementary color

CMYK 83 / 38 / 0 / 45

HEX #18568B

RGB 24 86 139

HSL 207.65, 0.71%, 0.32%

LAB 35.43, 0.73, -34.88

 

CMYK 0 / 28 / 53 / 7

HEX #ECA96F

RGB 236 169 111

HSL 27.84, 0.77%, 0.68%

LAB 74.42, 18.29, 39.51

 

CMYK 0 / 26 / 49 / 1

HEX #FDBB82

RGB 253 187 130

HSL 27.8, 0.97%, 0.75%

LAB 80.76, 17.29, 38.09

 

CMYK 0 / 20 / 42 / 0

HEX #FFCD95

RGB 255 205 149

HSL 31.7, 1%, 0.79%

LAB 85.55, 10.56, 34.56

 

CMYK 0 / 13 / 34 / 0

HEX #FFDFA8

RGB 255 223 168

HSL 37.93, 1%, 0.83%

LAB 90.26, 3.4, 31.05

 

CMYK 0 / 5 / 27 / 0

HEX #FFF1BB

RGB 255 241 187

HSL 47.65, 1%, 0.87%

LAB 95.06, -3.37, 27.83

 

CMYK 0 / 27 / 50 / 9

HEX #E7A974

RGB 231 169 116

HSL 27.65, 0.71%, 0.68%

LAB 73.95, 16.71, 36.2

 

CMYK 0 / 29 / 55 / 16

HEX #D69761

RGB 214 151 97

HSL 27.69, 0.59%, 0.61%

LAB 67.5, 17.76, 37.66

 

CMYK 0 / 32 / 60 / 23

HEX #C5854E

RGB 197 133 78

HSL 27.73, 0.51%, 0.54%

LAB 60.95, 18.97, 39.21

 

CMYK 0 / 36 / 67 / 29

HEX #B4733B

RGB 180 115 59

HSL 27.77, 0.51%, 0.47%

LAB 54.32, 20.38, 40.82

 

CMYK 0 / 40 / 75 / 36

HEX #A36128

RGB 163 97 40

HSL 27.8, 0.61%, 0.4%

LAB 47.61, 22.03, 42.37

 

CMYK 0 / 27 / 50 / 9

HEX #E7A974

RGB 231 169 116

HSL 27.65, 0.71%, 0.68%

LAB 73.95, 16.71, 36.2

 

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

CMYK 0 / 11 / 50 / 9

HEX #E7CE73

RGB 231 206 115

HSL 47.07, 0.71%, 0.68%

LAB 83.11, -2.8, 48.09

 

CMYK 0 / 3 / 50 / 9

HEX #E7E173

RGB 231 225 115

HSL 56.9, 0.71%, 0.68%

LAB 88.01, -12.41, 53.96

 

CMYK 6 / 0 / 50 / 9

HEX #D9E773

RGB 217 231 115

HSL 67.24, 0.71%, 0.68%

LAB 88.52, -20.9, 54.3

 

CMYK 0 / 27 / 50 / 9

HEX #E7A974

RGB 231 169 116

HSL 27.65, 0.71%, 0.68%

LAB 73.95, 16.71, 36.2

 

CMYK 0 / 26 / 48 / 89

HEX #1B140E

RGB 27 20 14

HSL 27.69, 0.32%, 0.08%

LAB 6.91, 2.22, 4.45

 

CMYK 0 / 27 / 50 / 69

HEX #4E3927

RGB 78 57 39

HSL 27.69, 0.33%, 0.23%

LAB 25.84, 6.64, 14.82

 

CMYK 0 / 27 / 50 / 49

HEX #815E41

RGB 129 94 65

HSL 27.19, 0.33%, 0.38%

LAB 42.84, 10.48, 22.18

 

CMYK 0 / 27 / 50 / 29

HEX #B4845A

RGB 180 132 90

HSL 28, 0.38%, 0.53%

LAB 58.92, 13.35, 29.82

 

CMYK 0 / 27 / 50 / 9

HEX #E7A974

RGB 231 169 116

HSL 27.65, 0.71%, 0.68%

LAB 73.95, 16.71, 36.2

 

CMYK 32 / 0 / 50 / 9

HEX #9CE773

RGB 156 231 115

HSL 98.79, 0.71%, 0.68%

LAB 84.72, -43.34, 48.84

 

CMYK 48 / 50 / 0 / 9

HEX #7973E7

RGB 121 115 231

HSL 243.1, 0.71%, 0.68%

LAB 54.13, 32.15, -58.32

 

CMYK 0 / 27 / 50 / 9

HEX #E7A974

RGB 231 169 116

HSL 27.65, 0.71%, 0.68%

LAB 73.95, 16.71, 36.2

 

CMYK 50 / 0 / 28 / 9

HEX #73E7A7

RGB 115 231 167

HSL 146.9, 0.71%, 0.68%

LAB 83.75, -47.25, 21.28

 

CMYK 28 / 50 / 0 / 9

HEX #A773E7

RGB 167 115 231

HSL 266.9, 0.71%, 0.68%

LAB 58.27, 43.27, -51.47

 

CMYK 0 / 27 / 50 / 9

HEX #E7A974

RGB 231 169 116

HSL 27.65, 0.71%, 0.68%

LAB 73.95, 16.71, 36.2

 

CMYK 32 / 0 / 50 / 9

HEX #9CE773

RGB 156 231 115

HSL 98.79, 0.71%, 0.68%

LAB 84.72, -43.34, 48.84

 

CMYK 50 / 23 / 0 / 9

HEX #73B3E7

RGB 115 179 231

HSL 206.9, 0.71%, 0.68%

LAB 70.63, -6.32, -32.34

 

CMYK 18 / 50 / 0 / 9

HEX #BE73E7

RGB 190 115 231

HSL 278.79, 0.71%, 0.68%

LAB 60.76, 49.33, -47.36

 

CMYK 0 / 27 / 50 / 9

HEX #E7A974

RGB 231 169 116

HSL 27.65, 0.71%, 0.68%

LAB 73.95, 16.71, 36.2

 

CMYK 48 / 0 / 50 / 9

HEX #79E773

RGB 121 231 115

HSL 116.9, 0.71%, 0.68%

LAB 83.15, -54.09, 46.58

 

CMYK 50 / 23 / 0 / 9

HEX #73B3E7

RGB 115 179 231

HSL 206.9, 0.71%, 0.68%

LAB 70.63, -6.32, -32.34

 

CMYK 3 / 50 / 0 / 9

HEX #E173E7

RGB 225 115 231

HSL 296.9, 0.71%, 0.68%

LAB 64.99, 58.79, -40.41

 

Description

Color code: RGB 231 169 116 | qconv.com Color code: RGB 231 169 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 169 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 169 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 50 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 50% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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